-----SPOILERS POSSIBLE IN THE SUCCEEDING POST-----
It is posts like this--and the mindsets that fuel said posts--that remind me why the last decade or so has been SOAKED with subpar attempts at capturing "horror" onto film. It's dullards, and morons like the TC that lead to Saw being serialised; Jason X being made; and both Hostel movies. You take an idea, and shit on it until it's covered in gory fecal matter; accentuated by some drunk twat--with his baseball cap on sideways--yelling "BOOHA! in your face every five goddamn seconds.
I'll be quite frank, I only went into seeing Paranormal Activity with one review: Spoony's. It was highly recommended, and I was definitely not disappointed. You see, I rank among the rare specimen of horror viewers who DON'T believe that horror is all about blood being thrown everywhere, and cabinets jammed into my face with a cacophonous BANG!
PA serves as a refreshing reminder that there still exists people who wish to design an INTELLIGENT, powerful, truly frightening experience. It's a movie that forces you to actually THINK about what's going on, and what might happen. It doesn't spoon-feed you the plot, nor does it hold your hand throughout the scares. It's a movie about isolation, fear, and the unknown. It doesn't talk down to its audience; rather, it expects that you're enough of an adult to understand the events, and to use your goddamn head.
While re-reading your "review" I noticed you obviously don't know film-making, as there was only ONE camera during the entire movie. Everything was shot on the camera being featured. So your quip of: "the occasional impossible angle or obvious second camera" is fallacious, and ignorant. Go read up on the movie. It's stated that only one camera was used, and there was NO FILM CREW AT ALL. Micah (the male lead) did most of the camera work, occasionally giving it over to Katie (female lead); or leaving it stationary.
That's the first clue that you're a raving dumbass. There's more, but I'd like to gloss over your inadequacies to focus more on PA, and the horror genre in general.
Most people (I said MOST) who will dislike PA will dislike it because of that reason. It doesn't play kiddie games. It's a true ADULT movie, in every sense of the term (sans showing sex, of course).
The only segments I knew were going to happen were the final frames of the movie; sans the camera bit before the "jump scare". Beyond that, I had NO idea what was going to happen; and each "night" sequence was scarier than the last. Hell, I saw this movie mid-day, and I STILL couldn't sleep that night.
But you, TC, are a prick. Not only did you display an annoying amount of ignorance towards the horror genre in general, but you posted blatant movie spoilers without tacking on a spoiler tag for those who might want to see the movie. Fuck you. Just because you feel you're doing us all a service by giving away the ending, or even bits from the movie itself, doesn't mean you should jump on a forum, and do so. That's rude, obnoxious, self-centered, and just fucking wrong.
I can accept that your opinion on horror cinema may be different than mine; but do not try to state your OPINION as FACT. Horror is NOT entirely comprised of goreno and BOOHA! scares. It's a genre that has survived MORE on the psychological types of movies. Movies that forced audiences to own up to their inner-most fears. Movies that have left LASTING psychological impressions on audiences.
Silence Of The Lambs
Halloween
Texas Chainsaw Massacre
Last House On The Left
Psycho
John Carpenter's The Thing
Jaws
While they all feature violence, the movies I've listed serve another, DEEPER purpose altogether:
Silence Of The Lambs focused on the horrors of reality. Both Lecter and Bill were modeled after real-life serial killers; and the story itself is grounded in reality. The movie centered more on the psychology of a killer, rather than on the killer's kills.
Halloween and Texas Chainsaw Massacre both delved into the unseen in horror. Each relied more on the things you either didn't see, or didn't want to see. Seeing Michael slowly appear from the shadows, was truly haunting. Texas Chainsaw Massacre was cold, cruel, and calculating. It was violent, but held itself back to allow the violence OFF-SCREEN to play a more prominent role. When there was violence, it was quick, brutal, and not dragged out for 30 goddamn minutes.
Last House On The Left (being one of my least favourite movies ever) was horrifying because of the taboo subject material. It centered around two teenage girls being kidnapped, beaten, raped, and killed. All of this taking place within 10 miles of the one girl's own home. What made it scary is what made Silence Of The Lambs scary: the reality of the situation. Stories like this DO happen, and a lot more frequently than a hockey-masked killer stalking a campground. It also addressed vengeance, and did it damn well.
Psycho was considered the first "slasher" film ever. Being that, however, it was a film that played up tension, leading up to each of the few kills it presented. It focused moreso on Norman Bates's relationship with his mother, and the ending alone was shocking; never done before (at the time); and gratuitous. Even then, the violence was deeply reserved (considering what modern horror violence is like), and played mostly on psychological horror than physical horror. Psycho was infamous for causing people to be scared of taking a damn SHOWER. None of these modern movies today have done that!
I could go on and on, and make a longer list; but I think I've beaten the point to within an inch of its life.
Just because you didn't like it, doesn't give you the rights to go pissing on it by spoiling it for those who WOULD.