But the late 80's is the best Ministry stuff of all. Sure, "With Sympathy" (or "Work For Love" as it's called in some countries) was ass, but that was early 80s. "The Land Of Rape & Honey" and "The Mind Is A Terrible Thing To Taste" are the best Ministry albums, and both of those are almost 100% sample-built, they're completely electronic. Even the stuff that came after that which was more guitar-based still had a very heavy reliance on electronics and industrial soundscapes.Jamboxdotcom said:really? i'm fine with people not liking NIN, but i can't see any comparison to Ministry, unless you're talking about his (Jourgensen's) crappy early stuff (With Sympathy... /shudder). i've always thought it was kinda weak to even classify Ministry as industrial or electronic, since pretty much everything Jourgensen has done since the late '80s is closer to speed-metal.BonsaiK said:I never really liked them much, they always seemed to me like a more watered-down, emo version of Ministry.
To my ear, this:
certainly sounds a lot like the following song, but with all the rough edges removed and replaced with softer sounds and pop melodies:
...and of course that's fine if that's what people are into. It's easy to see why NIN broke through commercially in ways that Ministry never did, NIN are way more pop. However, I always had trouble accepting NIN's pop music because I had trouble accepting Trent. As my mum used to say "you won't accept the communication if you can't accept the communicator", and Trent just turned me off with his whining, I feel that in retrospect NIN was a forerunner to emo just as much as anything Ian MacKaye ever did.