Just don't talk to me about Mordin from ME2 and I'll be fine...
*sniff*
More than that though:
PoP: The Sands of Time. From when
Mafia. Not sad in the traditional sense of "this makes me cry", instead it's just thought provoking and poignant to see
Two of the best endings ever, in anything.
Red Dead's was pretty good, but I wouldn't consider it the masterpiece that everyone else seems to. Partly because of the rather inconsistent characterisation of John throughout the story, but mostly because
I dunno, everyone makes this big hoo-haa out of R*s stories and characters now, and seem to completely ignore the inconsistent lead characters and God-awful pacing.
*sniff*
More than that though:
PoP: The Sands of Time. From when
Farah falls and onwards to the very end. That cutscene is pretty heartbreaking, but it's arguably worse when she's alive again and doesn't even remember who he is.
Mafia. Not sad in the traditional sense of "this makes me cry", instead it's just thought provoking and poignant to see
Tommy 20 years later, with a hole in his chest and examining the mistakes he's made.
Two of the best endings ever, in anything.
Red Dead's was pretty good, but I wouldn't consider it the masterpiece that everyone else seems to. Partly because of the rather inconsistent characterisation of John throughout the story, but mostly because
He could have just gone out the back of the barn with Abigail and Jack, since they weren't seen by the troops.
I dunno, everyone makes this big hoo-haa out of R*s stories and characters now, and seem to completely ignore the inconsistent lead characters and God-awful pacing.