Absolutely boring film. After about 20 minutes in the jungle, the 'wow' of the visuals wears off and you just don't care about the one-dimensional characters, the shallow dialogue, or the cardboard predictable plot.
Want to see a better film? Splice Dances with Wolves and Pocahontas with a dash of Jane Goodall documentary (whom Sigourney Weaver channels throughout the whole film, as if the natives are somehow 'apes' despite Weaver being portrayed as on their side) and then end it with the Ewok fight scene from Star Wars: Return of the Jedi. There you have a much better film that has actual creativity, since they at least predate this film by over a decade.I spent the whole first half hoping the film would redeem itself in the second and was sorely disappointed. I spent the entire second half (including the fight sequences) bored out of my skull it was so predictable.
Cameron may well have spent plenty of time creating a world to set this film in, but that's apparently all he did. The script is completely phoned in. They seriously use the following two lines "We must fight for our children, and our children's children." and "We will fight terror with terror". And no, there is no subtlety with which either side says this, nor any nuance to the characters or plot, in these particular scenes or otherwise. No twists. From the moment all the characters are introduced you can easily dictate who will be on what side, and who will die/live/love/lose etc. Its a cookie cutter plot polished with a pretty CG veneer. The greatest and ONLY surprise in the entire film (spoiler alert) was that I expected the expendably human male to die in the end fight sequence instead of the female. Wow, shocking stuff. (spoiler over)
There was plenty of material that could have been covered in this colossally long picture- missionary schools and attempts to 'fix' or 'teach' the natives, patriarchy and sexism, something as simple as industrialization vs environmentalism, or even militarism. You would think something this hyped would pay more then token service to any of these themes, and they have BEAUTIFUL setups for them to be discussed. But they don't; a small exception is the bash-you-over-the-head symbolism of a large tree being destroyed as being 'bad'. Are we sure Cameron didn't let his kids write this while he was busy spending thousands of dollars getting someone to make up a language for this film? Or was he too busy explaining to the 3d modeler's how best to use blaxploitation techniques to cover all types of 'natives' and not just Africans?
A simple example of how this film had too much tech and gloss and not enough creativity- There are horse-like and dog-like creatures on Pandora. Fine, I'll accept that, convergent evolution and all that. The film goes out of its way to show breathtaking shots of these creatures moving with their SIX legs on the ground. The animators went far enough in their modelling to show that the creatures moved differently than our own versions of them. Did Cameron write them to behave any differently? No. Did they do anything with their extra limbs in combat? No. Was there any reason to make them different from our own except for its own sake? No. It would not have been hard to integrate the differences of the creatures of Pandora into the story line to paint a better portrait of how intertwined the life on Pandora is. But clearly that effort was not there.
It disgusts me that films like this provide ammo for people who feel CG makes filmaking too easy and thus detrimental to good narrative and storytelling, since crap like this will easily draw more attention from the adult masses then something like 'Up'.
Edit: To the above post. Cameron is a good directly, I doubt anyone begrudges him that. But to give him credit for the cinematography in a completely CG film is to give credit to a painter for the quality of his canvas. Cameron got his shots custom, made to order, as he wanted them and that gives no reason to applaud.