This Mister King isn't fooling anyone. I really hope he knows that, because otherwise it's just pathetic. Speaking only through these little drones, sitting behind a blanked-out screen...doesn't he know it's all been done before? Pay no attention to the man behind the curtain, ladies and gentlemen!
But now, for the first act, we have a murder. That I like. Murder I can relate to, eh? Keeps things close to home, as it were. I'll play your game, Mister King, just as long as you realize that I'm
playing.
=-=-=-
Corkscrew Nick grinned at Jacob Kaynard as they left the bar. "He's a funny man, is this King," he said. "He's turned justice into a race. Quite a joke, wouldn't you say?"
Jacob looked less than enthused, for some reason. "I don't know," he said. "I didn't come here to kill people. I was supposed to be on vacation."
"Really?" said Corkscrew Nick. "And how'd that work out for you?"
"Someone tried to shoot me."
"Is that all?" Nick threw an arm over Jacob's shoulder. "I get that all the time, and I assure you it's nothing to worry about."
Jacob looked at him for a moment, unsure if he was crazy or just stupid. "What?"
"It's not getting shot
at that's the problem," Nick said cheerfully. "It's getting
shot."
=-=-=-
Intersection of Fourth and Main. Big wide street, big square intersection with cars and painted lines dancing through it. I already know where the body will be: right in the middle, where the chaos was greatest during the morning rush hour, and where the scene can slowly pull back to reveal the entire bloody mess.
There's a car parked right in the middle of the street, with a crowd gathered around. Professional gawkers and the morbidly curious, harried businessmen and cubicle gangsters taking a break from throwing fingers at the commute. Traffic is stopped, with a wall of empty cars forming a barrier against the world, motors running. The driver's only stepped out for a moment, after all.
It's its own tiny little world, in this ragged circle of cars. The blaring horns of those who can't get through seem far away--even the shivering murmurs of the staring crowd seem to be louder. There's a policeman trying to keep the scene under his control, but he's not having too much luck.
And in the middle of it all, the masterpiece of this little center-stage drama, a car. Expensive, tasteful, glossy black with leather seats, and in the driver's seat a man leaning back against the headrest, mouth open slightly as if he's about to say something, brow slightly furrowed, eyes blank, neat bullet-hole right in the middle of his forehead.
Sometimes--just
sometimes--whoever's in charge of things like this has a proper sense of the dramatic.
=-=-=-
"So," said Corkscrew Nick, making conversation on the way to the intersection, "Why'd you pick Paradise City for your vacation? Seems like an odd choice. You know. City-in-a-bottle full of killers and sinister symbolism. Not exactly prime real estate if you want to wind down, know what I mean?"
"I didn't really mean to come here," said Jacob distractedly. "My friend Ross picked it."
"Reeeeally?" Nick glanced over at Jacob, who was frowning at the air. "Some friend, eh?"
"Yes," said Jacob, not really listening.
The two of them were walking easily down the sidewalk, an uncomfortable distance apart. There were few people on the street, and those that were moved quickly, furtively, without looking back. Nick and Jacob moved through them like self-confidant wolves through skittish sheep.
Corkscrew Nick watched them pass. "What's in this city," he wondered aloud, "that has its people so afraid?" When there was no response from Jacob he continued, "What cancer lurks in the heart of the metropolis? There is something there, to be sure...what was it that Mister King said? If we were to leave the bar, we'd be shot on sight?" He waited for a moment, but there was no reply. "Shot by who, I would ask?"
"When he was telling us what to do," Jacob finally spoke, "back in the bar...right before that, when he was talking to that...metal angel guy, and the shadow wolf thing...he said that the loser would be set out into the city with a kill on sight order." His voice was distracted, not really worried yet, the voice of a man who is calmly and rationally coming to the conclusion that hysteria might be the appropriate response.
"I wouldn't know," Nick said easily. "I wasn't listening."
"And I think I heard him say something else," Jacob continued, frowning. "Something like if you kill the other guy, you win. He said they didn't really need to achieve their objective."
"He was talking to
them, Jake," said Nick. "Not us. We just have a murder to solve." When Jacob didn't reply he added, "You've got to keep your eye on what's important, my friend."
"Right," said Jacob, giving Nick an opaque look. Nick grinned lazily in reply.
=-=-=-
The crowd is muttering, restless. They're here for a show, but all they're getting is late. The policeman isn't helping matters, yelling and trying to get the scene cleared and maybe keep the traffic flowing. Fourth and Main is an important intersection, and now this little murder is clogging it up, blocking the arteries of the city. The traffic jam is slowly spreading like some automotive plague--you're in the outskirts of it a quarter mile out, now. Horns are blaring, people are swearing, and one enterprising fellow is selling snacks to those stuck in traffic. I can't help but notice that the people in the cars aren't as furtive as the pedestrians. These are big, important people driving big, heavy cars, cars that could serve as impromptu armored vehicles in a pinch. I only see one imported car on the way to the intersection, a sleek Italian sports thing with two suits in it, wearing wraparound sunglasses. They're having a bitter argument about whether it would have been a better idea to have turned left back on Eighth and thus avoided this whole sorry mess. I give 'em a grin on the way past, almost skipping for a few steps, able to move where they cannot. One of them flips me the bird, and I laugh.
We reach the intersection, Jacob and I, and we see what there is to see. A perfect tableau. The policeman is looking around, either for a way out of this mess or for something to stand on to shout at people more efficiently. He looks disturbed, this policeman. His shirt isn't tucked in quite right, his cap is askew, his badge off-center. He looks like he's had a rough day.
I can assure you, it's only going to get worse.
=-=-=-
Corkscrew Nick pushed his way through the crowd, absently throwing elbows into ribs and jolting people just enough to get them out of his way. Jacob Kaynard hung back, taking in the scene from a distance. He didn't really want to be here, you could tell, but if he was going to be here he might as well do what had to be done professionally. Examine the scene from a distance first, that's the ticket.
Corkscrew Nick wasn't having any of that analytical bullshit. Solving murders wasn't really his thing; he had more experience with the other side of the equation, as it were. No, if there was going to be a drama here, it wasn't going to be a damn
mystery. He wouldn't have it. He needed to shift the scene to something a little more appropriate, and for that he needed a stage.
And here it was. A circle of open space surrounding the car, in which only the policeman stood. All the gawkers, for all their curiosity, were afraid to get too close. Death is a fascinating subject, but you don't want it up in your face. Corkscrew Nick smiled at the thought. Time to make things a little more personal, then.
Jacob watched from the edge of the crowd, slowly working his way around to the other side of the stage. He wanted something sturdy between him and Nick for a little while, and the murdered man's car was the only thing available that wasn't made of horribly vulnerable flesh and bone. The thought was still running through his head, like a track on infinite loop: to win, you have to kill. Kill the murderer, kill your opponent, kill everyone at the scene. Nick hadn't even blinked, just smiled that weird reaper-head smile of his. Jacob, now, he wasn't entirely used to the idea of killing people. In a game, sure. In distant climes and dire circumstances, all right. But the idea of planning it and then carrying it out, without any real investment in the matter, that was new to him.
On the other side of the murder scene, the policeman glared at Corkscrew Nick. "Crime scene," he said shortly. "Don't contaminate it."
"Murder scene," said Corkscrew Nick, looking at the corpse in the car, mostly ignoring the cop. "How unfortunate, eh?"
"Step away," said the cop. "This is a crime scene." His words seemed far away, his eyes flicking between Nick and the surrounding crowd, tracing escape routes and noting suspicious characters.
"A crime scene," said Nick. "Step away? No, I think this is just the first act." He leapt to center stage, in the middle of the crowd, and the people backed away to give him room. He spoke to the crowd, framing his words with his hands, and they listened to his solemn voice.
"Friends," he began, "ya got trouble. Right here in Paradise City." He put an ironic twist on the words that few noticed, so grave was his expression as he gestures at the body. The policeman frowned and took a step forward, opening his mouth to insert some commanding statement, but Nick continued smoothly, overriding the cop, waving his hands through the air to emphasize what he is saying.
"Ya got trouble," he said again. "But with a wave of my hand--this very hand--I can make it all...
disappear."
The policeman gurgled out a shocked statement around the blade in his throat and collapsed, clutching at the wound. Corkscrew Nick looked at the bloody knife in his hand, dripping fresh red, and chuckled.
"Fancy that," he said.
It was about then that all hell broke loose.
=-=-=-
Chaos, panic, and disorder. My work here is done.
Of course, it's not really that simple. The cop was only a part of it, a minor part at that. The Law says that you're not supposed to kill a murderer right away (as I happen to know very well), and so we couldn't have the servants of the Law getting tangled up in this mess. Wouldn't do. Had to get rid of him fast.
Unfortunately, that makes the rest of it kind of tricky. Can't plan now, which would have made things easier. Maybe rigged up some kind of explosive, take 'em all out at one go. But that's not possible anymore.
Doesn't really matter, though. The murderer is an important character in this little story--he has to be easy to spot.
Maybe he's the bald guy with the mirrored sunglasses, the one who looks angry rather than panicked. The ease with which he falls to the knife tells me no, it's not him, though. The woman striding determinedly towards me with a can of pepper spray? Probably not. A gun isn't really a woman's weapon. It's a phallic symbol, very male-central, a rather inelegant metaphor if you ask me but there you go. I cut her fingers just enough to make her drop the pepper spray, leer into her face when she has that moment of epiphany where she realizes that she isn't the heroine of the story and that yes, she can die. Right here, right now, alongside sunglasses man, the cop, and the poor bastard with the hole in his head. She runs, heroism forgotten, clutching her bleeding fingers.
At least she doesn't scream. Give her that much, at least. Girl knows how to keep her head.
=-=-=-
It was exactly the thing to snap Jacob out of his dilemma. There were no ethical concerns now: Nick had just killed a cop, then stabbed an unarmed civilian and cut up another. He was moving after the rest of them now, bloody knife in his hand, not even running, just walking slowly through the crowd as the people panicked. He reached out casually and slammed the knife through someone's chest as they tried to get away, hemmed in by the rest of the crowd. Corkscrew Nick was in complete control of the situation: the crowd wasn't thinking hey, this is one guy with a knife, we can take him. Instead they were thinking, this guy is going to kill me. Nick was working the crowd like a showman, keeping them as individuals rather than a mob. A mob is strong, for it has many lives. An individual is weak, for it has only one, one that can be easily stolen by Nick's swift hands.
In the end, though, Corkscrew Nick is one man with a knife. Jacob, being somewhat more clear-headed than the panicked crowd, could see that clearer than they could. And when the enemy is one man armed with a blade the length of his palm, certain things can be done about it.
"Stop," said Jacob, loud enough to be heard over the screams.
Nick turned around, grinning, holding a knife to the throat of a sweating man in a collared shirt and tie. "I'm just doing what Mister King told us to do, Jake," he said. "If you don't want to play the game, you shouldn't be here."
"Stop," said Jacob again. "Just stop. This is wrong. You shouldn't be doing this, especially not just because some mysterious dude behind a screen said so."
"You think that's the only reason?" Nick laughed. "This is what I do, Jake. Thought you knew that."
Jacob wasn't sure he understood--or, rather, he thought he understood, but didn't like that he might be right. "What?" he said.
"I kill people," Nick said, slowly and clearly, twitching his knife and making his hostage flinch. "Mister King kills people too, you know. He'll kill you if you don't play his game. You said it yourself--whoever loses, dies." He studied Jacob's face for a moment. "Maybe you didn't want to admit it to yourself, but that's what it is. To the death, Jake. And that death is not going to be mine, I can assure you of that." At each repetition of the word "death" the hostage shrank back a little.
"You're not killing anyone else," said Jacob, with grim finality.
"Really?" said Nick. "How would you propose to stop me, pray tell?"
Jacob has a gun in his hand suddenly, drawn from the holster of the dead policeman. It's aimed at Nick's head, as sure and steady as a rock. His hands do not shake in the slightest.
"Pistol beats knife, Nick," said Jacob.
Corkscrew Nick stares at the gun for a moment, as though he cannot believe what he is seeing. "Come on, man," he says. "Did you really have to bring phallic symbols into this?"
"What?" said Jacob.
"Never mind," said Nick, and with one smooth motion he slit the hostage's throat. Jacob shouted, in rage and surprise, and fired. The gun leapt in his hand, the raw stink of gunpowder smote the air, and Corkscrew Nick tumbled away from the dying man, laughing. Jacob cursed in shock and rage and aimed again. Nick reached out and swung a fleeing man in front of him, putting a solid, fat body between him and the gun, just as Jacob fired a second time. The bullet slammed into the human shield with a sound like a spirit breaking, and Jacob dropped the pistol.
There was silence. Or rather, there was the impression of silence: the distant horns still blared, the motors of the surrounding cars still rumbled, the million sounds of the city still filtered through the air, but on the stage there was silence. You could have heard a pin drop.
=-=-=-
Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
=-=-=-
"Way to go, Jake," said Corkscrew Nick. "You let them all get away."
"I..." said Jacob, not yet able to voice his thoughts after the pure intensity of the previous moments. Nick helpfully filled the space with commentary.
"Now we'll never find the murderer," he complained. "Or perhaps I should say
I will never find the murderer. You didn't seem to be too interested in that."
"Is he dead?" asked Jacob.
"What, this guy?" Nick used his foot to turn over the body of his former human shield. "I should hope so."
"I'm usually a better shot than that," said Jacob, distantly, defensively, as though explaining himself before an unseen judge.
"Sure you are," Nick agreed. "On the shooting range, maybe. Without screams, and people running, and blood everywhere." He grinned. "That how it goes?"
Jacob's eyes refocused. "You made me kill him." It is not an accusation, not yet, merely a statement of fact, a shifting of blame.
Corkscrew Nick waits for the follow up. It is not long in coming.
"You made me kill him!" Now it is an accusation, a declaration of foreign guilt. "You fucking sick monster--"
"O villain, villain, smiling, damn'd villain!" Nick sneered. "The man with the gun doth proclaim his innocence! Tell me, sir bullet, did thou go where I command'd? No, surely not I, for I held not the gun! Tell me, sir trigger, did thou move at my word? No, surely not, for my thoughts cannot bend thy steel!"
There is silence again. It is only the two of them now, Corkscrew Nick and Jacob Kaynard, just them and the bodies. Everyone else, being perhaps sounder in mind than these two, has fled. Distant sirens scream, unable to come any closer because the traffic cannot move aside to let them pass.
Jacob Kaynard turns suddenly and begins to walk away. Corkscrew Nick cannot believe his eyes.
"What, you're just leaving?" he said. "Just like that? But we were just getting started! The story isn't over, Jake! Don't you want to see the ending?" But Jacob does not reply. He vaults neatly over the hood of a parked car and continues his walk on the other side, absorbed in himself, not knowing or not caring about what he is leaving behind.
=-=-=-
I can't believe he just dropped me like that. Leaving halfway through, it's a disgrace. You know? A fucking disgrace.
It took a bit of effort to get the knife clean--the first guy I tried to wipe it off on turned out to be wearing some kind of waterproof windbreaker, so I had to find something else--and by the time I was done Jake was halfway down the next block. No sense in chasing after him, not now.
I picked up the cop's gun from where Jake had dropped it. It was heavier than it looked, as guns usually are. I think it's the metaphorical weight behind them. Guns are one of the few items in the world that are wholly dedicated to the idea of ending a life, you see.
I picked up the gun and aimed down the sight. The fall from Jake's hand had knocked things askew a bit, though, and I could tell it was no use. Cheap, shoddy thing, was this gun. Can't believe a cop was carrying it.
And ya know, sometimes the truth of the matter sneaks up and hits you like a mugger with a club. I looked from the gun to the cop to the body in the car, with its neat bullet hole in the forehead. I slid the magazine out of the gun and counted the rounds, and tried to remember how many times Jake had shot at me, and when I realize I'm right I cannot believe it, simply cannot fucking believe it. I count the bullets again, just to be sure, with the same result. Twelve round clip, nine rounds remaining.
It was short by three.