SODAssault said:
Hubilub said:
He said that anyone who likes the idea of a film going to the roots of 80s action films is the worst kind of person. That is what the Expendables is.
I seem to recall him saying that if you believe that movies were ruined by modernization and that we should've stuck with hyper-masculine bullet-fests
forever, you're the worst kind of person. Y'know, like the kind of people that get indignant over the idea of a female protagonist in an action movie, and are literally perplexed by any added layers of depth or complexity. They sound kinda dickish to me, but I guess I'd be an elitist in saying so.
He did not say that if you thought movies were ruined by modernization you're the worst kinda person. He just said that if you prefer 80s action shlock before more modern action you're the worst kind of person. I believe that what you consider to be him insulting people who dislike modern action, I consider to be him being very patronizing to people who prefer 80s action shlock, generalizing them as people stuck in an inferior past.
I've taken both of our perspectives into consideration, and I must say that I find your point of view to be less plausible. If your point of view is correct, then all he's saying is that The Expendables only caters to people who hate modern action films and want everything to return to action movies of the 80s. That means Bob thinks there aren't any other people in the world who would want to see an 80s-esque action film, which is where I think this argument falls apart.
On the other hand, he could simply be generalizing people who want more of the 80s in terms of action, exactly like he generalizes anyone who went to see The Expendables over Scott Pilgrim by calling them sheep.
And even if you are right, his behavior is still not acceptable. Remember, this is the guy who claims that we all need to stop being elitist nerds looking down on others that don't share our interests, and now he's insulting people over not liking a film he liked?
Okay, this is clearly jumping out in front of a bullet that wasn't specifically meant for you. In previous reviews, MovieBob made his case that creative films are on the decline because the economy sucks, and they can't afford to take risks, so they go with what's safe: an incredibly generic formula that does next to nothing new. He's not mad because people have the gall to have differing tastes, he's mad because the skyrocketing sales of bland, "safe" movies (like this one) encourage investors to squelch creative offerings in favor of funding boring, stale movies that are guaranteed to bring in a profit because they appeal to the lowest common denominator. Meanwhile, the few creative movies that do get released are absolutely crushed in the box office by the "safe" movies, and that's a slap on the wrist of everyone who took a chance on something new and exciting; specifically, one that screams "HEY DUMBASS, NEXT TIME PUT YOUR MONEY WITH THE SURE WINNER AND NEVER DO THIS AGAIN." I doubt he has anything against people that watched, or even against people who enjoyed the movie.
That still shows him off as a hypocrite. He did after all say that we nerds need to stop looking down on people for not wanting to go see the films we consider more creative or better than the latest blockbuster.
And what did he expect? It doesn't matter how creative Scott Pilgrim is, the people that are actually interested in the premise is in an incredibly small demographic. And what part of Scott Pilgrim's marketing made it look creative and interesting? I've seen trailers, and all it looks like to me is a movie with flashing lights trying to be a more lighthearted Tron.
The last people that deserve hatred for this is the movie going public. Why should they be insulted because they:
1) Don't want to watch a movie that is not for them
2) Don't have interest in a film that hasn't done enough to catch their attention.
3) Rather go with their gut feeling than listen to reviewers.
None of these options deserve the hatred and insults Movie Bob dishes out in this review.
Rather, his frustration seems to stem from the fact that films like this have a virtual stranglehold on the market because success is determined by sales figures, and those sales have to come from somewhere. It's like calling gamers sheep if they all went and spent money on nothing but Halo, ensuring that it would have a million sequels and funding for all other games that don't focus on a floating gun of doom on a ring world would be effectively revoked entirely so that developers could dump their money on the Halo bonfire. The market would go stagnant, and the few gems that do pop up here and there would be relatively ignored. You wouldn't be mad at people because they don't happen to like the few gems that you do, you'd be mad at the fact that they're enabling such stagnation. I wouldn't advise taking that so personally.
Scott Pilgrim's failure won't mean that creative films will sell less. When did Scott Pilgrim market itself as "A creative movie"? It never did. It marketed itself as sort of an action movie for video game nerds with the obligatory teenage romance thrown in there, something that is VERY alienating for some people. The only thing that will happen now that it fails is that people will decide that making movies based on comic books that aren't incredibly well-known and that are targeted for demographics that aren't very large isn't a good move. And that's how it's supposed to work. If Movie Bob wants people to watch movies that aren't meant for them just so that Hollywood will make more films that aren't meant for them, he is asking people for a lot.
Besides, ranting about how the chances of creative movies being made are lowered feels kinda pointless when Inception did so well in box office and critically. And Inception wasn't alienating anyone, it was targeted to a very large audience. It proved that movies don't have to take so immense risks like Scott Pilgrim did just so they can be creative.
And I have a final pointer I really should have brought up sooner: The Expendables has now helped prove that making R rated films isn't a risky business. That means that
A LOT of films we might really want (like comic book films) don't have to pussy out on action or themes. Weren't it for films like The Expendables, Watchmen might not have been made with the same flair it had, if it would even be made at all. I think that's worth to be put into consideration.
Granted, he didn't make any of that terribly clear in this particular review, but I think he'd assumed that the talking points he'd made in his previous ones would carry over.
His attitude is still pretty inexcusable to me. He did say nerds shouldn't lose their cool over the masses going to see a blockbuster instead of a film that doesn't interest them, yet here we have him flaming about.
[sub]Sorry about the time it took to reply, you really forced me to think quite a bit there. I applaud your wit[/sub]