Ooooh dear, a black actress is playing Live Action Ariel in the Little Mermaid movie.

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Tireseas_v1legacy

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Casual Shinji said:
Hawki said:
Casual Shinji said:
Are they gonna do a live-action remake of Atlantis: The Lost Empire and Treasure Planet?
https://wegotthiscovered.com/movies/treasure-planet-liveaction-remake-works-disney/?utm_source=vuukle&utm_medium=talk_of_town
Oh my god, I was fucking joking. Why the hell would they even bother, that movie was a complete box office flop.
It was also a critical success and (in my opinion) was arguably one of the most underrated Disney movies of its time. It literally came out on the heels of Lilo and Stitch and kind of was the last notably good Disney Animation Studios film for almost a decade[footnote]I personally liked Chicken Little, but let's not pretend that was a good movie.[/footnote] until they released the Princess and the Frog.
 

Kwak

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Batou667 said:
But you know what, evidently somebody (a whole room of somebodies, as I said before) decided it was "more important" to make Ariel black than to keep her white. There are obvious pros and cons for this; there are benefits to keeping Ariel white and there are benefits to making her black. People will have met, discussed, weighed up these two competing sets of benefits. And they evidently found it was "more important" to make Ariel black. Unless you think a multi-billion dollar, global corporation like Disney makes these kind of decisions by flipping a coin?
They didn't feel the need to 'make her black', they felt the need to give the role to an actress who best embodies her spirit, who happens to be black, and racists can't get past that one trait.
 

Batou667

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Kwak said:
They didn't feel the need to 'make her black', they felt the need to give the role to an actress who best embodies her spirit, who happens to be black, and racists can't get past that one trait.
I don't buy the "blind casting" explanation for a nanosecond, and if you honestly believe it, then I envy your naive optimism.
 

Lil devils x_v1legacy

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Batou667 said:
Kwak said:
They didn't feel the need to 'make her black', they felt the need to give the role to an actress who best embodies her spirit, who happens to be black, and racists can't get past that one trait.
I don't buy the "blind casting" explanation for a nanosecond, and if you honestly believe it, then I envy your naive optimism.
All you have to do is listen to the girl and watch her to see why she was chosen. If all you see is her color instead of her talents, that is on you to figure out. Her talents, mannerisms and the way she carries herself screams " Disney Princess". She has a way about her that makes her stand out in that manner, her tan is the least significant part here. I know I am not the only one who sees that in her, and I am not sure why you think her race is more important than the total package here. If any case is a " best person for the job" this would be it, and yes it is pretty insulting to her to assume that they just wanted her for her race casting aside the sheer amount of ability this woman actually has.
 

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Batou667 said:
Kwak said:
They didn't feel the need to 'make her black', they felt the need to give the role to an actress who best embodies her spirit, who happens to be black, and racists can't get past that one trait.
I don't buy the "blind casting" explanation for a nanosecond, and if you honestly believe it, then I envy your naive optimism.
I don't buy the "she only got the job because she's black" explanation for a nanosecond, and if you honestly believe it, then I envy your na?ve pessimism
 

Kwak

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trunkage said:
Batou667 said:
Kwak said:
They didn't feel the need to 'make her black', they felt the need to give the role to an actress who best embodies her spirit, who happens to be black, and racists can't get past that one trait.
I don't buy the "blind casting" explanation for a nanosecond, and if you honestly believe it, then I envy your naive optimism.
I don't buy the "she only got the job because she's black" explanation for a nanosecond, and if you honestly believe it, then I envy your na?ve pessimism
Racism isn't worth envying.
 

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Batou667 said:
Kwak said:
They didn't feel the need to 'make her black', they felt the need to give the role to an actress who best embodies her spirit, who happens to be black, and racists can't get past that one trait.
I don't buy the "blind casting" explanation for a nanosecond, and if you honestly believe it, then I envy your naive optimism.
Do you have any evidence that contradicts the blind casting other than a need to feel persecuted to justify your bigotry?
 

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Batou667 said:
This is the point I'm probably getting too deep into the canon of fiction intended for young girls, but the Beast remake is set in what I assume is the 17th Century (they make reference to the Black Death)
The Black Death was in the 14th century, so not sure how we get to 17th from that unless I'm forgetting something. But IIRC, Gaston mentions fighting the Portugese, so that could correspond to the War of the Oranges or Peninsular War. That, and given Maurice's emphasis on Belle being "ahead of her time," it struck me as being more 19th century than anything earlier. I know plague takes Belle's mother, but I don't recall it ever being specified as the Black Plague or any other pandemic.

remember, the two "controversies" the film courted were 1) gay Lefou and 2) the first interracial kiss on a Disney movie
I only remember the first "controversy," and like most such controversies, it was making a mountain out of a molehill. Le Fou was stated to be gay, which amounted to him dancing with another man. Yay...
Tireseas said:
It was also a critical success and (in my opinion) was arguably one of the most underrated Disney movies of its time.
Ain't just yours. I think TP is criminally underrated. It lurks somewhere around the top 5 of all the DAC movies I've seen.
 

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Lil devils x said:
All you have to do is listen to the girl and watch her to see why she was chosen. If all you see is her color instead of her talents, that is on you to figure out. Her talents, mannerisms and the way she carries herself screams " Disney Princess".
And Scarlett Johannson is recognised as a very talented actress, but that didn't make her immune to criticism for playing "the wrong race". If whitewashing a character is bad, then why is race-swapping a white character OK? Answer me that honestly and then perhaps we'll get somewhere.

trunkage said:
I don't buy the "she only got the job because she's black" explanation for a nanosecond, and if you honestly believe it, then I envy your na?ve pessimism
Sick burn, bro.

Avnger said:
Do you have any evidence that contradicts the blind casting other than a need to feel persecuted to justify your bigotry?
Nice projection. No, I don't have secret wiretaps of Disney meetings, but it's a casting decision that would have been condemned if it had happened in the other direction (see: Ghost in the Shell, Akira, a bunch of other examples people in this thread have mentioned).
 

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Hawki said:
The Black Death was in the 14th century, so not sure how we get to 17th from that unless I'm forgetting something.
Yeah, I was thinking of the Plague of London which was 17th Century. My bad.
 

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Baffle2 said:
Batou667 said:
And Scarlett Johannson is recognised as a very talented actress
This is something I never expected anyone to say.
ScarJo has the acting talent of a coat hanger. The best she ever acted was in Endgame. That's not insult but it's not a compliment
 

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Batou667 said:
And Scarlett Johannson is recognised as a very talented actress,
Um...she is?

I've seen ScarJo in a variety of roles, and not just in the MCU. I can't say she's ever struck me as being that special.

but that didn't make her immune to criticism for playing "the wrong race". If whitewashing a character is bad, then why is race-swapping a white character OK? Answer me that honestly and then perhaps we'll get somewhere.
Being extremely, EXTREMELY generous, you can point to GitS featuring humans, while mermaids aren't.

But the whole GitS whitewashing controversy was stupid then, and it's stupid now. It isn't helped by the fact that the movie was lacklustre and not worth the controversy in the first place.
 
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Batou667 said:
Hawki said:
The Black Death was in the 14th century, so not sure how we get to 17th from that unless I'm forgetting something.
Yeah, I was thinking of the Plague of London which was 17th Century. My bad.
For what its worth, the Great Plague of London was indeed an outbreak of bubonic plague, aka Black Death. Though its biggest death doll was in the 14th century, like Hawki says, it never properly went away [https://en.wikipedia.org/wiki/Second_plague_pandemic#Overview] and did indeed hit France (though not Paris) in the early 18th century [https://en.wikipedia.org/wiki/Great_Plague_of_Marseille]. So you were close!
 

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Tireseas said:
Casual Shinji said:
Hawki said:
Casual Shinji said:
Are they gonna do a live-action remake of Atlantis: The Lost Empire and Treasure Planet?
https://wegotthiscovered.com/movies/treasure-planet-liveaction-remake-works-disney/?utm_source=vuukle&utm_medium=talk_of_town
Oh my god, I was fucking joking. Why the hell would they even bother, that movie was a complete box office flop.
It was also a critical success and (in my opinion) was arguably one of the most underrated Disney movies of its time. It literally came out on the heels of Lilo and Stitch and kind of was the last notably good Disney Animation Studios film for almost a decade until they released the Princess and the Frog.
I actually like the movie (well, the Jim Hawkins/John Silver bromance anyway), but it hardly set the world on fire. It's not like putting 'Treasure Planet' on a poster for a new live-action movie will have even a fraction of the response as something like 'The Little Mermaid' has. And considering the setting of this movie, why would they pump this much money into a remake of a financial failure (considering Disney is only doing these remakes to rake in those nostalgia bucks)?
 

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Hawki said:
Batou667 said:
And Scarlett Johannson is recognised as a very talented actress,
Um...she is?

I've seen ScarJo in a variety of roles, and not just in the MCU. I can't say she's ever struck me as being that special.

but that didn't make her immune to criticism for playing "the wrong race". If whitewashing a character is bad, then why is race-swapping a white character OK? Answer me that honestly and then perhaps we'll get somewhere.
Being extremely, EXTREMELY generous, you can point to GitS featuring humans, while mermaids aren't.

But the whole GitS whitewashing controversy was stupid then, and it's stupid now. It isn't helped by the fact that the movie was lacklustre and not worth the controversy in the first place.
Well, Ghost in the Shell though, nationality is very important. It is not set in a pure fantasy world, the series is very specifically political in nature and set in a future version of Earth. Kusanagi is specifically a Japanese woman. Its more in line with Mulan which is very specifically set in China. While Oldboy technically could be set in any country (though it has been pointed out that the hallway scene with the knives is due to being set in a place where you CANT just walk into Walmart and buy guns), Mulan and GitS actually has reasons the ethnicities are what they are, plus they are both also politically based.


The Little Mermaid mainly requires being set in the ocean during an age of ships.
 

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Batou667 said:
If whitewashing a character is bad, then why is race-swapping a white character OK? Answer me that honestly and then perhaps we'll get somewhere.
Because white-washing is clearly done to appeal to the lowest common denominator among white audiences who might think 'Oh asian/foreign, no thanks'. Whether a misguided notion or not, having your lead actor in a movie be white is seen as way less risky than if they were black or asian. This is why most leads in movies are still white - it's meant to keep the status quo.

Changing a character from white to non-white gives actors an oppertunity who otherwise would not have it, while at the same time normalizing the presence of non-white lead actors so that the concept of having a non-white lead stops being seen as a risk.
Hawki said:
But the whole GitS whitewashing controversy was stupid then, and it's stupid now. It isn't helped by the fact that the movie was lacklustre and not worth the controversy in the first place.
How's that? You have a clearly japanese looking character from Japan with a japanese name being played by a white american. It's pretty darn blatant. So blatant in fact that the movie apparently wrote in a plotline that's suppose to excuse it. It put a giant spotlight on how Hollywood wouldn't dare put an asian as the lead in a movie, even one where the protagonist is very clearly japanese.
 

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Casual Shinji said:
How's that? You have a clearly japanese looking character from Japan with a japanese name being played by a white american. It's pretty darn blatant. So blatant in fact that the movie apparently wrote in a plotline that's suppose to excuse it. It put a giant spotlight on how Hollywood wouldn't dare put an asian as the lead in a movie, even one where the protagonist is very clearly japanese.
-In the context of the movie itself, Japan's implied to be multi-ethnic, or at least more so than it is now.

-You mean the plotline where the Major's cyborg body is of a different ethnicity than her organic one?

Honestly, that's probably looking at it in too deep from both in-universe and out of universe. At the very most, I could attribute it to the film going for extra body horror, but I feel it's giving it too much credit.

-Even if an Asian lead had been, well, the lead, what would have actually changed? Not really anything as far as I can tell - no dialogue, no theme, no anything. And if you're really going down the route of "representation," congratulations, you'd have got someone headlining a lacklustre film where race/ethnicity is never relevant in plot, background, and ironically, the whitewashing arguably gives the movie slightly more oomph (though again, that's giving it too much credit).

Since Saelune's brought it up, I'll point to Mulan, which is set in a historical period in time, where we can say with reasonable authority what the characters should look like, among other things. Since GitS is set in the future in a Japan that isn't the same as ours, there's far more flexibility. So while GitS isn't like LMM (fictional creature), it isn't really comparable to Mulan either (fictional setting vs. historical setting).
 
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Satinavian said:
ObsidianJones said:
We had a race flipped Othello with Patrick Stewart [http://www.playbill.com/article/patrick-stewart-stars-in-race-reversed-othello-in-dc-nov-17-com-72158].
The whole cast was flipped there. Which means mostly traditionally white roles played buy black actors with Steward the sole exception. That is a theatre trying to gimmick up a performance but certainly not a caase of whitewashing.
I know. I specially said it was a race flipped Othello. I didn't call it white washing.

We had Major Kusanagi [https://www.tor.com/2016/04/20/why-are-we-still-white-washing-characters/]
Which was far more controversal than the mermaid or the nordic god or whatever.

And similar is true for most of the rest of the list. Either i have never heard about the production/source at all or people where extremely unhappy about that casting (Do you remember the rage about Avatar ?)
Umm. Yeah, that's actually a perception. You would have to have some type of Metric to quantify that. If you do have one, we can measure it and discern that.

I'm actually going to put in a pin for that for your next point.

Sarcasm aside, when it's a white person who takes a minority role, certain people come by and say that we should not think of anything but the story and it isn't a big deal. When a minority takes over a white role, Those same 'certain people' come through on a tear complaining that Diversity has gone too far and nothing is sacred any more.
Those people likely exist. But they seem to be quite rare compared to the "it does not match the source"-crowd (which is quite big for any IP that has a fandom to speak of) and the "get over it, it is a new interpretation and those are good actors" crowd.
Ok, pin taken out.

This point of view seems to be based on perception as well. You came up with a measurement of "Quite rare" without sourcing anything to give that stat. That's exactly the same as disproving an opinion. It's based on made up thoughts without any true way of measuring. Yes, I can definitely say Pepperoni is the Best topping for pizza and that everyone knows it. I can have people dissent, and I can say "Sure, a few people do as well. But it's quite rare".

Ignoring the mounds of people who like plain, BBQ chicken, bacon, onions, and/or pineapple.

Meanwhile, I'm addressing a certain group of people. My focus is on that. I understand the source material people. And I didn't mention them because that isn't an arguable act. Trying to convince people that a segment of the population will be harmed because a character is race swapped is.

And to quickly answer your nitpicking.

The first game was based on ancient Persia. I invite you to look at the Front [https://www.mobygames.com/images/covers/l/187798-prince-of-persia-atari-st-front-cover.jpg] and Back [https://www.mobygames.com/images/covers/l/313705-prince-of-persia-apple-ii-back-cover.jpg] cover art of the game and think about maybe it was a graphical choice made based on the limit palette they had to deal with back in the 1989's.

Khan was apart of a Eugenics program that featured Selective Breeding and Genetic Augmentations. I've never seen splicing. He's specifically from Northern India. It was in the script [http://www.chakoteya.net/StarTrek/24.htm], by the way.

MCCOY: We've triggered something, all right. His heart beat's increasing. Now passing eight beats per minute. There are some signs of respiration beginning.
SCOTT: This one was probably programmed to be triggered first.
KIRK: Could he be the leader? The leader. Lieutenant?
MARLA: (dragging herself back from just gazing at the man) Yes, sir. The leader was often set to revive first. This would allow him to decide whether the conditions warranted revival of the others.
MCCOY: Heart beat now approaching forty per minute. The respiration pattern is firming up.
MARLA: From the northern India area, I'd guess. Probably a Sikh. They were the most fantastic warriors.
MCCOY: Heart beat now fifty two and increasing.
KIRK: The others?
SCOTT: There's no change, and they're mixed types. Western, mid-European, Latin, Oriental.
MARLA: A man from the twentieth century coming alive.
MCCOY: Maybe. Heart beat dropping.
KIRK: Circuit shorting.
SCOTT: Probably some dust.
MCCOY: Heartbeat now thirty, dropping fast. It's a heart flutter. He's dying.
MARLA: Do something, Captain.
KIRK: Can we?
SCOTT: It'd take an hour to figure it out.
KIRK: What happens if we get him out of there?
MCCOY: He'll die in seconds if we don't.
(Kirk uses something metal in his hand to break the glass and open the compartment. The man is slid out on a trolley, gasping and awake. He tries to speak.)
KHAN: How long?
Two. I have two. Ben Affleck's character in Argo, and Emma Stone's character in Aloha.

Batou667 said:
Thanks, I appreciate it.
Hey, we're a community after all. We don't have to agree, just get along.

Yes I do, and I acknowledged it. My point was that they can't simultaneously be compelling arguments FOR black Ariel and at the same time ammunition to blast the "racists" arguing for white Ariel to remain unchanged.
That's your take on it. I think I fairly shown that they both can be used. Whether you agree on it, that's another thing. But I shown that they both could be used.

Dude, I sympathise and I accept there was/is an inequality. But let's not overstate the case to the point of dishonesty, OK? Unless you were reading comics in the 60s or earlier then you WOULD have seen black heroes. Not major heroes, I'll grant you, typically they were supporting or ensemble cast members. But black heroes have been appearing in comics and cartoons since the 70s.
What exactly did I overstate, really? I just told you my own experiences as a child. I thought I couldn't be a hero because I was black. I thought I couldn't survive because the black guy dies. To say I'm overstating my life experience is... baffling.

You're misrepresenting me. I'm saying "diversity shouldn't be achieved by simplistic quick fixes like sex- or race-swapping", you're hearing "everything's fine and should never change".
Actually, what I'm hearing is this.

Firstly the effective retconning of the last 30 years of Little Mermaid. That is sure to annoy, if not exactly upset, many fans.

Secondly, much is made of the need for characters children will associate with. Great, little back girls now have one extra princess they can dress up as at Halloween. Spare a thought for the little red-headed girls though; all they have is that girl from Brave now, and nobody wants to be her.
I won't deny, I've seen you say that. I've seen you say that up and down this thread. But Your Little Red-Headed girls are just as important as these up and coming little Black girls. I'll spare a thought for both.

And you're right. There should be representation for both. For all. But when I hear 'spare a thought for people who were already well represented', I tend to side with the ones who didn't get that same representation. It's a character flaw, I'll admit.

ObsidianJones said:
You conflate "having some representation" as "more important".
Not true. I wish, I just WISH, people would read the words I type and take them at face value instead of running away with a narrative of their own making. I've said multiple times that I think representation is important, and that I hope we achieve MORE, and MORE DIVERSE, representation, by expanding the set of characters, settings, and stories being told.

But you know what, evidently somebody (a whole room of somebodies, as I said before) decided it was "more important" to make Ariel black than to keep her white. There are obvious pros and cons for this; there are benefits to keeping Ariel white and there are benefits to making her black. People will have met, discussed, weighed up these two competing sets of benefits. And they evidently found it was "more important" to make Ariel black. Unless you think a multi-billion dollar, global corporation like Disney makes these kind of decisions by flipping a coin?
The problem is, I am reading your words.

Batou667 said:
Representation is important for black and ethnic minority kids. It should logically follow that representation is important for white kids too.

It's not crucial for a character to exactly fit the same demographics of a white kid for them to be able to identify with them and enjoy the story. This should then apply to minority kids too, right?

I feel like the elephant in the room here is that everyone has decided that these considerations of principle, of what's good for the goose being good for the gander, of providing a level playing field - has all been discarded because "we" have decided that minority rights are more important. If it feels progressive or will please a historically marginalised group, then make the change, end of. Remarkably, I think Saelune gave one of the most honest contributions to this discussion: changing an established character is annoying, it messes with the canon, it upsets the fans, but it's gotta be done because White Man's Burden.
This is what I'm responding to. I agree that equal representation is healty for any child to grow up. I know that. You know that. But the difference is that I know that a Black Ariel doesn't remove from white kids representation. Not only is there a ton of other things coming down the pipeline with people that will look just like them, once again, Black Ariel does not remove Red-Head Ariel from Canon. Black kids aren't suddenly more represented that white kids. If a rain drop his a puddle, and doesn't go to the ocean, yeah, the puddle had one more drop of water... but it's still a puddle compared to the damn ocean.

Also, I already put up a list here about how common it's done for minorities. Not only in fiction, but in real life.

The most telling thing of all that I didn't want to touch at the time, but fuck it, in for a penny, in for a pound.

You do know the 'White Man's Burden [http://historymatters.gmu.edu/d/5478/]' is from a Kipling Poem, right? It was used for a way to incite people to try to go along with Annexing the Phillipines. The White Man's Burden is to bring 'civilization' to those backwards enough not to have the inherent majesty of the White Man's Culture.

The Burden is 'Oh, how terrible is it to be so great and having to rid those backwards non-whites of their foolish ways'.

I'm sure you meant it in a different way, but you should know the origins of the terms you use.

And lastly, no need for unnecessary digs at Saelune. There's nothing remarkable about Saelune giving honest contributions. That's a regular thing.

We're going "meta" now, bear with me. You've heard of microaggressions, right? For a long time I assumed that was a coded way of minority groups tacitly admitting that the stuff annoying them was no longer a matter of life and death, or even outright hostility, but just first world problems like airplane seats not being designed for 600lb backsides or "flesh-coloured" band-aids not exactly matching your skin tone. My outlook on this has changed somewhat in the last few years and I now accept that some groups experience a background hum of suspicion, or hostility, or deprecation that plays out in a myriad of little ways in everyday life. It's my contention that "historically privileged" groups like males and white people are waking up the to the fact that they experience this too. A little inequality here. A small injustice (for the greater good, naturally) there. Another "dopey dad" trope going unchallenged in the media. Another "woke" columnist being applauded for saying "y'all whypipo is the devil" in 500 words. And, yeah, another character swapped out for an underrepresented gender or race, and if we don't clap and honk like seals we get called "angry internet racists" by Buzzfeed. At the end of the day, my beef is not about a gosh darn fictional mermaid - but it's emblematic.

You think I'm part of a small minority on this? That's the kind of hubris that got Trump elected in 2016. Don't believe for a minute that only a hardcore fringe could possibly disagree with you.
Here's the real problem again.

Minorities are still the puddle. White People are still the ocean in terms of representation and allocation of power. A few people wanted to add to the puddle for some reason and took a water can and poured it's contents into the Puddle. People who are for the ocean saw this and got enraged. They got fleets and fleets of water tankers, drained Lake Ontario and poured it into the Ocean... not realizing it's somewhat foolhardy as Lake Ontario is connected to the Ocean already.

THAT'S the thinking that got Trump Elected.

You have to understand something as something who's feeling repressed. It's up to you to figure out if you want to help the situation, or react to it.

With that comment about Trump, it's feeling like you're leaning towards reaction. That doesn't help. I once called myself a Black Militant back during the days of the Movie 'X'. I grew up in the ghetto. I saw the injustice and what people do when they have no other options. I wanted to speak out. I wanted to fight. People needed to know.

And they still do. You know what the problem is? People stopped listening after 'Black Militant'. Anyone who's reading this has an idea of what that term means, and tuned their attention accordingly. That's what happens when you have strong feelings and you reach for a strong reaction. The reaction might feel comfortable to house your strong feelings, but it doesn't mean it's the right action to take to effect change. We're feeling that with Trump.

As hard as it might be believed, I don't want anyone eroded. No culture, No Gender, no creed, no religion, no lack of religion. I don't want anything to happen to white people. This world would be lessened if that would to happen. As it would be for any race. Reaction is just to make other people's sorry for their actions, or to make one feel better about what they believed happen to them.

If we want change, we can't go out and try to hurt others. No matter how we perceive things. We have to always bring ourselves to the table, no matter how bruised and bloodied our egos are. And we need to talk. Without name calling, without hurt feelings, without trying to get back. We want to share this world. So we have to work for it with open hearts and minds. Some things we have to give. Because we simply can't share this world if we keep saying "But this is mine and no one else can have it".
 

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ObsidianJones said:
Umm. Yeah, that's actually a perception.
Yes, it is a perception. And i am aware of the fact that there are several factors that might skew my perception like :
- Not living in the US with its neverending race related problems
- Not taking part in any white supremist forums/meet-ups etc. and thus rarely encountering their nonsense.
- Being part of fandoms of stuff i like and thus regularly being exposed to the "not true to the source" crowd (which i sometimes even take part in)

But be that as it may, i still have no reason to assume that my perception is giving the wrong picture here. Sure, actual would be nice but to get them you would have to track a representative sample of complainers over several controversities to find out if their behavior is different for white->non white and non white->white changes. I am not aware that this ever has been attampted because it is difficult.

Meanwhile, I'm addressing a certain group of people. My focus is on that. I understand the source material people. And I didn't mention them because that isn't an arguable act. Trying to convince people that a segment of the population will be harmed because a character is race swapped is.
Ok, if that is the case, then go ahead. Not sure whot kind of discussion can be had about that though, because that is also not particularly aguable, at least for me. I mean, i could complain that international entertainment is ridiculously US-centric to the point american culture bleeds into other cultures everywhere, but i can't really blame Hollywood for being successful and valueing their home-market.

And to quickly answer your nitpicking.

The first game was based on ancient Persia. I invite you to look at the Front [https://www.mobygames.com/images/covers/l/187798-prince-of-persia-atari-st-front-cover.jpg] and Back [https://www.mobygames.com/images/covers/l/313705-prince-of-persia-apple-ii-back-cover.jpg] cover art of the game and think about maybe it was a graphical choice made based on the limit palette they had to deal with back in the 1989's.
"Ancient Persia" was full of white people. The box art also depicts white people. And if you had a device with some more colors (it was released as multiplatform), it looked like this (yes, that is still the original, not the SNES remastered version ):


Khan was apart of a Eugenics program that featured Selective Breeding and Genetic Augmentations. I've never seen splicing. He's specifically from Northern India. It was in the script [http://www.chakoteya.net/StarTrek/24.htm], by the way.
Not sure how augmentation is suppossed to work without splicing but even if we treat him as pure northern Indian descent, this does still not make him actually non-white.