agreedRaikuFA said:Well said sir. You are pure awesome.j-e-f-f-e-r-s said:And quotes like this are why I hope Western gaming follows it down the pan.I-Protest-I said:It gladdens my heart to know Japanese games are going down the toilet, they allowed their own games to stagnate.
Seriously, a stupid amount of the comments on this thread are barely disguised xenophobia. It's really quite disgusting. Japanese games have stagnated no more or less than Western games. You can look at any genre out there now, and the Japanese gaming industry is doing just as much interesting stuff as Western developers.
Third person shooters? While Western developers are all busy aping Gears Of War, Japan gave us Vanquish, without a doubt one of the most inventive TPS games to come out this generation.
Hack and Slash games? Oh please. Japan has owned this genre since forever. Us Westerners got one good stab in there with God Of War, but when they can respond with the likes of Bayonetta, Devil May Cry, Onimusha and Ninja Gaiden, there's no way you can contest the point. We may have cornered FPS games in the West, but Japan still continues to dominate the H&S genre.
Stealth games? Oh my, didn't we get this little game a few years ago called Metal Gear Solid 4? Funny how a supposedly stagnating industry managed to create arguably the best stealth game this generation.
In terms of racing games, Gran Turismo is still one of the leaders of the genre, arguably sharing pole position with FORZA.
In fact, if you look pretty much anywhere away from first-person shooters, you see that Japanese developers are doing just as much to move the medium forward as Western developers. Arguably more when you look at the utterly banal way developers are now simply copying each other wholesale.
And let's address that elephant in the room, the oft maligned JRPG. The fact is that if you can be bothered to acknowledge that there are JRPGS outside of Final Fantasy, Japanese developers are creating some of the absolute best RPGs of this generation. Xenoblade. Dark Souls. The Last Story. All absolutely fantastic games, and about as far as you can get from linear FF-type fare.
It seems to me like there are simply a load of butthurt fanboys who got burned over FFXIII, and are now using outmoded stereotypes to try and legitimise their own prejudices. I find it hilarious and oh so ironic that people try and claim xenophobia on Japan's part as an excuse for their own xenophobia. Sure, because Japan hates the rest of the world so much that it has become one of the commercial trade centres of the world, with Japanese companies now exporting goods all over the world and leading the field in automobiles, consumer electronics, musical instruments... wait!
The Japanese industry is just like any other. There is crap, there is good stuff, and there is amazing stuff. Just because they follow Sturgeon's Law like everyone else, that doesn't somehow make it alright to treat them like a gaming pariah.
just a 4 chan hoaxJumendez-sama said:I'm hoping that if Index does go down, Atlus (who sound like they're doing really well based on what the original poster of that thread said) can pick themselves up and buy the copyright and get back to work, with the only problem being a delay if anything. However, I'd like to hear from the OP himself since he seems to know a lot more about gaming finance than I do (which I know squat about).hazabaza1 said:WHATJumendez-sama said:Yeah, about that...hazabaza1 said:So long as we can keep Atlus...
http://www.gamefaqs.com/boards/641695-persona-4-the-golden/62533117
Hopefully Persona 4: The Golden can be released by then, it could probably give them a bit of a boost even if P3P only sold about half as well globally as Persona 4.
NO
PERSONA 5
NO
WHAT IS EVEN GOING ON MY WORLD HAS BEEN FUCKED UPSIDE DOWN
WHAT
EDIT: Atlus could be scooped by another parent company and resume all projects if they were cancelled by Index before Index goes down, so we could still have p4g and Persona 5 even if Index goes down.
This doesn't change, however, that even a critically acclaimed series in places outside Japan is still facing some form of trouble. If a strong series like Persona could be in trouble, then what can we say about the series in Japan that aren't as well received globally?
This is true, but you have to remember that there is also a reciprocated response. The Japanese have been holding onto games a lot lately also because in some cases they just don't sell. JRPS or Japanese fihgting games off the top of my head are probably one of the biggest shunned-upon genres in today's industry. I've been laughed out of conversations for dropping titles like "tales of symphonia" or even a classic like "FF7". If it doesn't involve guns some people just don't wanna know. I can see how western RPGs can do well in Japan, even games like Bastion. God of War (1 at least) actually surprises me that the Japanese can't except it. They love mythology, maybe it's the over-the-top violence?hermes200 said:I believe Inafune is right, but the Japanese developers are only half conscious about the problem.
On one side, several developers over there are claiming that (Kojima, Inafune, Suda 51, Itagaki, etc). The decline in popularity of Japanese games is a well known fact and events like TGS are full of conferences about this situation and how can they reverse it.
However, there is also the issue that most Japanese people don't like western games based on the origin only. They are not interested on them, and they see them with the disdain gamers here see portable games. That makes developers trying to appeal to the global market as awkward, consumers as little interested and companies reluctant to them (other than from a monetary standpoint). They see Call of Duty and God of War are successful in the west but they can't figure out why, then they try to emulate them and if feels off. The dissonance is also noticeable when western developers try to emulate japanese games, but results there are often better, since western developers have higher esteem of the japanese products than the other way around.
Of course, there are examples like Skyrim being very popular there, but those are few and far between.
I didnt read this whole thing but I want to say something.Okysho said:This is true, but you have to remember that there is also a reciprocated response. The Japanese have been holding onto games a lot lately also because in some cases they just don't sell. JRPS or Japanese fihgting games off the top of my head are probably one of the biggest shunned-upon genres in today's industry. I've been laughed out of conversations for dropping titles like "tales of symphonia" or even a classic like "FF7". If it doesn't involve guns some people just don't wanna know. I can see how western RPGs can do well in Japan, even games like Bastion. God of War (1 at least) actually surprises me that the Japanese can't except it. They love mythology, maybe it's the over-the-top violence?hermes200 said:I believe Inafune is right, but the Japanese developers are only half conscious about the problem.
On one side, several developers over there are claiming that (Kojima, Inafune, Suda 51, Itagaki, etc). The decline in popularity of Japanese games is a well known fact and events like TGS are full of conferences about this situation and how can they reverse it.
However, there is also the issue that most Japanese people don't like western games based on the origin only. They are not interested on them, and they see them with the disdain gamers here see portable games. That makes developers trying to appeal to the global market as awkward, consumers as little interested and companies reluctant to them (other than from a monetary standpoint). They see Call of Duty and God of War are successful in the west but they can't figure out why, then they try to emulate them and if feels off. The dissonance is also noticeable when western developers try to emulate japanese games, but results there are often better, since western developers have higher esteem of the japanese products than the other way around.
Of course, there are examples like Skyrim being very popular there, but those are few and far between.
[edit: so I don't get yelled at] I haven't played Xenoblade yet, it's been out a week in NA and I'm in the middle of exams [/edit]
That being said, the western games industry is obviously not without it's problems. Besides the plagues like brown and the first person, there seems to be a huge emphasis on the whole online multiplayer thing. Is this just a western thing? because I've never felt the appeal... maybe there's a thread topic in there...
It looks like there's a cultural barrier we've got to try and overcome and I don't think cohesion between east and western game devs is enough. Game audiences vote with their wallets and it's pretty clear the western world would rather hunker down and shoot things. I think one of the reasons skyrim did so well, despite it's anticipation, was that it appealed to the nerdy RPG niche. I can't think of any of my FPS acquaintances playing this game or anyone I know who plays sports games.
What I'm trying to say is: How many gamers would really be willing to pick up a new game consisting of amalgamated work between a japanese and a western company? Most of the gaming audience seems content with getting the same shooters over again. (or Mario or LoZ, but they at least do more than the shooters) so how well would something like this really work?
Awexsome said:It's not the Japanese developer's fault that if they make a game that isn't an FPS or, occasionally, a really good RPG that it's not going to sell like hotcakes. JRPGs are still my standard for RPGs since I like their tropes more than the WRPG tropes. But I can see why the WEST would like western tropes more since they are made with them in mind.
Ever since FF died down with less publicity and by having some less than stellar entries it's really caused a lot lest interest to be given to the Japanese market while IMO the Tales series has been creating better characters than anything Bioware has come up with ever starting from the last console generation.
Yes, something backed up by facts is a hoax. Obviously. Did you know that the Laws of Gravity aren't real and were made by some lying sod who had nothing better to do?Alan Mail said:just a 4 chan hoax
It was a complete hoax with ZERO FACT BEHIND IT................Jumendez-sama said:Yes, something backed up by facts is a hoax. Obviously. Did you know that the Laws of Gravity aren't real and were made by some lying sod who had nothing better to do?Alan Mail said:just a 4 chan hoax
At any rate, all the games that were projected to come out this year from Atlus will come out this year, it's just that it's likely that Index will go down which no one will care about because Atlus and all their properties will be scooped up into good hands when that happens. I suggest you check the link that I posted originally next time.
FoolKiller said:I think there is one point that is missed. The fact that the majority of sales causes AAA titles to just be lather-rinse-repeat formulas and there is not much room for innovation. The Japanese market tends to thinks outside the box, but that won't work well in North America.
Basically, Japanese innovation doesn't have the resources to compete with sequelitis churning games such as Call of Duty and Need for Speed or the EA Sports franchises.
They are popular with the real fans and thats all that mattersTizzytheTormentor said:I think everyone needs to calm down and play Persona 3+4, best RPG's in recent memory, also The World Ends With You, Devil Survivor, Strange Journey, Xenoblade Chronicles are all excellent.
There are stunning JRPG's like the Shin Megami Tensei series, but the sales aren't stellar but not flops either. If they were more popular, people wouldn't complain.