Gildan Bladeborn said:Why the hell would they be? They're people actually playing instruments - the effects that get layered on top of that may or may not make the end result sound better or significantly more annoying, but that is still a bloody skill.
You are correct, it isn't a skill. It's an effect. Something that can utilised within the sound world to add aesthetic content to music. Why does 'skill' even enter the equation?Talking into a microphone and having the output translated into a stupid robot voice on the other hand is not a skill
I would say that this is a personal opinion (although one that I would be more inclined to agree with than disagree with).it doesn't sound good (not as the ubiquitous 'voice' of a song at least), and it's never an improvement over a decent natural voice.
Songs? Albums? Really? Albums are often thematic in nature, especially when it comes to their timbrel content. If an artist wants to utilise an auto-tune over the course of an album, what's wrong with that? I agree about being over a career though, an artist should vary how they create music over the course of their career.but recording entire songs/albums/careers using nothing but "the auto-tone voice" is, as I earlier suggested, completely disgraceful
Because...you don't like how it sounds?you can sing but for some bizarre reason think sounding like a pitch-perfect robot all the time is preferable, in which case you are simply crazy.
I generally find the sound of brass instruments distasteful and I don't go around stating that people who want to use them are crazy.
I agree wholeheartedly. But I don't think talented artists who want to utilise an auto-tune should take flak because of the talentless hacks.There is nothing whatsoever wrong with electronic composition and editing tools, except when they are used as a crutch for talentless hacks - if I can't play a bloody guitar, I really have no business calling myself a guitarist, now do I?