The Ratings War V: Original Sin - Finals (Winner Announced)

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Zemalac

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Apr 22, 2008
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sky14kemea said:
A cold breeze drifted through the thread, as one of the judges looked to her left, then to her right. It was quiet... Very quiet.
She frowned, looking at her comically large watch, where was everybody?
_____

I know people still have 8 days, but man it's slowed down in here. xD
I've got five-hundred words. Was planning on writing maybe another couple thousand over the weekend, and then paring it down to the word limit.

You won't find much going on in the thread in between rounds, though.
Doc Gnosis said:
Well, if you're looking for a progress report, I can tell you that I'm working on it.

.... Oh btw, hello everybody! :)
Hello there. Good to meet ya.
 

Venom 3135

The Lemon Merchant
Nov 22, 2009
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Dan jumped into the air at the same moment as his opponent. He stared across the dome at the enemy.
I hope you're ready for this.
He reached for his laser cannon and at that moment, he rolled through the air, to dodge a bullet sent at him by his opponent.
He jumped up higher and chuckled. By this time, he had his cannon and was blasting several shots at his oponent.
The enemy roled away from most of the shots, but one clipped his arm. Dan saw this and laughed. His opponent fel slightly, but Dan sung down and kicked him in the face. he went into the air and hit the wall of the sphere. Dan luaghed again and sent more bursts at him. Two hit him in the right leg.
"Why must we do this?" He screamed.
Dan grinned, "BECAUSE I LIKE VIOLENCE!"
He went forward and kicked him in the face.
His enemy pulled out three knives and through them at Dan. All of them hit him in the chest.
"GAAH!" Dan pulled the kives out and through them back.
One hit his opponent and he fell down. Dan fell down on top of him and pushed him into the floor. The heavy energy gun was very handy. Dan pulled his oponent back up and kicked him, then jumped back and shot him. The energy shot hit him in the chest and sent him flying backwards.
Dan laughed again.
"Are you sure we need to do this? I'm sure I could give you something in return."
"No. I want to kill you."
Dan flicked the switch on his gun, from 'pound' to 'slice'
He shot at his oponenet and then he was missing a leg. He let out a huge scream and Dan shot another pulse at him. He pushed upwards, to avoid the shot. Dan set his gun to burn and shot the enemy again. The pulse went through him and then dissapeared. He let out another cry. He pulled out his rifle again and shot four bullets at Dan. Dan swiveled to the left, but his leg was hit by the last two.
"OW!"
He looked at his leag and spat.
Damn it!
He looked up at his opponent and grinned.
"Time to die!"
He switched his gun to his final resort and his favourite setting. The death ray.
He took aim at his enemy and fired. A very thin blue streak emitted from the barrel and headed for his oponent. It hit him, but for a moment, nothing happened. His oponent laughed, until a blue beam surrounded him. He looked around in shock and then the beam turned black. He could not be seen, but he could be heard. The loudest scream Dan had ever heard came from the black beam.
"AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHH!!"
The beam slowly evaporated and all that was left was a heart, floating in the sphere.
Dan chuckled and sent his gun back to 'pound' and shot the heart. It was pushed back into the far wall and exploded into a mist of blood.
Dan fell to the ground and holstered his gun. He laughed and bowed.


Sorry for any bad grammar/spelling. I'm terrible at spelling.

Anyway, that was my entry. I think I could have done better, but it will do.
It was also made harder by the fact that I could not use my power. : (
 

Lord Krunk

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sky14kemea said:
I know people still have 8 days, but man it's slowed down in here. xD
It's kind of the Ratings War thing. Don't worry, the thread will explode again when the 8th comes around.

Funnily enough, we're drawing close to matching The Ratings War IV in both posts and views. And that one's finished. Not intending to stroke my own ego, but I think this is the biggest one yet.
 

Soothsayer

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I've done several posts... but I'm not happy with any of them. Trying to Frankenstein a few of my better/favorite parts of them together into a super post, but it's not going so well at the moment, sadly.

But yes, I am working as well.

Doc Gnosis said:
.... Oh btw, hello everybody! :)
AND HELLO TO YOU AS WELL, SCARY MAN
 

wesdabigman

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Apr 26, 2008
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sky14kemea said:
A cold breeze drifted through the thread, as one of the judges looked to her left, then to her right. It was quiet... Very quiet.
She frowned, looking at her comically large watch, where was everybody?
_____

I know people still have 8 days, but man it's slowed down in here. xD
...Wait, this takes place in a universe where all life has been destroyed and a giant black universe devouring super computer is the sole being left in existence, essentially playing with code for a couple of seconds while to the human constructs of code inside it may seem like weeks, months, or even years...

...I guess we could be complex sentient judging programs...with comically sized watches. Yeah, yeah. I'm cool with this.
 

Lord Krunk

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wesdabigman said:
sky14kemea said:
A cold breeze drifted through the thread, as one of the judges looked to her left, then to her right. It was quiet... Very quiet.
She frowned, looking at her comically large watch, where was everybody?
_____

I know people still have 8 days, but man it's slowed down in here. xD
...Wait, this takes place in a universe where all life has been destroyed and a giant black universe devouring super computer is the sole being left in existence, essentially playing with code for a couple of seconds while to the human constructs of code inside it may seem like weeks, months, or even years...

...I guess we could be a complex sentient judging programs...with comically sized watches. Yeah, yeah. I'm cool with this.
The Mac, Linux and Windows of judging; all with different tastes and compatibilities .

I guess you can fight over who's who.
 

Doc Gnosis

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At first, there was silence....

Then David found himself face first on the floor.... Or ceiling rather. Didn't know how the plane capsized so quickly, but it did.

After a pained while he finally got up, but nothing looked the same anymore. Before his very eyes a clash of elements bled into every crevice: A burning lothario whose touch made likewise, against an iceman with a breath of Freon. One made David sweat buckets and his glasses scalding to touch, while the other froze the air in his lungs. He couldn't move a muscle though he really wanted to.

"Why won't you just give in!?"

At that utterance, a critical thought set in: David was in a battle he could not win. That thought was enough to break free. He ran.... As far as his legs took him.... Until something enveloped him all over.... Then there was nothing. Nothing but one thought: I WANT TO LIVE

**** ONE HOUR LATER ****

Harold Anders soon found himself back in his makeshift recliner. It was the same white room, same HDTV, only missing the other tenant. He let out a deep sigh of relief; it was over. This feeling of peace didn't last for very long; he still felt the aftershock of events and couldn't remain calm without his thoughts roaring like wildfire. Zen-like happiness gave way to tense boredom and he soon splayed himself across the leather couch. Time began to take its toll after he stared at the ceiling for an hour. But the weird alarm went off when he was thinking about a softball game from twenty years ago.

"I'm bored." That was all he said before his right arm moved to the space under the couch, hand feeling around for something. He had to move from his spot a little but after sticking it further in, it finally reached something: the remote. With a press of a button, the TV screen came alight.... Looks like it picked HBO, and 'I SPY' was on. Had enough color and perkiness to keep a five year-old's attention - and Harold's. But one thing confused him: What was that gray suit doing?

****

"It's me. Pick up. It's important." *click*

Yet another string of calls that led to dead ends. David was getting frustrated. Just what were they doing??
He didn't like that he found himself in some toy box where everything with a face came to life and acted like they were waiting for a cue. Either they wanted him for something, or crash into him. David did not want to talk to them at all, especially not when he had better things to do.

The only thing that made him feel comfortable was the towers of building blocks; they were the only things that the toys avoided. Their surprisingly intricate layout and application of toys made them look more like skyscrapers. Which made him wonder....

At the stoop of the nearest block tower he was in, David reached a hand for the flimsy handle. He half-expected it to snap off, but it didn't. Applying more pressure he turned the knob and opened the door to reveal an office that stood out like brushfire. It made no sense, but he was glad to have found a place when he can think.

Memory was fuzzy, but he clearly remembered being in seats to a charter plane with a straight-laced woman, said she was interviewing him. She asked a lot of questions - mostly personal - before handing him an ornate crimson binder and left. He tried to get a name out of her, but all she said was they're running late and left without a glance. It was a prompt to read the book. Had she or her client not done what they did, that book would have booked a ticket out of the plane.

David remembered skimming through a few pages before closing it at what he believed to be piece of bullshit anyone tried feeding him in an age. It was.... unlikely.

Minutes after, the lights flickered out leaving images darker than black in the empty void.... At first, there was silence....

"Hello Rosenkov."

A chill ran up David's spine; that voice could only belong to one person. "Keeynes...." He didn't know how she got there, but no other woman wore that smirk. "What do you want?"

"I heard you gotta guy in Shinigan-" "Cut the crap Keeynes. What are you looking for?" "....You've invested millions in that company. Two months ago you called it a lost cause." "That firm secures my interest." ".... So you plan to dismantle it. I'm sure Nori would love to hear this."

'She wants a bribe.'

"Wait!.... What do you really want?" It pained him to say this; for all he knew, she planned everything. "Why go after him?"

David groaned. "I said no crap. What do you want?" "Twenty-two a week, and a penthouse in SoHo." "....Twenty-two.... but you're buying the suite."

There came a pause as Keeynes' smirk was replaced by a predatory scowl. She slowly walked to David, friendly facade dropped like a turd. "Twenty-two, and the penthouse." The audacity of her request made his blood boil.

"I don't have them." "....Is that a no?" "Keeynes, I cannot give you these things!" "You can! And you will! I hear the SEC's still investigating Abbadon-" "Not my money. Not my problem." "Actually since you weren't going under, it is your problem."

'Weapon after weapon with her.'

".... What are your demands?" "Half a billion, and my employment package."

*RIIIIIIIIIIIIIIIIING* *RIIIIIIIIIIIIIIIIING*

David sighed at the ringtone; it was the first call since his predicament, and it was music to his ears compared to the pit in his stomach. "....Done, one moment please. I have to take this." He reached in his pocket for the cell phone, and put it on speaker.

"Rosenkov." "It's Bolger. I got your messages." "And?" "Got Keeynes in my sights. She's employed by Daeva, but it looks like espionage." ".... What are you talking about?" "Apparently, a rival paid her-" "No. Go back to Keeynes." "Well.... she's on site. New name and alias. Changed her looks and everything."

It finally hit him; he should've known after being taken from world to fucked-up world, but there was no more denying it.

"Text me later." *click*

With a click of the phone, David seized 'Keeynes' shoulders, icy glare meeting her own.

**** FIVE MINUTES LATER ****

I SPY couldn't keep his attention for long, and soon Harold was fast asleep. He felt warm, content with the incessant chatter. That changed however, as his face welcomed a frosty torrent. The post-napping haze obscured his vision.

"You're.... a ***** to find." The voice was cold, deep, and filled Harold with dread. His sweat became nitrogen, and everything dropped by fifteen Celsius. "What do you want?" He asked meekly, but resolutely.

"I'm here to tell you something." As the haze died down, Harold got a better view of the new tenant; it was the suit from before, but in bad shape. His jacket and vest looked worn in, the white shirt splotchy with sweat, tie loosened, and glasses cracked with frost building at the lenses.

"Do you have any idea what you've got yourself into? What awaits you?" ".... No." "I've seen your fight." ".... So?" "It's going to get harder."

Ten more degrees.

"I've seen this kind of shit before, and I can tell you it will only get worse. The further you go, the more opportunities you discover. The more obligations you must juggle."

The hard face turned pale, and it looked like his limbs froze. While the suit still spoke, Harold could imagine the pain.

"I'm at the top of my game.... But what about you?.... Is this what you want?"

All the cogs in Harold's mind immediately stopped, like the cold turned on him. He couldn't run, he couldn't breathe.

"I want.... I want...."

At an instant, everything ceased to exist. Replaced instead with a new room, periwinkle and whimsical in design. Harold was surrounded by wooden bars, hands and legs shrunken and ham-handed. But the suit was still there, outside the cage, glaring at him with his verdant eyes.

He cried his eyes out, and the pristine blankies turned a sickly yellow. The stench was enough to make the man leave....

He had no more responsibility, no reason to do anything, the nightmare was over.... Baby Harold Anders got what he wanted.

To confess, this is over the word limit, I wish the limit was slightly raised; I had to cut down a lot of things.

But, here's my story.

When I was writing this story - in fact, when David was accepted as a reserve - my first realization is that David is not going to be aware of the nature of the tourney until later. At this point, I had to come up with a scene where he was given a rundown then dropped into the fight. My second realization after that is that he'd be dropped into a fight that was still ongoing. On that realization, I made NewClassic's fight with Nicholas canon and picked up after that; it just seemed cleaner than having to start from scratch.

As he started out, job one was to get a bead on what's happening; check all of his contacts to make sure he's aware of any changes.

As for the fight itself neither character had the mindset to fight, so I had to come up with a more creative solution: drag some financial politics into the fight, and have the world fluctuate on David. With the astral plain as the field, these things would be possible, plus a lot more can be created than just worlds; it's like dreaming in the film, Inception.

As for bringing in a projection of Keeynes, out of the three rivals, Keeynes - while being second priority - is the biggest pain in the ass; Selleck can trump anything but doesn't have a grasp on the markets, while Shirakuro simply rigs the market to go by the paths he sets out. Keeynes is a wanton saboteur that cannot be stopped, only redirected.

As for the ending, it wouldn't be as satisfying for Harold to get killed; something poetic needed to happen that fitted with the vice and the world both characters are set in.

Originally, the story was close to 2000 words, so I had to cut some juicier bits out. It was hard to do on account of making every detail I write having some form of impact in the future. The names that I keep dropping are meant to pop up again later; in the financial world, you've gotta pay attention to everything, be on the ball for every last second.
 

Lord Krunk

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Ladies and gentlemen.

RagnorakTres has asked for an extension so I have given it to him; both he and @Zombie_Fish have until the 12th to get their entries in.

For everyone else, entries are due in 2 days.

Once everything is judged, I'll begin Round 2 and send out the reviews for Round 1 simultaneously. After that I will be on hiatus until the 3rd of November - my HSC begins in less than 2 weeks and I'll be forced to divert my attention from The Ratings War. You'll hardly notice my disappearance though because Round 2 will be in progress during that time.

That's all from me for now.
 

Soothsayer

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Well... here goes nothing. I'm anxious to see where this gets me!

"Have a nice trip and see you next FALL! HAH- get it? It's funny because... Well... I think it's either because that time of year may or may not be coming up around about now or because I just pushed you into the endless abyss." Regardless of what the pun meant, a clattering had been made below the man swathed in black, and as such the clattering had to be investigated by none other than the one other person/thing in the room at that moment.

A thought flashed through the Walker in the Void's mind as he descended down the various platforms onto one that was dangerously close to the blackness below: shouldn't he have been out of here by now? He had defeated his opponent (albeit, with a witty and entirely original pun), which usually meant that said winner (in this case, him) would progress to the next level; much like in the old school Super Mario Brothers games. However, no oversized flag had been put before him to jump on and gain 5000 points from; thus meaning that his opponent had not actually been defeated at all as of yet.

All of these thoughts were dashed from his rather sporadic mind the second his eyes descended on the long, gleaming vision of craftsmanship before him. Without hesitation, Beuxhart picked up the beautifully made sword and twirled it expertly in his hand. He flicked the blade into the air and stroked his non-existent beard as he pondered what would occur next.

"So... win the level, get the treasure and now escape from the collapsing temple?"

The expected response (a wall in the arena breaking and then said arena starting to collapse) did not occur. All that was heard was the whistling of the weapon as it spun through the air above him. No exploding walls. No gigantic monsters. And no Indiana Jones coming out of nowhere, shooting Beuxhart in the chest and then picking up a hat.

An exasperated sigh escaped the man's lips. Usually there was at least some sort of button prompt or text that would pop up at the bottom of the screen- but this was getting ridiculous. "I suppose the only thing left to do is to hack myself to pieces with the sword left for me. It's the only obvious course of action, after all," said the man to his hand.

He held his arm out to catch the falling blade since using his own weapon for a limb removal service would be far too cleched and overdone to be properly recognized by the rules of this game he was taking part in. However, Beuxhart had a minor problem with perception sometimes and, as such, the weapon missed his outstretched hand entirely and instead caught his shoulder, lopping off his entire left arm without so much as pausing to apologize.

"Hey... I need that to remove my right arm... Dammit- this will never work now."

Reaching out to pick up the sword, Beuxhart's severed limb twitched and moved about on it's own across the floor for a little while. Upon closing his fingers on the hilt, a very loud, very angry voice entered the condemned motel that was the Blade of Shadows' mind.

I am Kliss, your new lord and master. Your very soul is mine and mine alone, as is your body... Or rather what's left of it.

"Bummer. I was hoping to sell out the empty spaces in there for rent."

There was a moment of awkward silence before the voice continued to boom about "owning Beuxhart forever" and how his body would be forced to do the voice's bidding. It was all rather boring; so while the voice rattled on and on, Beuxhart got to work, using the nice new sword that was so kindly given to him to remove his right leg. You know, so he'd be balanced.

"Man, this thing is sharp. Better make sure to not leave it around any of the children I mercilessly slaughtered the other ni--"

At this point, Beuxhart was rudely interrupted by the voice again. Are you insane?! You just cut your own leg off!

"Well," came the annoyed reply, "You're in my mind, so why don't you tell me? I'm usually only insane on Tuesdays and Thursdays, but my timing has been thrown off even since being transported into this room about ten minutes ago." He absently hacked off his left leg before continuing, "Now, would you kindly shut up? I'm trying to do something useful here."

Another moment of silence passed before the voice cleared it's throat, muttering something about kids these days. I am KLISS- the Soulbender!

"And I am Beuxhart, the Limbless."

You will listen to me and cease what you're doing!

"Why?"

Because I said so!?

He replied while dragging the weapon across his lower torso, severing it from his body. "You don't sound so sure of yourself there, mate. I say come back in a few weeks and ask me then- I'll be a lot more impulsive and full of willingness to serve then. Either that or spite. One of the two."

He glanced disdainfully at his right arm, sighing and shaking his head as the voice stuttered in his mind. "Alas, poor Armick- I could not remove you well." Shrugging his last remaining shoulder, the man tossed the shiny new sword into the endless void as he pondered what exactly to do next. The words "Cuuuuuuuuurse yooooooooooooooooooooooooooooooou...." filled Beuxhart's consciousness for a whole twenty seconds until it finally cut short. It took him another twenty seconds to realize that he was actually mimicking the voice that had popped into his head instead of hearing it for said twenty seconds.

"Huh. I bet Antiques Roadshow would have loved that thing."

Hrm... I'm not as happy with this post as I would like to be, but the deadline is fast approaching and I don't know if I'll be on in time tomorrow to meet said deadline. Hence- this is my post... Enjoy!
 

Khedive Rex

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Jun 1, 2008
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I should be sleeping right now. But I can't help myself. So-

EVERYONE GETS A REVIEW!!! YOU GET A REVIEW!!! AND YOU GET A REVIEW!!!

For me, the primary challenge of a 1000 word limit is satisfactorily introducing the important qualities of your character and your enemy while still having some pretense of a fight. You accomplish this almost confusingly well.

The quick elimination of the teddy bear enemy is anti-climactic but funny. I don?t know if you intended for it to be a goof or just didn?t have the words to spare but in either event, it worked out. This sort of characterizes the entire piece in my opinion. It goes fast. There isn?t an inordinate amount of exposition and there?s really no subversion or subtext to look for. And yet, I wouldn?t call the piece shallow as quickly as I would call it summary. You have as much imagery as is necessary to paint a broad picture and you don?t waste words on rhetoric. Altogether, the style works.

The only part I felt a noticeable rush was the ending. The way you write it suggests the last part of the fight (Amelia exiting the water to Amelia and Gold Lazar And Zeppelin entering the water) takes at least as long in real time as the introduction to the fight. It?s also suggested to be more action packed and Hollywood movie-ish. It?s essentially your dramatic climax following the faux climax of throwing the girl in the water but I didn?t experience it the same way I experienced the beginning. I felt more like I was told there was an epic, final, all-or-nothing brawl than that I witnessed it. It felt like my summary guy, who had earlier been describing the important elements of the fight scenes, suddenly ended his story with, ?And then he meets the final boss and they fight. He wins though.?

So that was a minor detraction for your piece. But all in all, you accomplished introducing how Gold King and Amelia fight and think while keeping both of them and the story very much on track, which is commendable.

Simply a fantastic submission. I was wondering if I should review it considering it?s no longer going to be judged but, on giving it another read-though, I couldn?t not.

There?s not a whole lot I can say on this piece. Your command of imagery is inspiring. My favorite section is Paragraph 7 (?images formed at the edges, beautiful works of ornate paint??) I don?t know if the affect would be as strong on someone who wasn?t familiar with art, and that?s a potential shortcoming I suppose, but if the intent was to provide the reader with a sample of the lure Harold had to endure, it was quite effective.

Both characters were adequately explored and the feeling of a fight was preserved in spite of the fact the whole conflict takes place in comfy leather chairs across from a television. As you say, it?s a metaphysical conflict. That being said though, I felt the ending was a little confused. Harold triumphs metaphysically because his fear of exerting effort tops his lust for life and makes him inaccessible to Nicholas. And that?s the impression his victory gives off but then you tack on a paragraph to the end discussing how Harold conquers his fear and he?s all that remains. On the first read through it?s hard to digest. On the second it looks like a hasty addendum reminding the reader that Harold isn?t cowardly so much as he is placid and resigned. I can see the necessity of it but without the proper exposition it?s just something to trip over at the end and (considering it?s a metaphysical fight anyway) confusing the reader can have some bad implications.

The beginning was also a stumbling point, although certainly one with a lot more character. It?s unclear (to me at least) who is communicating with this friend of Harold?s and the fact that he doesn?t appear to return at any point in the story makes one wonder why he was added to begin with. It?s not clear if he?s an anonymous second character that will be explored later in Harold?s storyline, or if he?s some incarnation of Harold?s opponent or if he?s the voice of Original Sin interviewing prospective combatants long before the fight actually takes place. Some hint as to its role would have served to anchor the beginning, whereas now it?s lovely but very much floating in space. That being said, the introduction to Harold?s character that it provides is certainly well written and entertaining.

Altogether it?s a great piece. Considering it was written within a 1000 word limit there is a natural want for more exposition but what the piece does it does quite well. I very much enjoyed reading it.

The style was very interesting but in the one thousand words you had to display it, I just couldn?t acclimatize. I found myself confused as to what was going on some of the time. I assume this is largely from a lack of expertise with Noir-era detective lexicon on my part. When your character ?pulled his tin and dipped his snap-brim? toward the opponent, for example, I couldn?t have told you if he?d cocked a gun or opened a flask.

However, there were portions that were confusing for more than their terminology. The story of the pocket snitch who swore never to mix snow and reefers again, for example, was oddly out of place. At the very beginning of the piece, when I was still trying to establish setting and action in my own head, there?s suddenly a tale about this crazy drug addict with no apparent plot significance. I wondered if it was intended as a flashback or something that he was experiencing right this moment and it wasn?t until the second read through that it clicked that it was just your character relating a story.

The time shift to the burning city was excellently described and sucked me in quite effectively. The only thing I would say is that, in the end, it seemed like it was mostly for it?s own sake. They didn?t stay there longer than a minute and the fact the city was on fire didn?t alter or affect the course of their fight.

You achieved excellent depth with your character. The style you chose and the things you brought up positively drip Noir Detective; I could see your guy in my head and hear the just-a-little-bit-bored voice. That was very nicely done. Unfortunately, I didn?t feel the same depth with your opponent. All I got from her was that she was an angry woman with a sword and possible magical powers who was, or was related to, royalty. A little more exposition on who she was as a person would have been nice.

The ending felt reduced. What started as a difficult to acclimatize to omission of subject turned into a perpetual sentence fragmentation which, although it did not break character, did grate over time.

On the plus side, your imagery was fascinating and I love the feel of this piece. Your character is very human and relatable though he fits perfectly into the Dick Tracy role and the whole thing is dark and gritty the way it was supposed to be. The choice of first person perspective was a strong one and fits the character well, even though the omission of subject at the beginning of sentences threw me for a bit of a loop. Altogether you crafted a piece that feels very patchwork, like we were poking in for the important scenes of an abridged production of Shakespear, but its eccentricities and idiosyncrasies kept me reading and wanting to see the rest. I?m looking forward to seeing you without a word limit. I know from experience that?s where you?ll really blow me away. In the mean time, you made a very nice, if confusing, piece.

First and foremost, you need to watch your grammar. Make sure you don?t accidentally omit or add any unnecessary words. I get the impression you wrote this in a single sitting in the reply box below the thread and if that is the case, you need to start writing these in Word or whatever program you have on your computer. It?ll catch almost all the small errors and the absence of those will increase the quality of your writing by a hundred percent. As it is, sentences like:

?She jumped a rolled behind cover and reloaded.?

?It was about to reach the floor when stop.?

?She dodged around them shooting in her his general direction.?

?She used he magic to pull him down on her.?

Interrupt the flow of the piece and hurt it?s quality. Apart from that I would advice you to be careful not to use run-on sentences. And the one piece of advice I give everyone is to make sure to utilize all the senses in your writing. In this piece you describe what Digiana sees and hears. Those are the least personal of the senses as, if there?s something visible, everyone can see it and, if there?s something audible, everyone can hear it. Your imagery will become a lot more powerful and engrossing when you start describing what your characters smell, feel and taste (because those are the more personal senses). It sounds weird that an audience would want to know how the ground feels beneath a character?s feet, or what the air smells like, but trust me that they do and that you would be well off going out of your way to provide those kinds of details. If you have to jerry-rig them into the writing and provide them for their own sake, it?s still better than not having them.

To move on though, your imagery is kind of sparse. There?s a lot of action but not a lot of description, which is a shame because you put the characters in some cool places. I also don?t feel there was much exposition on Shank?s character. I got the impression he was good with a gun and rolled a lot but honestly, I couldn?t tell you anything more about who he was as a person or what his motivations were. To an extent the same is true of your own character. A deeper examination would have been appreciated.

Over all it was a batch of good ideas but you need a little more finesse with the execution. I hope you?ll stay with this because you?ve got really good potential. I look forward to seeing you in the next RW.

Firstly, the dialogue is excellent as always, as I?ve come to expect when reading your stuff. Eurania comes off as cool and collected and demure and oddly alien which fits her character well and Dragon is relatable. Too often when people make evil characters its like their entire identity is defined by how evil they are, which is a mistake. Dragon talks like a regular human being whose very calm and collected and a little bit cocky; as he should be.

That out of the way, I like the imagery in this piece. The cold emptiness of the temple comes off well. It?s easy to imagine the world very quiet while you?re reading the piece, which sets a good tone for the kind of conflict you were looking for.

Speaking of, it was an interesting choice to avoid a physical fight. I don?t think it?s horribly out of character that Eurania would surrender, but I thought it came about a little too abruptly with not enough exposition. The italicized aside at the beginning tells the reader that Dragon is very powerful, but there?s a difference between being told something and being shown something. To surrender without a fight is a big decision and the reader had to agree with Eurania that she was doomed if she tried to fight.

I think you would have been better off eliminating the beginning and replacing it with an introduction for Dragon where he lands and melts a barren crater into the earth or something. Kills every cute woodland creature in a two mile radius simultaneously with his mind or something. It would have served the same purpose as the aside, but nailed the point home more powerfully and given the reader a reason to be genuinely afraid for Eurania.

That?s really the only significant flaw in your piece. There?s a lack of energy toward the end (where one expects the dramatic climax/cliffhanger) but the only reason that?s there is because the reader isn?t introduced to how incredibly powerful the character is so it feels like the fight is just beginning instead of that Dragon is committing a ruthless slaughter.

You got the personalities of both characters down well and both characters are interesting so it works to keep the reader interested. All together, it?s a great very calm piece. It never reaches a frenzied peak and there aren?t a whole lot of heart-racing jumps but there?s something about these two, very different, characters just talking that?s simple and satisfying. I enjoyed it heartily.

This is an outstanding piece. Its very nearly impossible to tell you had a word limit on this, which is probably the highest praise I can give under the circumstances. Of course, I say very nearly. The ending was tricky and in character and didn?t seem like just an excuse to end the fight but, it did seem unpolished. At the beginning you have this outstanding use of imagery and senses that establishes the cold harsh setting and the outrageousness of the opponent and all the tactile and audible and visual cues you could possibly ask for. But that doesn?t care through to the end. The result is that it seems like you lost your enthusiasm in the last paragraph but I can guess it was actually a compromise to keep within the word limit.

Both of the characters are explored in interesting ways. You really get a sense of who they are during the fight which, in many ways, doesn?t actually require more explanation; another great achievement considering the word limit.

The dialogue was funny and didn?t feel forced. Henry felt like an important figure even though he was barely connected to the fight. You followed the appropriate rises and falls in energy and played your climax well?

I really don?t know what to tell you by way of constructive criticism. If the word limit weren?t there I?d say to add a little more flash to the end of the fight and a final look at Amelia to see what she makes of it all. For what the piece was though, you knocked it out of the park.

That was ? fascinating. In the truest sense of the word. I didn?t feel like I was familiar with what you were shooting for or where you were going with it, I was just sort of taken along for a really interesting and intricate ride. It?s different from what I was expecting, and it took a moment for me to get used to it. But once I did it was exceptional.

Focusing on all the audible sensation was a fantastic choice and really creates a kind of alien mind set. Which I loved. You set up the setting just beautifully and the way that everything sort of eventually leads back to music is just curious and very satisfying.

The format. I must admit, I?m almost never a fan of colored text. I?ve almost never seen it used as anything but a gimmick and I tend to think very professional writers should be able to catch the eye of their reader without resorting to flashy colors. But reading through your piece, I can?t imagine it without the different text colors. Or rather, I can. But it?s not as good. Theres something about the format you?ve written it in that makes me read it automatically as like an opera. Dragon and Eurania are both free-versing all their lines in my head, Dragon with a deep basso-profundo and Eurania with this very cool crisp mezzo-soprano. I?m not sure if that was the intent of the piece, but it worked in a very weird way and it added a kind of depth to it I wouldn?t want to remove. And the absence of the color would have removed it, I?m fairly sure.

Character depth. This is gonna be hard to explain. I felt like you covered the characters very intricately, but again in like an Opera fasion. Like, what I knew about Dragon by the end of your piece was that he was the very powerful antagonist. Which would usually not be enough, but for the opera mindset it was kind of all I needed to know. And likewise, the ending where Dragon decides to kill himself. I?m not sure it works with the character Logician had planned and usually I would call it an incongruity but it works so well in your universe I didn?t even bat an eye.

Overall your piece was confusing and really, really good. I?m still trying to figure out how you pulled off that kind of effect. Honestly, if it?s something to do with format I plan to steal the secret and add it to my repertoire. Because that was just ? spectacular and strange. I don?t know that it will work when you start getting into longer pieces, but I?m eager to see and be proven wrong. Great job.

It?s very nice actually. Your narrative keeps an excellent pace and Ryan is very plain without coming off whiny (as is often the case).

One thing I would say is that we don?t get much character depth from the opponent. Ryan we get a good feel for - an everyman with a confusing array of tools all huddled into his backpack, but the closest we get to a description of the opponent is irascible homeless looking red haired person. We don?t really know what motivates him, why he?s as bitter as he is, or even who he is as a character. It doesn?t detract from the story at all, but it makes one feel like Ryan is fighting a nameless goon instead of a boss and, as such, it makes it slightly more difficult to really invest in the danger of the fight.

The ending is also a little anti-climactic. Its not contrived by any means but its towing the boundaries of ?arranged for convenience?. I think if you had referenced earlier that there were lethal traps hidden around the arena, or just something weird hidden under the sand, it would have been more acceptable. As it is it kind of comes out of left field.

That being said though, I liked the piece. Ryan was identifiable and you set up the environment quite well. The pace is jaunty but it never loses its sense of seriousness and, honestly, you can barely tell you were writing under a word limit. Which is very good. Overall, it was very nice.

You have an excellent grasp of imagery. Frederick is fun as a character and deep enough to be interesting while straight foreword enough to be satisfying. He?s not overly self-doubting and regretful, but also not a glorified Punchin? Judy doll. I know it?s a weird thing to compliment you about, but most people who try to play the ?Tough man with an unfortunate past? character fall into one or the other bad extreme. The fact that you haven?t is a good sign.

However, some of the moments in this piece seemed a little contrived. Mostly, the parts where Ryan would repel or otherwise foil Frederick. It seemed like every time Frederick had Ryan in a position where the fight should have been over, Ryan would do something small and then some huge trap would screw Frederick over so Ryan could escape. I couldn?t tell if Ryan was just incredibly lucky or if Frederick was incredibly unlucky but the affect was to make it seem like you were artificially trying to make Frederick the under dog. Which is an understandable motivation but something that just wasn?t working in this particular fight.

Apart from that, the piece flowed well and kept good pace. I didn?t feel a particularly deep connection with your opponent in your piece but you introduced the core of his character so it?s hard to complain. And your final couple of paragraphs reminded me infinitely of The Bear Jew from Inglorious Bastards. So much so that I wondered if it wasn?t a direct reference. Whether it was or not, it was awesome in the movie and it was awesome in your piece. So, everything together, you did a very nice job.
 

Soothsayer

New member
Aug 29, 2010
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>_> I editted my post a teensy bit... Left a word out here and there... Is that a problem since I already posted? I've got the original saved on my computer, so if it is, I'll just copy/paste that back up.

Also, I realize I went over the word limit slightly... I can fix that too, if necessary >_>

GODDAMMIT, POST SO I CAN SEE MY DOOM, ZEMALAC!
 

Lost In The Void

When in doubt, curl up and cry
Aug 27, 2008
10,128
0
0
Soothsayer said:
>_> I editted my post a teensy bit... Left a word out here and there... Is that a problem since I already posted? I've got the original saved on my computer, so if it is, I'll just copy/paste that back up.

Also, I realize I went over the word limit slightly... I can fix that too, if necessary >_>

GODDAMMIT, POST SO I CAN SEE MY DOOM, ZEMALAC!
Its still the 8th here so I'm sure that Krunk will be ok with it. As for the word limit, I don't think anyone's entry has been under the limit at all

Edit: Also

Khedive Rex said:
I should be sleeping right now. But I can't help myself. So-

EVERYONE GETS A REVIEW!!! YOU GET A REVIEW!!! AND YOU GET A REVIEW!!!


You have an excellent grasp of imagery. Frederick is fun as a character and deep enough to be interesting while straight foreword enough to be satisfying. He?s not overly self-doubting and regretful, but also not a glorified Punchin? Judy doll. I know it?s a weird thing to compliment you about, but most people who try to play the ?Tough man with an unfortunate past? character fall into one or the other bad extreme. The fact that you haven?t is a good sign.

However, some of the moments in this piece seemed a little contrived. Mostly, the parts where Ryan would repel or otherwise foil Frederick. It seemed like every time Frederick had Ryan in a position where the fight should have been over, Ryan would do something small and then some huge trap would screw Frederick over so Ryan could escape. I couldn?t tell if Ryan was just incredibly lucky or if Frederick was incredibly unlucky but the affect was to make it seem like you were artificially trying to make Frederick the under dog. Which is an understandable motivation but something that just wasn?t working in this particular fight.

Apart from that, the piece flowed well and kept good pace. I didn?t feel a particularly deep connection with your opponent in your piece but you introduced the core of his character so it?s hard to complain. And your final couple of paragraphs reminded me infinitely of The Bear Jew from Inglorious Bastards. So much so that I wondered if it wasn?t a direct reference. Whether it was or not, it was awesome in the movie and it was awesome in your piece. So, everything together, you did a very nice job.
Thank you for the kind words and the improvements needed. Funnily enough it wasn't meant to be a reference to the Bear Jew, hell I haven't even seen the movie in months, it was more I was going for an unexpected flash of rage. As for the character himself I've spent a lot of time writing this kind of character and I've always tried to get between the archtypes, in this case it seems to work, though it appears I do need improvement on a few things. Thank you again for the critique, always love to hear it when I write.
 

revolverwolf

New member
Jul 1, 2008
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Khedive Rex said:
Review that makes me smile
I thought that beating Sam G in this round was enough of an ego boost, but you make my entry sound so good I feel as if I need to go back and read it again. I just hope I can keep up the same standard of writing in future rounds.

Thank you greatly for the review, Khedive.

Khedive Rex said:
If the word limit weren?t there I?d say to add a little more flash to the end of the fight and a final look at Amelia to see what she makes of it all.
I was, in fact, writing a little piece to explain what Amelia felt after realising what it was she had just done. But now that the 8th is upon us I think it might manage to mix in with the Part 2 entries by the time that it's done and end up confusing people.
 

Lord Krunk

New member
Mar 3, 2008
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Okay, we're just waiting on @Zemelac, @pigeon_of_doom and @NewClassic now.

Soothsayer said:
>_> I editted my post a teensy bit... Left a word out here and there... Is that a problem since I already posted? I've got the original saved on my computer, so if it is, I'll just copy/paste that back up.

Also, I realize I went over the word limit slightly... I can fix that too, if necessary >_>
I've allowed plenty of people to go a little over the limit so you'll be fine. Editing is fine too until I close the round.
 

Zemalac

New member
Apr 22, 2008
1,253
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Currently fixing my laptop. On phone with tech support. Posting this from iPod. Post will be up later tonight, unless something goes terribly wrong.
 

Shapsters

New member
Dec 16, 2008
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Khedive Rex said:
It's very nice actually. Your narrative keeps an excellent pace and Ryan is very plain without coming off whiny (as is often the case).

One thing I would say is that we don't get much character depth from the opponent. Ryan we get a good feel for - an everyman with a confusing array of tools all huddled into his backpack, but the closest we get to a description of the opponent is irascible homeless looking red haired person. We don't really know what motivates him, why he's as bitter as he is, or even who he is as a character. It doesn't detract from the story at all, but it makes one feel like Ryan is fighting a nameless goon instead of a boss and, as such, it makes it slightly more difficult to really invest in the danger of the fight.

The ending is also a little anti-climactic. Its not contrived by any means but its towing the boundaries of 'arranged for convenience'. I think if you had referenced earlier that there were lethal traps hidden around the arena, or just something weird hidden under the sand, it would have been more acceptable. As it is it kind of comes out of left field.

That being said though, I liked the piece. Ryan was identifiable and you set up the environment quite well. The pace is jaunty but it never loses its sense of seriousness and, honestly, you can barely tell you were writing under a word limit. Which is very good. Overall, it was very nice.
Aahh nice to see some reviews at last, I was hoping to hear what people thought of it!

Lets see... I used the trap because of "Two Champions duel to the death in a ring of unforgiving traps and feral beasts." which was in the description of the Arena. I was torn between the trap and a lion however I had written myself into a bit of a corner and I actually kind of wanted to end on an anticlimactic note. See if I would have gone on to later rounds (and if I write against the fellow losers) I had/have plans to end them all like that. In fact I wanted Ryan to be attacked as much as possible and attack back as little as possible yet end up winning, thought it not only added to the luck but also the incompetence. Also, "He abruptly kicked something buried in the sand", was the trap >.> Guess I didn't make that clear enough.

As for Void's character development, I too was disappointed by my lack of character expansion because I was hoping Ryan would kind of realize via trying to talk Fredrick down how desperate he was and use that to his advantage. However that nasty limit came into play and I just didn't have the patience or time to re-edit the whole piece.

On that note I had nasty writers block around the time of my entry and I literally wrote the thing in 2 hours the day it was due. Looking at it that way I am really happy how it turned out and the only major thing I would have changed was adding more development for Fredrick.

I greatly appreciate the review and I'm hoping there is someone else out there who would want to review it, I appreciate the critique.
 

Zemalac

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Apr 22, 2008
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Listen closely.

Let me be very clear about this: I hate you. I utterly despise you, in a deeply personal and utterly consuming manner. You are useless to me, and thus irrelevant, but you are also an obstruction to me, and thus deserving of my rage.

You are the one creature I can never turn my wrath on. You are a hollow shell animated only by spite and the last remnants of an iron will, burning with your hatred of me.

Let me be clear: I do not need you. I allow you to live only that my hate may rise, choking your throat with bile, making your eyes burn with rage not your own.

I do not need you.

_____________________________​

Behold: a platform. Square, metal, and dull, orbiting a stationary pillar. This is where I stood for the first battle I fought in the name of Sin. Around me was nothing but blackness, the deep dark of the void. Not some deep space bullshit, either, just the Void, the abyss that stares back. I know this place well; it is my place.

On another platform was a man who thought the Void was his. He wore black; cloak, hood, gloves, boots and hair, with golden eyes that I could see from a good fifty feet away. His form was more shadow than substance, and I sneered at his arrogance. He stood on the very edge of the platform, cloak streaming out behind him, daring the void to take him, suck him down into the blackness that no one ever left.

He was a fool. The darkness around us was no danger; death is found on the blade's edge, not in empty space. He stood there, orbiting away from me, eyes boring into those orbs he thought were mine. I ignored him. He was not yet important.

I am not a swordsman. I am a sword. A swordsman recognizes patterns, but a sword merely cuts. A swordsman, such as this hollow shell might once have been, would have looked at the orbiting of the platforms and calculated an exact path that would take them to the center. I am a sword. I do not calculate, I merely strike. I did not think, I merely leapt.

"You are a dead man," said the enemy, conversationally. "The only question here is how you will die."

I, having no tongue in this empty head, disdained to reply. I moved from my platform to another, every motion an attack on the very concept of location. The enemy waited for the opportune moment and simply stepped from one to the other as they passed. Coward.

"What, no response?" he mocked as he paced across the moving ground. "No last words before you die?"

Idiot. As if I could be killed by one such as he. I leapt again, to a new spinning disc, and made the mistake of looking down. I saw nothing. Should I fall I would fall forever, and though this husk would eventually perish I would remain, falling, falling forevermore. There is a silence here behind that thought, a ragged edge of insanity, that I do not care to examine too closely. I would not fall. I would make my way to the center, the hub, and stand on firm ground. There I would face the enemy, and there he would fall.

"This bores me," announced the enemy.

Fascinating, I would have replied. Let us make it more interesting, then. I raised one arm and beckoned to the foe, urging him closer. And closer he came, a sword appearing from nowhere in his hand.

Neither of us ever made it to the central hub. We met between platforms, I leaping to the one he had been on and he doing the same to mine. We took the time to exchange a pair of blows in midair, and then we were past and spinning to face each other again.

"You're better than I thought," said the enemy.

"Nothing to say?" he asked.

"Speak!" he said.

I opened my mouth and waggled the stump of this wretched tongue at him. Rest assured, fool, were I to speak you would be listening.

The enemy was...not perturbed, just surprised. "Someone's silenced you," he laughed. I made no response. The dog deserves no treat for pointing out the obvious.

"Well, then," he said, affronted by my silence. "You're in my way." And he jumped and he struck, and there were no more words between us.

Welcome to the dance of the Sword. Move fast and move skilled, for to misstep is to die. Every simple gesture is filled with a world of meaning. The blades spark and clash; block with the flat, attack with the edge and the point, slash and lunge and parry and riposte. This is the blade dance, the movement of the Sword, and at this I cannot be defeated. This shadowman is merely a pretender to my throne. I shall set him right with but a touch.

And so we danced, moving from one spinning platform to another. My shell spoke not with the foe, but I exchanged intimate words with the sword of mine enemy. Whispered endearments, the seduction by steel; let me in, allow my past thy guard, let me slip around the edges and caress the hand that holds thee, stroking flesh with the bleeding edge. The enemy's blade and I spoke, heads bowed together, as the shadowman danced with the rotting husk.

I am not a swordsman. I am a sword. I did not dance with the shadowman; my desires were bent towards another.

It was a small slip, a brief assumption that I would be somewhere else, and I slid over the shadow-blade, smooth as silk on chain. The blades embraced, and I conquered. This husk opened its mouth and screamed without words, a hideous gargling cry, and the shadowman's golden eyes opened wide in shock.

And then he smiled.

"I am...Beuxhart," he said, dark ichor bubbling from his mouth. "I am the Blade of Shadows...the Wanderer in the Void...the--the--I am the Silent Darkness. I cannot die." He straightened and grinned. His flesh had parted at my touch, but he cared not. The shadow closed back over the cut and he stood whole, or at least as whole as this Beuxhart ever was. He laughed, and my heart burned cold with rage.

Cut.

Cut the flesh, cut the bone, cut away the mind and the soul.

Cut.


The blow took him just under the chin, blazing a red line up his chest before striking the skull and taking him from his feet. The enemy was uplifted, shadows whirling around his wounds, and in his moment of uncertainty I lofted him from his perch on life. I dug deep, pushing, slamming into bone and sending the Beuxhart stumbling away, backward, over the edge and into empty space.

I did not watch him fall. I knew what it would look like, the dim figure slowly vanishing into its own darkness, the occasionally flash of light from a desperate gun slowly becoming smaller and smaller. Beuxhart had fallen, to wander his void forevermore.

_____________________________​

Do you hear me? Do you hear the voice of That Which Compels?
 

Fraught

New member
Aug 2, 2008
4,418
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Here's my submission, then. I started writing it yesterday, and finished it yesterday, but I didn't know whether it was okay to be over the word limit at all. With that said, it's only 95 words past the 1,000 word mark, though, and Krunk said it's a'okay, so here it is.
[sub][sub][sub][sub]Though I edited it a tiny bit. It's a biiiit longer, but not by much. The amount of words I added should add, like, at the maximum 20 seconds of reading time. No harm, and much good done, right?[/sub][/sub][/sub][/sub]

He raised his head, and moved it from left to right. It was hard to turn his head quickly, as if the air itself fought against it, brushing against his cheeks and pushing them away. Out of curiousity he touched his beard, and was surprised at how fast his hands moved. Slower than usual, but faster than what he feared. He tried moving them faster and faster, using the strength in his arms to defeat the oppressive environment.
"Hey!" he heard someone yell. He scanned the vicinity. Something seemed to surround him, but it didn't look man-made, nor did it have corners. "Hey!" the man yelled again, just as he saw an orange figure.
"What's this place?" Chance asked him, cursing in his mind at how aggressive and uninterested his voice sounded.
"Uhh, I've no fuckin' clue," he answered in a belligerent manner. Chance knew he was the reason.

He thought whether there was a purpose to this. He didn't want to fall to any of the clichéd follies he had seen, heard and read about most everywhere. He had always thought he was above them. And now he didn't want to fall prey to one he hated the most - the baffling ignorance of people. There was certainly mystery to his predicament, but he thought he could figure it out, by examining the spherical room, the weird, blue smoke-like walls and the queer-looking man in the orange clothes.

He couldn't. He tried, but nothing seemed to come up. Nothing could explain this. Too elaborate for a prank, he thought. The walls and the apparent absence of gravity. Too elaborate for some kind of underground group of fucking lunatics who put people into rooms. And to do what, he pondered. To make them fight? Is this what it's about?

"Well, fair enough," he said. They floated around, trying to reach the walls. The orange-suited man started doing swimming motions. "Hey. Nice over-sized gloves you got there. Don't they ever fall off?"
"Hmph," the man replied. "No."
"And what's up with those stupid clothes?" he asked, thinking whoever was responsible put him in that apparel.
"My stupid clothes?" he said, stopping mid-sweep, and leering at him angrily. "What about your clothes? You a fucking jew or something?"

He was startled, looking down at himself. He was wearing his winterwear - cotton pants, long, buttoned-up coat and a bowler, all black. He remembered who his fashion took after. He felt his whole conscience swelling up with wrath, hate, anger.
"Fuck you!" he yelled as loud as he could, only now curious of how they could hear each other in a room with no gravity. It was odd, indeed, but the thought perished to the background as fast as it had popped up.
Just as he felt his heart beating, every second like the impact of a bullet on his chest, he felt nothing no more. Darkness took him.

When he woke up, he found himself in a different room. There were items laying about, ranging greatly in size. Everything from lollipops to teddy bears to cars. He looked in the direction the mysterious guy in orange had been, and he was there. He was staring at Chance, drilling into his eyes with the crazed look of a wild beast who had caught the scent of blood, and grinning.
"Well, I hope you like this more than my clothes, you piece'a shit," the man said, laughing through his closed mouth. Chance only now noticed they were much closer. He could differentiate his features. He blinked once. After opening them again, he saw the man holding something that looked like cannon-like.
"What the--" he said. A beam of light started building up inside the barrel. He quickly grabbed a pile of stacked-up glasses that were floating around, dangerously nearing separation. He took one, and aimed it directly at the barrel. After successfully getting the first one jammed tightly into the barrel, he grabbed another one, only realizing it'd smash the first one after his throwing motion had completed its course.
Surprisingly, it didn't do what he expected, and instead fell onto the other glass, not breaking it. As fast as any man would blink his eyes once, he had thrown the rest, them piling on top of each other inside the barrel. Then he grabbed his coat, crumpled it up into as tight a ball as he could, and threw it at him.

The blast of energy escaped the gun. A flurry of glass pieces flew through the air, towards him. He closed his eyes, and shielded himself with his arms.
He felt as if all the hounds of hell were biting him, scratching him and whipping him with their burning tails. After the intensity of it faded slowly, he looked at himself - his bloody arms, his legs, his torso. All were bloody, and sharp glass shards covered his entire body. He thought of being an earthworm, how it would probably be painless for him then, and how he could've just floated around here. No one would've noticed him, nothing would've attacked him.

He started filling up with anger. He stressed his muscles, and looked down, making an almost growl-like emanation. He took off his shirt. Quickly, so the pain would be more tolerable. Remembering what he had forgotten, he searched for his knives. Upon finding one, he threw it at the attacker. It flew through the air and into his chest faster than a mortal's eye could comprehend, and the man cried out.
"Aaaugh! Fuck," he said, clutching his bloody chest. "That was a fast throw."
"Yeah, it was totally fuckin' rad, yeah? Yeah?"
"Uhh..."
"It so was. I'll do it again, fun, fun, fun!"
He grabbed another knife, and threw it. With no time to react, the man got hit and curled up into a ball. Chance was filled with anger and almost a drunkening sense of vengeance, but he also found it fun and amusing. He laughed loudly, and his eyes darted from place to place.
Then another knife flew. A sheet of metal was floating in its path. He was worried it?d block it, and give the enemy enough time to strike back. As the knife reached it, though, it phased through, as if it wasn't even a corporeal object. His eyes widened, and his jaw fell.
"The shit?" he said, looking as the knife hit the man, this time in his right leg.
Suddenly, an agonizing pain struck his stomach. He clutched it, and closed his eyes, gritting his teeth. He looked up, and slowly opened his eyes. The floating items were gone, the walls now of wood. It was brighter, and there wasn't the loud swooshing of airbreeze lingering around.
As he looked down, he started falling together with the dead aggressor.
"Fuckin' *****," he said, feeling a perverse satisfaction and pleasure from him falling to the ground. His bones?d break, even though he?s dead. He grinned. He felt the ground lightly touching his feet, but upon contact fell unconscious.

Okay, well. Usually when I write something, and read it a few days later, a week later, or any other slightly bigger amount of time has passed, I always find it, in my opinion, to be and sound slightly better than what I thought it was during when I wrote it.

With that said, I wanted to do so much more, I had a lot of stuff planned that swept into my mind when I finally started to do it yesterday, but alas, most of it I left out, because during writing, I saw the "Words: 1000" impending, and I tried to think of something that'd end it quicker. Also, the final product was 1,274 words, but I trimmed it down considerably. And, well, I think it suffered greatly for that. Maybe I shouldn't have done that, seeing as Zemalac's submission is about 1,200 words.

I also wanted to add a paragraph which would explain why the knife flew straight through the sheet of metal (and why they fell unconscious (hint hint, because they died)) but I left that out. But believe me, it isn't just a glaring, stupid plot hole that I unintentionally did. Maybe I'll explain it in future fights, if the chance comes up. Heh, Chance.
 

pigeon_of_doom

Vice-Captain Hammer
Feb 9, 2008
1,171
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Smoke streaming into his eyes and lungs, Carl struggled to see or breathe. He'd lost the other "champion". After trying to sit on the floor, remembering smoke should be thinner the lower you are, he realised, judging by the hot, rough, stony surface and the constant bubbling sound, the the thick, cloying smoke would coiling down his throat no matter what. Wheezing and coughing, sweat dripping from his face, he finally dared to open his eyes and, along with the searing agony, he was confronted with an intimidating, perplexing sight.

Though the thick smoke limited his range of vision to about ten metres, he was close enough to see what appeared to be a concave cliff-face enclosing him and his "adversary" in this "arena".

Lurching alongside the cliff-face, Carl began adapt to the extreme conditions. Holding his jumper over his mouth and around his hand, breathing was less painful and he could lean against the scorching cliff .Every sizzle of the cashmere triggered a twinge of regret, but Carl knew even his tough hands couldn't bear the heat of the cliff. Although when he had to walk around the occasional pools of magma, which seemed to be the source of an illuminating red glow, he struggled without support.

Apart from the omnipresent bubbling, the only sound Carl had heard was an occasional rumbling, followed by a crash and spraying sound, accompanied by the sight of a faint red pillar which vanished after a few seconds. Already perturbed by the pools of magma and uneven footing, he wasn't relieved to see that the floor was even less reliable than he first thought.

It was with a mixture of relief and alarm that Carl noticed a new sound, a heavy tramping along the ground, along with a mechanical whirring noise. Unaware of what the cause of the noise was, he stole towards it. His footsteps were silent, his breath soft, and his heartbeat steady as he crept silently, if clumsily, towards the shambling grey figure which gradually appeared in the smoke.

Relieved the towering adversary, whose form had been hidden from him on the elevator, wasn't human, Carl chose to take a closer look at this incredible contraction before attacking. He advanced on the imposing robot as it marched clumsily onwards. Its clumsiness was peculiarly... organic. The sleek, impressive looking frame (despite being tarnished by smoke) looked intrinsically graceful, yet its movements weren't the halting movements of mechanical joints rather than the uncertain steps of confused fighter. It trudged forwards, uncoordinated, emitting a loud whirring noise which reminded Carl of his computer on a summer day.

Carl had occasionally encountered advanced detection systems, but nothing on this level. Wary of alerting it, Carl had just resolved to observe it for a bit longer when it paused and tilted its head. By the time Carl had noticed the lens on the back of its head, it had turned to face Carl, shone a light at him and fired a projectile from its arm which zipped past his shoulder.

They both staggered, the robot losing its balance while Carl suppressed a momentary impulse to flee. Unlike the environment, perhaps this foe could be conquered.

The robot was the first to regain its balance. It adjusted its aim and fired a pellet at Carl, which cracked open upon his chest. A futile gesture in these circumstances, Carl wiped his brow with relief. "That it?" he asked with a grin at the robot .

A strange kind of numbness grew in Carl's chest, and he understood why there was no follow-up attack. Carl slumped to his knees experiencing, not of a repression of feeling, but an overwhelming multiplicity. A collective existential crisis engulfed his cells. A heart cell attempted to filter blood, a skin cell attempted to secrete hormones, while an eccentric toenail cell attempted photosynthesis. Just as a malicious foreign control seemed to be taking hold over a growing area on his chest, the spread slowed, halted, and reversed. The cells resumed their original functions, and feeling returned to Carl, who wasn't entirely relieved to savour the ash in his throat and the unbearable heat.

Carl rose to his feet, his gaze locked on the robot's blue eye slits. There was a click, then a buzz of feedback before a clipped computerised voice stated "Do not presume that you survived the infection by any act of your own. Circumstances foiled me. If not for these infernal temperatures inhibiting my abilities, you would now be under my total command. Even I, the original Leviathan, struggles despite this contraption's efforts." Carl responded with a blank stare as he tried to determine whether a crazy murderous robot would be much harder to dispatch. "Your kind are not as witty as you assumed, but never have we encountered a specimen so bereft of repartee before." It almost seemed to sigh. "You aren't worth destroying. Nevertheless, you must be so I may survive." There was another click and the audio link was cut.

Carl considered saying something, but Leviathan had already produced a blade from its arm and stumbled towards him. Carl tried to dodge, but its aim was wild anyway, so as Carl collapsed it charged past him and drove its blade into the ground to halt itself. As it rose up, noticing one foot was on uneven ground, Carl drew his grappling hook and threw it at the crack between the leg-plates. Although his eyes were watering, and he had never been particularly accurate, the hook caught the join, and Carl heaved on the rope. Leviathan slammed backwards onto the floor, metal screeching as it tried to resist, but Carl reeled the spasmodically flailing robot in until it sliced the rope with its blade. It rose to its feet seemingly angered. Blade lowered, it came at Carl again, who crawled away, trying to regain his footing but panic and the craggy ground thwarted him. However, he managed to twist away from the blow and caught Leviathan's shin between his legs, who fell, sinking a metallic knee into Carl's leg.

With a scream of pain he clambered on top of it, pinning down its arms and legs. All his strength was needed to stop the increasingly enraged robot throwing him off. He tried to punch the head to no effect, but noticed a join connecting the head to the body. He knew it wouldn?t necessarily stop Leviathan, but it seemed worth trying. Noticing his hands going for the join, Leviathan increased its resistance, but by stepping on the blade with one leg, the chest with the other, and enduring the heavy blows from the other arm, he managed to wrench off the head. Light-headed with relief (and lack of oxygen) he wearily held it up to his face. In what could only be the crazed robot's final act of revenge, a tiny vent opened and Carl felt something brush his temple. His head was enveloped by a numbness he hoped would be temporary. While his brain cells abandoned their duties, even the affected parts of his body felt a contentment, a joy in his own body, even at the moment his consciousness temporarily departed it. He'd never been in such dire circumstances before, yet he'd survived. Perhaps he had a chance.