Questions about piracy bore me a fair bit, and I'm pretty heavily affected by this issue, being on the corporate side of the music industry and all... thought I'd cherry-pick two of the more interesting comments:
Furburt said:
If they're really so sad about the musicians, they'd force the labels to give them more than they currently do. Reading some of Steve Albini's articles on the issue, a member of a successful band can actually make less than an employee at Wal-Mart per year, depending on the label, while simultaneously making more money for the label then they would in their whole lives in a normal job.
Steve Albini has always been notoriously one-eyed about this issue. He's right of course, but the key word here is the "can" that I bolded. Artists certainly
can make next to nothing even after a ton of sales, they
can also do really well. Whether they do or not is dependent on things like their business savvy, their legal representation and contract negotiation skills. In a nutshell, whenever a band has a hit record they should immediately sit down with their lawyer and their label and renegotiate their record deal. Many bands don't renegotiate, or they don't use good representation that looks after their interests, and that's where they get shafted. Doesn't have to be that way though. Moving to a major label did wonders for Albini's pals in Sonic Youth who never regretted the move, but that was a band who had plenty of industry smarts and knew exactly what they wanted from a label going into the arrangement. Sadly, many bands are naive and clueless, they don't ask themselves that question, they just think a label is like this big machine that waves a magic wand and makes them a star/incredibly rich. Is it the fault of the industry for leading the bands down the garden path, or is it the fault of the bands for not opening a book or two and doing their research but instead believing in pie-in-the-sky "get a record deal and we've made it" rubbish? It's a good question. Industry practice has been recently that if a major label wants to sign you and you don't have legal representation, they won't let you sign until you do, they'll say "come back with a lawyer" - they know that if you sign without legal rep, if you then claim the deal was misleading/unfair you can always say "I had no lawyer plus I was drunk and high and they just shoved paper in my face" and a courtroom will be sympathetic. It's a deep and complicated issue and there are many sides, but if you think music artists get shafted, the print industry is even worse...
Gildan Bladeborn said:
If the record labels had their way, you couldn't copy music that you purchased from one medium to another - if you wanted to use it on a portable device, in your car, in a home stereo, etc, that would be a separate purchase for each. Their dream scenario is a world where their customers have no other options but to purchase the same things over and over; these are not people you as a consumer want writing the law of the land, or you're going to get screwed over.
To an extent, this already happens. Your 12" vinyl doesn't play in your CD player in your car, you gotta buy the thing again. Why do you think record companies jumped on the inferior CD format so fast when we already had vinyl? Why do you think reissues, box sets, greatest hits compilations and "special editions" with bonus tracks or other teasers constantly come out? Sometimes singles are even released in multiple parts, forcing you to buy the same track over and over if you want the complete set, each disc with a different set of money-draining remixes...
As for the overall issue of piracy being theft, or
whatever, I don't think that matters much, it still hurts the industry. I know, people say "if it's really good I'll buy it anyway", or "I wasn't going to buy it anyway" but not all those people are telling the truth, sales (and thus royalties for artists) have definitely been on one hell of a sharp downturn since torrents came out, I know this because I work in the industry and I've seen jobs lost and companies both big and small bankrupt or downsize drastically. I know plenty of teenagers who have massive music collections and haven't paid for any of it. Big, successful bands won't give a shit, they'll survive anyway (when you're as big as Radiohead you can
afford to give away your new album for free), but it's the little artists that get shafted because they simply can't get a leg up, financially - their stuff appears on Russian MP3 sites sometimes before their CDs even hit the shelves...
I'm not going to comment on ACTA itself because the details are still being hashed out, but I'm not wildly concerned. What's being leaked at the moment isn't necessarily what it's going to be in its final form (remember the delay on ACTA has been because of negotiation) and even then it remains to be seen how it plays out in the real marketplace. Remember that most of you were already breaking the law anyway (nearly every single avatar on this site has been illegally copied, for instance) and if they're going to arrest you for that,
where are they going to put you all? Of course they won't arrest you all. They'll take down a few bigger targets in order to scare off the rest - in other words, exactly what they do right now. Or they'll use it as a way to harrass specific persons that they might want on other charges (think about how Al Capone got done over). Also, a lot of current internet business models depend on copyright infringement (YouTube for instance) and that stuff isn't going to die quietly, the US isn't going to willingly shoot itself in the economic foot in this day and age. Even if ACTA gets passed in the fire-and-brimstone state that it's supposedly in at the moment, it's not that big a deal. Cops could just arrest you anyway.