The name is fine. What anime needs is a long enough break to come up with a mess of new ideas. Many of which will undoubtedly come from the West. Which brings up the other thing it needs: Fewer fanbois wrongly insisting that anime is soooo original and the West is "always stealing" from it. Uh, no. The Japanese are gigantic borrowers. I love them, but neighbors who borrow your lawnmower, paint it pink and put kitties on it and never return it, they most certainly are.
I love anime to death, and before you question that, you can imagine one-year-old Bruunwald sitting in front of a grainy TV in 1971, watching Speed Racer like it was a Christmas gospel, and proceed from there, through Gatchaman, Star Blazers, up through Akira, through a decade of great one-offs like Cyber City, Ninja Scroll and Wicked City, on to marriage to a woman who loves Fushigi Yugi, Love Hina and Boys over Flowers, and finally onto later series like Bleach, Trinity Blood, Claymore and Tsubasa. I even have always liked Sailor Moon and we own VHS of all the original Japanese broadcasts.
But really, at this point, after 40 years of anime, there are two important things I have learned.
One is that the little girl helping the heroes on their quest is actually the missing empress they are trying to find, that the hero who shouldn't overuse her power is going to become a monster by doing so but will be saved by the love of the person she tried to send away, that the two main characters who fight constantly are actually in love, that the girl the guy likes is going to punch him a lot, that two characters meant to hook up are never going to during the series run, that everybody knew each other in a previous life (or as children), that most situations can be resolved by the timely third act arrival of the title character, and that there is some hidden power deep within any hero that is going to rise up after he should have been defeated.
The other thing is that Western kids, especially Americans, possess such self loathing, and are so under-educated regarding their own folklore and myth, that they are unable to recognize endless incarnations of Western influence in modern Japanese storytelling, and will buy eagerly into any argument that our side of the world borrows solely from that side of the world without so much as a spellcheck. A wrongheadedness that is the greatest source of my frustration with, and gigantic dislike of Fanbois.
Seriously. Search Wikipedia. Do a little homework. Japan is the source of many interesting ideas. So is China. So is India. So is Africa. So are Germany, France, England, Ireland, the Slavic nations, Native American lore, South America and shock of all shocks - Greece (whod've thought?). Anime borrows from all of them, quite liberally (not to mention a too-heavy reliance on hackmasters like George Lucas), so please let us not continue on with the myth of the Collective Japanese Genius from Which All Things Borrow.
Instead of renaming anime, let's just educate its fan base.