On the flipside, an example of someone not restraining themselves from their views is His Dark Materials series of books. Pullman apparently set out to make a book like The Chronicles of Narnia but with an atheist bent to it and he got so hung up about pushing his ideology that it turned the series into a mess.Olikar said:It has nothing to do with comfort but relevance and intellectual value. And I (and most of western philosophy) don't believe art should be criticized on moral grounds or political/social values, in fact most would argue the opposite, and that Art should be the one criticizing morality and political/social values not the other way round. Someone can say a work of art is morally disgusting or sexist or whatever but what does that actually tell you beyond that the person is offended by the work? It offers no actual insight into the aesthetic value of the art, and is really nothing more than the person whining 'WAAAAAAAAA this opposes my own views and opinions!"
To highlight why I think criticizing art on social ground diminishes the value of art take the short story The Renegade by Camus. Camus was a staunch atheist who believed religion was poisonous to rational thought and this story is written as a metaphor for that. If I was to bring my own social values into it I would criticise the book for being monstrously bias and intolerant towards religion, I would call it disgusting vile trash. But of course since I am actually capable of rational thought, I know that my social values are not only irrelevant to other peoples judgment of the book (because my personal opinions and philosophies are of no use to others) it is also entirely irrelevant to mine, because even though I disagree with the message I can appreciate how masterfully the message was delivered (which is in my opinion the true value of art.)
Sorry if that's off topic, I guess I'm still a little bitter over how that series ended up. The Golden Compass, fantastic. The Subtle Knife, average at best. The Amber Spyglass, garbage.
*sigh*