Partly yes, I do blame companies outside South Africa. I have no idea how why Spotify does not work in South Africa (or much of the world), but Amazon used to work here but now has chosen not to serves us, and Apple simply has never bothered to get around to opening online stores for any African country, which is a shame because I'm rather fond of Apple otherwise.dastardly said:So you blame the nation that's making the music? Why not blame folks in your own nation for not finding some way to open up the digital trade? It's unfortunate that it's not super-readily available, but it's a bit more than just flipping a switch for a US-based company to start doing business in a foreign land with different currency and laws and blah blah blah.
I tend to agree with the performers. Up until 5 or 6 years ago, a major label was pretty much an artist's only option. Labels do take massive amounts from their musicians.The Beatles famously got less then 10% of all the money they earned, the rest either went to EMI or was taxed. In more recent times Radiohead claim that they almost decided to break up the band rather then take one of the backbreaking contracts that were offered to them. They simply didn't have any other choice but to sign away their rights. Yes a lot of musicians go into these contracts ignorant of what they are signing away, but the labels are also fully aware that this is the cases and are happy to exploit them.dastardly said:You understand some of how the recording industry works, but apparently not quite enough. Yes, major labels will start to be broken up, and independents will be on the rise. This is simply because now people have more ability to "get their goods to market" without the need of a production company. However, there's this bizarre tendency to treat labels like they're "robbing" the performers... even by the performers themselves, who chose to sign with them in the first place.
Out of interest, from where do your knowledge and opinions regarding the industry stem from?
I certainly won't claim to be an expert on the workings of the record industry, but I follow things based on a personal interest as a musician in training.