gargantual said:
Did you forget the original post I responded to? it was literally this:
I can't wait to go. "OHH! IN YO FACE MOTHAFUCKAS! IN YO FAAACE!" When the truth hits em and they go 'oh. I see.'
and then do a dance in front of all the naysayers like " It Hurts doesn't it? It hurts. Truth buuurrnns doesn't it?"
There it is, with no context you seem to have been proclaiming that you would be gloating to any dissenters as soon as Kojima's justifications became clear. I responded by saying that Just because Kojima says that the detractors would be silenced once he explained Quiet's character, doesn't actually mean that everyone is going to collectively go "oh. I see." once that justification becomes clear.
You are the one that responded with the lines about "art by committee" and proclaiming that people were in denial. The clarification that you were talking about your friends or a specific scenario or subset of critics was nowhere in your original post. You are also the one that seems to be inserting arguments that I never made. I honestly don't give two shits about the rape controversy, and while I think the design for Quiet looks kind of stupid, I'm not exactly that invested in defending or attacking it because it seems to be Kojima's standard level of tonal schizophrenia when it comes to trying to blend his story and character themes together.
I suppose now that you've mostly backed off the original point and seem to be painting it as mostly just joking hyperbole that you didn't actually mean and don't seem to be attempting to really defend, it kind of makes my original response moot.
I am not going to respond to any of the other points because the whole things seems to be getting a little off topic, Kojima's subjective similarities and differences to Tarantino notwithstanding.
You do seem to have gotten a little defensive though, for which I apologize, I don't mean to come off as overly aggressive, I was merely making a point that just because Kojima says that Quiet's detractors will be ashamed once we learn more about her character, doesn't actually make that inevitably true, and proclaiming gloating rights and dancing little jigs is perhaps a bit premature.
I suppose we can at least agree that Ride to Hell handled sex and female characters in an almost uniformly worse way than any Metal Gear game. That doesn't really get much attention though because honestly, who the hell would be masochistic enough to actually play that game long enough to see how the game treats its controversial subjects.