This happened to me with Attack of the Clones (hoping to the Force at the time that TPM was just a misfire) but it made it clear that Lucas wasn't going to get better, or hire some serious talent to do the micromanaging as he did in ESB.
Between Mr. Chipman's remonstrance and Mr. Sterling's censure of Sony (regarding the Vita), it seems that Sony is doing a lot to demonstrate that it really doesn't care about the feelings of its fans, except how it will make them the most money. I suppose this is belaboring the obvious, in that corporations generally are so single-minded. And Sony has never been good at making smart decisions, especially when appealing to fans of its intellectual properties.
Among the many discussions about the disarray that copyright law is in, worldwide (though particularly here in the US, thanks to Hollywood being centralized here), there has been some debate as to whether copyright holders have a responsibility to the public regarding proper care and feeding of their IPs, given that ultimately all content is (intended to be) destined to enter the public domain. It's one thing for someone to make a bad film that pollutes a given property like The Amazing Spider-Man. It's another thing if that creator is the sole right-holder, and no one else is allowed to make Spider-Man content. It may be plausible (at least by my experience with the Star Wars prequels) to say it is sometimes better to have no new content than to have only bad new content. (Granted, not all content that emerged from the prequels was bad.)
While I personally believe the collapse of copyright would do less damage than the way it is currently enforced, I don't expect it to go anywhere, and the topic of responsibility to the public regarding IPs might be a good topic to (re)visit. E.g. Just because there is no legal obligation to enthusiasts of a given property doesn't mean there isn't an actual moral or ethical obligation.
Though I think Spider-Man is trapped in it's own IP purgatory much the same way Star Wars is, I think eventually we'll see good content for both again, but only after their respective owners tire from trying to press box-office sales from the mainstream. Maybe our less lawfully-minded auteurs who can do them justice will go bootleg. It wouldn't be the first time, and it's hard to suppress good art, even if it's criminal. Especially if it's criminal.
All my condolences, Bob.
238U