Conner42 said:
There are more complaints I have with this movie, but I'm baffled by how some people like it. What are they getting out of the movie? This Forbes article is, honestly, downright weird. Hope? Justice? This movie is depressing as fuck!
You would have to include me in that list of people that really enjoyed the movie (in fact everyone I've spoken to personally has enjoyed it). That doesn't mean that I do not recognise that there are problems with the movie, but those problems did not unduly "suck enjoyment" out for me, and I can't understand why there seems to be such a great outpouring of vitriol towards it. It appears as if people are of the impression that Marvel is the way to do superhero movies, and that it's the only way to really do a superhero movie (bright, fast-paced, can have mature themes as Deadpool demonstrated, but only if it's done in a light, humorous way, and so on), and any attempt to introduce any other form of maturity or pace is seen as "boring" or "grimdark" or whatever. As much as I love the Marvel Cinematic Universe, I would _hate_ for Batman or Superman to have the same treatment. I do not need every superhero movie to be the same thing or have the same tone.
You ask where the "Hope and Justice" aspect of the mentioned article exists, because you can't see it. I would argue that you're probably not taking the time to look closely enough because it's absolutely there, it's just not made blatantly obvious. A lot of noise has been made that there is no hope/justice in the world that Snyder/WB has created... but that's _exactly the point_. Superman is one of the very few characters within the movie who believes (and continuously tries) to bring that to people - and this is openly demonstrated in many instances. As Clark it is mentioned in more than one occasion that the world as it is is not the world that he wants it to be, and as both Clark and Superman is he is constantly beaten down by the notion that the world is a place he cannot fix and no matter what he does he cannot invoke the kind of change he would like to. It becomes burdensome, a mantle he feels he must bear. It's mentioned again and very directly in the short Wonder Woman arc that the world was no longer a good place, and this is to further cement the fact that Superman (and the future Justice League) is fighting an uphill battle.
Batman is the complete opposite of Superman, he has become jaded, cruel even, in the light of the world that he lives in. He sees little redemption in the criminals he pursues and in turn has become a criminal himself. You have to understand that this is a Batman many _many_ years into his career and exists further along the path that he believes Superman is travelling along himself. Batman is afraid of what Superman will do in the future, because _he too has already gone down a bad path_, starting from good intentions and ending up where he is now: cruel, branding criminals, and yes, even killing when he deems it necessary to achieve the goals he has set out (although death by his hand actually remains very rare within the movie) - I would say the killing is even a direct result of the notion that doing anything else ultimately produces no change in the world (a theme repeated constantly). Even though he stands in denial of that fact directly to Alfred, both he and Alfred are fully aware of where he is, and that he exists in an incredibly wide moral grey area. Ultimately though through his interactions with Superman, Batman undergoes a certain level of redemption, pulled out from the darkness by someone who in spite of all that has happened _still_ is trying to see the good in things. Bruce sees that he needs to strive for something better, to be a better person and not that cruel jaded vigilante of the past, and while he still fights with those demons, he makes the decision not to brand Lex (of which Jesse Eisenberg's portrayal seemed to be the absolute antithesis of the character and is therefore in my mind one of the worst things in the movie) in the end.
The action in BvS and the overall cinematography is excellent, you can sit and say it's too dark, or suddenly it's too colorful or it's too bombastic (at the end perhaps it's a bit excessive), but for large portions within the movie, especially those aspects that revolve around Batman, the action is visceral, weighty and impactful, something that Snyder is one of the best in the business at producing. There is some writing that is sub-par, and there are certainly some plot points (the whole Lois retrieving the spear thing is a good example that people use) which make little sense or are not well established. I'll also agree that some of the themes and concepts within the movie clearly had to be more adequately spelled out to the viewing audience because it clearly seemed to fly over the heads of a very large portion of the viewership (perhaps that seems to fit in with the concerns voiced ahead of time that the story might be too "complex" for audiences? I don't know if it's "complex" in how one would traditionally interpret the word, but certainly there are aspects that most people just never picked up on) - perhaps that's indicative of bad writing? Personally I found BvS to be better than Avengers 2 (a movie which I also very much enjoyed might I add).
Heaven forbid we have mature superhero movies that aren't just about swearing or poop jokes, but that actually try to tackle mature themes in _a different way_. It appears that there is a certain level of homogenisation that certain audiences are looking for when it comes to their superhero movies, and I would argue that that would be absolutely the worst thing to ever happen. I fully support WB's view that they are not wanting to create another "me too" franchise that tries to be like "the other guy" just because the other guy is popular, and I look forward to future instalments.