Cowabungaa said:
Rednog said:
No both have their juvenile and mature versions, neither trumps the other.
/thread
Yea, really, that's everything you need to know.
Indeed. However, out of all the cartoons I've watched in my life, the ones that I found most mature were Nightwalker, Full Metal Alchemist, DC's Batman, Superman, JLA and JL Unlimited.
If any definition should straighten this point, it's this: Mature means that a person is showing the emotional, physical and mental characteristics of an adult, or that a mature theme is one that is meant to be taken and analyzed seriously.
Mature is not blood, guts, swearing like a soldier, sex, and tits, at least not when they're shown just for the sake of having them, although juvenile minds may debate me on the subject. If you tie those things into a mature theme such as war or death, I can see how they would work, but otherwise, they are NOT truly mature themes.
Nightwalker was mature in that Shido has to deal with his Lex Luthor like mentor, and the fact that he turns his young secretary into a vampire to save her life, thus denying her the right to die as a human. His partner's only real maturity was in the eighth episode when she is revealed to have been badly burned in a fire while her sister hadn't, only to find out later that her sister was possessed by a demon who forced her to steal people's faces in return for "saving" their lives. I'll admit, watching this episode made me cry quite a bit, especially the ending.
Full Metal Alchemist's episodes were psychotic in some ways, but the overall theme was that humans are not gods over life through science, and were never meant to be, my own belief in Lutheranism notwithstanding. Ed's loss of two limbs and the destruction of Al's body by trying to resurrect their dead mother was in a way an allegory for this. They tried to be gods by bringing back to life someone that was rightfully dead and paid heavily for it.
DC's work on the Justice League usually dealt with situations pertaining to each character, such as the Martian Manhunter becoming more of a social being rather a hermit in the watchtower, and John Stewart's growth into an equal of his old partner, Hal Jordan. I liked these shows because each character was unique and often given a chance to show that they can grow, even though 95% of them are adults already.
The original Superman and Batman animated series followed a similar route, except it was one character who had years of backstory and situations to draw on. Barbara Gordon's incident where she suffers a hallucination through the Scarecrow's nerve powder was a good character moment, even if it was mostly a dream.
Overall, I see both Japanese and American cartoons meant for older viewers having their moments with maturity, which I like. So long as the story is good and not stretched out like warm silly putty, I say keep making these types of shows.