Veylon said:
If Beethoven had lived a couple hundred years earlier, you would never have heard of him. Or Mozart, or any of the others, no matter how brilliant they were. They were incredibly fortunate to live in a time in which their music could be written down, when new instruments were being made, when music was studied at a scientific level, and when kings and emperors would pay them to do what they did best. Better yet, they managed to latch on towards the beginning, before the masters' pantheon was sealed shut. Even if someone today did out-do Beethoven or Bach in classical composition, their work would never be acknowledged as such any more than one could be said to out-write Shakespeare.
This relates back to video games in that they are regarded as socially inferior regardless of their merits. One cannot state a love of gaming above classical music without forfeiting one's claim to class. Art is not a subjective world, but a rigidly hierarchical one where certain forms of painting and music sit at the top and gaming sits near, if not at, the bottom.
First things, first, Western music has always been written down. Even during the Medieval and Renaissance eras, music was still recorded. These are the eras that would be "a couple hundred years" before Beethoven and Mozart. The primary differentiating factor here is that there was no standard for musical notation that existed shortly after 1600. If no one wrote down music during this era, then how are musicians playing music from these eras? Just because there was no standard for writing music does not mean people did not write it down. Most sources seem to believe that the first time music was written down was the 900s, which is almost a THOUSAND years before Beethoven or Mozart.
Second, kings, emperors, and (especially) the churches had been the prime employers of composers since the Renaissance and Medieval eras of music. These three institutions have ALWAYS employed musicians. The church was almost the sole employer of musicians during the periods of early Western music, and they were most likely very meticulous with their transcription and record keeping of their music (this is why we still have Gregorian Chant). This practice just didn't willingly manifest itself into being during the Baroque Era: it existed years prior to it. Again, you would have to go back a THOUSAND years to reach an era where your statement has anything CLOSE to actual merit.
Third, music theory (the study of music "scientifically") has always existed in some limited capacity since music began. People have always looked and analyzed music in a deep and meaningful way. You can, quite easily, find papers in the Baroque era discussing harmonies and counterpoint. This 'scientific' study of music has existed for sure during the Baroque era, and you can most likely find evidence (among liturgical papers I suspect) of deeper and meaningful discussions of the mechanics of music in the eras of early Western music. Again, you would need to go back MUCH further than a few hundred years to reach an era where such discussion did not exist. I get the serious suspension that you did not know the scope in which Western music HAD been developed and cemented during these eras of early music, as many of your critique hold quite true for "a couple hundred". It's moderately understandable: early music does not receive much play time or recognition. Even I must admit to knowing very little actual composition during these eras.
Fourth, there have been many, MANY masters who have existed after Beethoven. After Beethoven, we've had brilliant minds like: Wagner, Mendelssohn, Chopin and Liszt (if anything for their contributions to the art of performance itself), Mahler, Debussy, Schoenberg, and hundreds of other brilliant minds who graciously wrote down their music for us to enjoy (I am still a little asleep, so I cannot think of as many as I should). There is no such thing as the "master's pantheon," as masters continued to exist even after it was "closed".
Fifth, the reason no one has even out-written Bach is because he is
THAT GOOD. It isn't because the "master's pantheon" has been shut: it's because he was the true and most absolute definition of "master". People who call this man the greatest composer of classical music who has ever lived aren't just doing it out of custom, you know. He is LEGITIMATELY the single most brilliant mind who has ever written music. Even someone with a very basic and rudimentary understanding of music theory such as myself can see the unbelievable complexity within his music. Bach isn't just all talk: he was practically a demigod.
So tl;dr? You don't really know much about the history of Western music.
Lastly, I discussed the "merits" of video games as art. I said that they have no hopes of every being as emotionally meaningful and powerful as most of the art that has preceded it. This is just simple fact as far as I am concerned: even the most emotionally powerful games cannot even come close to resonance of a beautiful and well constructed piece of music or a great work of literature. The media is too young and too underdeveloped to compete with these established media, and did not have the right atmosphere upon creation to develop quickly into art like film did.