LiquidXlr8 said:Lim3 said:crimson5pheonix said:BonsaiK said:crimson5pheonix said:BonsaiK said:crimson5pheonix said:BonsaiK said:WARNING: this post will scare you.crimson5pheonix said:And how do you get horror~romance?
Horror, and vampires in particular have always been about romance. Dracula was always portrayed as a charismatic, well-spoken man, he didn't force people into his castle, he lured and charmed them in. He even killed his victims in an embrace that looks and feels exactly like a bit of passionate necking until you feel the fangs sink in and then it's too late. If you want to see the inspiration for Twilight's vampires, look to the source. Twilight's vision of what a vampire is, is actually a lot closer in spirit to Bram Stoker's book than almost every other recent vampire film made, most of which take amazingly brazen liberties with the "vampire" formula (space vampires, zombie vampires, vampire werewolves, etc). A bitter pill for people here to swallow, no doubt, but Twilight succeeded while so many other vampire films disappeared into the land of 'meh' because Twilight actually mostly got vampires right[/i].
Grief counselling is available via PM for distraught horror fans (as this thread will be locked soon no doubt).
Well, maybe vampires for horror~romance, but not horror in general. How would you get romance out of an actual horror based werewolf movie?
Also, I thought the main vampire in Twilight didn't want to bight the main character, wouldn't that kind of mess things up? Or am I just wrong and he's toying with her?
Well, is that not where the appeal lies? The man is willing to (attempt to) exercise control the natural urges for the sake of her? This type of moral quandary also appears in Bram Stoker's book and several early vampire film incarnations and gave those early protagonists a bit of extra depth.
A werewolf is a man when he's not a wolf. In traditional werewolf literature, the werewolf only become a wolf during the full moon. Usually, once again, the werewolf in film "as man" is a romantic person with a love interest, who then has the torment of trying to hide his true nature and explain his awkward monthly absences to the girl he cares about. A constant battle between primal instinct and romantic ideals, once again, not unlike Twilight.
When did Dracula not want to feed? He only exercised control because it is socially uncouth to jump out and yell "Bleagh!" and start sucking.
As for the Werewolf one, then it becomes a romance movie instead of horror because the focus has shifted to love instead of constant stalking.
Well, yes, yes it does. Most werewolf films aren't just 90 minutes of a wolf chowing down. That would be boring (and most newer werewolf films that are nothing but this ARE very boring as a result). The classic werewolf films are all romance tales gone wrong.
Dracula always wanted to feed, but he had too much style and poise to go around just knocking off randoms. He knew the classiest way to feed on subjects of his required standard was to seduce his prey and let them come to him. He had the mansion, the bling and so forth, he knew what girls of the day liked. But there was always a little bit inside of him that had to try hard not to actually fall in love with the victims... hence the female character who always gets to stay in the house that little bit longer than her peers...
Well alright, fair enough. I still don't think horror and romance are intrinsic to each other, but it's there enough.
But the slight romance undercurrent in Dracula is different from the Twilight romance. His romance was a deepening feature to make him appear more human and that he was trying to turn himself into a true monster. But the Twilight vampire that has already given up and accepted romance is now nothing more then a super strong jumping jack. Part of why the Dracula romance is part of the horror is that he's still hunting people despite his lingering humanity. But Twilight vampire isn't actively hunting characters. He could be replaced with Superman and it would still work. That's all romance with the only horror coming from outside characters attacking.
For the record I've read the original Dracula and its nothing like that. In fact it's really very boring. Dracula comes to London. Dracula feeds on two pretty girls after hypnotizing them (and they don't remember). Then Jonathan Harker and co. (include Dr Van Helsing) hunt Dracula down in England. Then they hunt him down in Transylvania.
If your referring to a specific movie (ie Dracula 2000) then I apologize. Oh and i don't know which Dracula movie it is, but the one where he turns out to be Judas is such a cool twist. And for all you smart arses who say you saw it coming, well i was very young at the time.
If you did read the book and not the wiki entry, then either you skimmed it or... well I wont be rude. But the entire novel was Stoker's thinly veiled attack against pornography (according to most Oxford Dons) and hundreds if not thousands of literary minds have written whole dissertations on the sexual overtones and undertones of Stoker's Dracula. Did you ever wonder why Lucy was killed in just a few days before becoming a revenant, but the Count decides to kidnap the much more chaste and pure Mina Harker around the world? Read deeper, my friend.
I assure you i read it cover to cover, and did not skim it. As i said i found it boring. The fact of the matter is the entire book was written in past tense, via journal entries and letters, so you know the character must have survived to write them. Admittedly from the get go when reading i found it boring. Another factor that may have made it boring, is due to popular culture I already knew the manner of creature of Dracula, as well as his weaknesses, so every time a new power or weakness was revealed it was hardly earth shattering.
Also before you criticize my ability to discern themes and read between the lines, did you recognize an attack on pornography within the text, or did you first read a discussion regarding the text, and are parroting what it's said? Or worse yet, did you read the book in English and the education board had your teacher spoon feed your entire class summaries and themes?
Apologies, if that came across harsh, but i cannot stand the way the board of studies teaches English here (in Australia).
Obviously the text was written a fair while ago, and without knowing the context of the society it was written it is nigh on impossible to fully comprehend the supposed genius of the author.
Also Lucy wasn't killed in a few short days. There are numerous visits by the count. There is time for Van Hellsing to first of all make the trip and them make several visits. I cannot be bothered to review the dates on the letters to check the volume of time passed over which Lucy was sucked dry.
Also I assumed that Lucy was a target of the Count due to her association with Jonathan Harker, who the count no doubt enjoyed terrorizing.
I actually found the entire book full of plot holes regarding the count's rather 2 dimensional character. If you had the abilities of him, as well as the minions, and the power to make those minions would you have sat back and allowed 5 or so punny humans hunt you down?
No, i stand by my initial statement of a simplistic and boring plot. I cannot see any genius in the writing, especially compared to Charles Dickens who was writing only decades before Bram Stoker. I do however acknowledge that I'm writing from the year 2010, so i cannot review the book and it's writing in it's proper context.[/quote]