Squilookle said:
Love stories in war films, specifically Air combat films.
I don't hate them, especially when they are well handled and particularly touching (like in Dark Blue World), but there's always a little part of me thinking about how the romance scenes are eating away at potential aerial dogfighting chaos scenes.
Seriously- when you compare strictly the amount of 'romance' and 'aerial dogfights' in film these days, there so little air combat going around that you can't really blame people for flocking to the latest WW2 epic for the action and then being disheartened by the abundance of hanky panky that they could find almost anywhere else...
Did you perhaps see Red Tails recently? thats what you made me think of, although that love story did have some wieght by the end, but most of the time I was wondering what on earth it was for and why it was taking time out from the main plot.
Anyway for me, its the "misunderstanding" moment that happens in a ton of films. Not so much that its back just that often its handled poorly.
Lets take a romance in a film, there seems to be always that "misunderstanding" moment where one or both parties overhears something or sees something or what have you that they take the wrong way. Now it can work but when I see it and I see the overblown reactions these people have I sit there and think "oh come on!"
I mean really, so your running away/leaving him/her over something you assume happened/didnt happen, thats crazy! in the real world, rational people would talk it out almost instantly, the misunderstanding would be cleared up and none of that drama would happen! It would all be resolved in moments not days, I guess the saving grace is that they do clear up the misunderstanding eventually, even if its in the longest, most convuloted way possible