Leaves me where I typically find myself with Abrams: on the fence.
Now, I'm a big Abrams guy; I was late to the party but I watched Alias in reruns and I'm trying to keep Fringe from falling off my radar when I have busy Fridays. And I know this will make me a Bob-postate, but I loved the new Trek film. Yes it was an ensemble piece and Kirk, instead of being the centerpiece, is probably the least iconic character in the main cast; I was more compelled by Pike. Yes, the science was kinda dumb: supernovas destroying planets light-years away, and weird time compression where Spock can go all the way to Vulcan, build a ship, come back but be too late, but come across Nero, but the black hole is still there and it throws him back in time and oh dear I've gone cross-eyed. But just like the way he describes this film, there are some great moments that highlight the film and a lot of the characterization is well-written and tremendously-acted.
It's like having a wife who's like a 5 or a 6; she's pretty enough and she raised a great family and you know you'll walk through fire to make her happy. But if someone points out that she has no chest, or she could use a little makeup to bring out her best features, it's not like you can honestly DISagree, but you sure as hell better not be caught agreeing, either.
That's what I have: a silver-medal marriage to J.J. Abrams movies.
So now I'm kinda torn on whether to see this or not. I probably won't be able to say that Bob is WRONG about his critiques, but chances are I'll see it anyway, and if I like it enough, forgive a lot of its flaws.
The lens flare concerns me. It may have been a mistake to tell Abrams it "worked" in the Trek movie, you know, making it all washed-out and in-the-moment looking... but he used the exact maximum amount of the technique that you can cram into the movie and not just be like, okay, enough already, knock it off. But now, having been told it works, he must have decided, the only thing that can make it better is to have even more! But I'm not sure 1979 Podunktown is the right setting for that kind of lighting as opposed to a sterile 23rd century space vessel.