Sorry can't find a better version.newfoundsky said:I would love to have a smartly written WW2 German Victory scenario. I've read them all. They suck.
The strength of that work for me is that no idea where's it's going. Balance shifts constantly, factions change, alliances struck, and so much depth around that world. It feels truly alive in its history and political nature.Johnnyallstar said:On occasion they do. Read George R. R. Martin's A Song of Ice and Fire and you will see that bad people quite often win.
Didn't they already? Just kiddingshotgunbob said:I really wanted the bad guys to win in Avatar.
You would probably like Code Geass or Death Note, then. At least, if you're not opposed to watching anime.Sonofadiddly said:Pixar's making a movie about that. At least, I think it's pixar. And now I can't remember what it's called.
It's fun when bad guys win, but I like it more when the lines between "good" and "bad" are blurred and you start to wonder who the protagonist really is, Blade Runner style.
From what little I managed to wrap my head around there, you want Murtagh to dick on everything? I completely agree. Far more interesting character than anyone else there, and of ambiguous morality, too.HT_Black said:I've already written the ending to the Inheritance cycle inside my mind, and it's canon, regardless of what Paolini actually writes. In it, the good bad guy kills the bad good lady and the worse good guy gets killed by the blind good bad guy; and the worse good guy's cousin defects to the good bad guy's side and the bad good elf gets shot and the good bad mindraped guy becomes the president.
Trust me, it's a lot better in context.
I am unfortunately opposed to watching anime. Don't ask me why, because I can't explain.Bek359 said:You would probably like Code Geass or Death Note, then. At least, if you're not opposed to watching anime.Sonofadiddly said:Pixar's making a movie about that. At least, I think it's pixar. And now I can't remember what it's called.
It's fun when bad guys win, but I like it more when the lines between "good" and "bad" are blurred and you start to wonder who the protagonist really is, Blade Runner style.
1400 pages and counting. I agree, but it's the way he does it that makes it so phenomenal. When you first meet characters, they are presented in a certain light, and that is how the chapter's protagonist them views that individual.CK76 said:The strength of that work for me is that no idea where's it's going. Balance shifts constantly, factions change, alliances struck, and so much depth around that world. It feels truly alive in its history and political nature.Johnnyallstar said:On occasion they do. Read George R. R. Martin's A Song of Ice and Fire and you will see that bad people quite often win.
Cersei comes off as a villain, but we learn how much she is the product of her father, upbringing, failed expectations and marriage. We may not like her, but she is shown as more than simply a "bad person". Of course her fate shifts as she gains and loses so much.
Now, where's my Dance with Dragons Martin?!?