Excellent and entirely accurate summation of the situation with Bond girls, I'm very tired of this whole "Bond has met his match...again" one-upmanship that has progressed throughout the series, Honey Rider is an excellent Bond girl because she was a character in her own right, a naive and charming beach comber caught up in the machinations of a supervillain and the heroism of the superspy sent to stop him. Through in excellent dialogue, a well rounded and believable portrayal by Ursula Andress but crucially a firm placement an important side plot, but a side plot none-the-less, not held true in every Bond but generally a formula for success.
I'm up on this as during my university career my friendship with several feminists was often a source of excellent and insightful debate over dinner. Casually, one friend spat "Bond girl" derisively as the epitome of the kept, subservient female who clings to the strong masculine figure as her only hope of protection, sexual intimacy and liberation from a dull, unsuccessful (and crucially male-free) existence. I countered by pointing to the many Bond girls who as you so rightly say were strong, sexually liberated and drawn from many walks of life, and that this viewpoint was very much a 2000s perspective on an issue of 1960s female empowerment.
I can only take issue with two parts of your video, both of which really are diversions from your main thrust. Firstly, the view you presnt of Bond within the 80s is a very colonial or at least purely American perspective, perhaps McClain and Rambo presented more phyiscal or resonant personas but Bond is an archetype, the action hero who is never all-action. he's more timeless and flexible in this respect, although poor execution can mar this thoroughly. From the British perspective he's the antithesis of the brawny, testosterone-fuelled killing machine, and refreshing for it despite predating them significantly.
My second, and definitely the more trivial of the two nitpicks is this: I'm glad we're all on the Connery train here, the best bond of all, but dear God, Moore? I expected better from you! Moore was distinctive, certainly, but he was an average portrayal in a decidely erratic era of the series. I never liked Moore and he presided over the worst Bond film of all, The Man With The Golden Gun, which is a crime in and of itself. For those interested:
1.Connery
2.Brosnan
3.Dalton
4.Moore
5.Lazenby
Lazenby was the worst by far, although bless him, a male model thrust into a popular role he was thouroughly incapable of achieving, and while On Her Majesty's Secret Service wasn't great, it wasn't too bad either. Connery is the superior and iconic Bond, he is the face of the franchise and forever will be. Brosnan is, for me, the truest Bond in the sense that he encapsualtes the best elements of the character: the charm, the wit, the passion, the humanity and the gauche manner while appearing endlessly capable (although not invincible) and decidely deadly. Yes, Tomorrow Never dies is awful, but it's watchable and he's great in it.
I just like Dalton, in a way, what you've cited as his weakness are perhaps his great strengths in my eyes. His tired, mid Cold-War demeanour, his more realistically romantic attitude fitting better with my Dawson's Creek-centric sex education, and crucially, his relationship with (and loss of) Felix Liter struck home in a difficult period for the franchise. I've covered the last two selections already, and for the omissions, I don't consider the original Casino Royale to be a true Bond, and I'm still deciding on Craig, after Casino Royale he was probably at 3, he's slipped to 4 after Quantum, he'll live and die on that list by the strength of his tenture.
There's my two cents, sorry, pence...