Gindil said:
GiantRaven said:
I don't have the time to watch that video now but I will later.
I highly doubt it will change my opinion towards the idea that (in bold, for emphasis) taking something for free that you would have to pay for in a shop is not a bad thing.
I mean seriously, how do you justify that as morally right?
But yeah, I'll watch the video later and see what I think then.
I will strongly suggest the video for a few reasons:
Copying has been something that people have done since humans have been born. We've copied art to find out where herds went on the plains or in cold weather. We copied songs to give ourselves a common voice. We copy a number of things for culture and to add value to things that we enjoy.
What you say in bold, I would highly suggest that you reconsider on the grounds that there is more to the story than what you see in bold.
The video is worth the 18 minutes in finding out what can happen when people look at the opportunities given to them. Enjoy.
Ok, I'm watching the video now and typing about it as I hear stuff.
The first thing that pops out to me is that Trent Reznor has had a successful 18 year career with Nine Inch Nails before all of the stuff talked about here. If he was an artist starting off now in the manner shown in the video, would he be able to achieve the same level of fame? To me it seems all the artists who are successfully making this transition away from record labels have had long careers under said record labels. This doesn't seem to offer any suggestions about how new artists operate.
Also, I find it hard to take issue against the whole USB debacle because it was before the album came out, it was done by the
artist himself and, in this case, I believe the RIAA behaved like a bunch of idiots. This isn't a particularly good way of defending downloading music. For all intents and purposes, music is paid for. That is why it is in shops (be that physical or internet based). That is the way the world currently works. If you download music without paying for it, you are denying these companies the money they deserve for making and providing a product. I call that stealing. How do you defend that? There are more people in the music industry that matter than just the artists themselves.
I notice that this video seems to be solely using Trent Reznor as an example. If this was a truly viable route for any artist, why are we not seeing more of this? I don't think using a single example as proof of something is a particularly bad idea.
Trent Reznor distributed his own music for free. This isn't a particularly good defence of downloading music. The artist himself is providing the distribution, which is perfectly acceptable as he own the rights to the music (not being connected to a record label anymore). This is a unique example that cannot be applied to the conventional model of music ownership, release and distribution and falls flat in explaining why downloading music is fundamentally a bad thing.
All that being said however, I do think Trent Reznor has had some great ideas with his music. It's just...can this really be applied to other avenues of music? Is it feasible for any artist to go down this path? It would be nice if it was but as of now, we have no idea. I guess we'll see what the future brings. It was an interesting video showing some very interesting ideas but I don't think it really applies to what you're trying to argue. This is more a commentary on how to work around illegal downloading rather than justifying it.
Finally, the guy giving the presentation states that this works for bands big and small. Where are the examples of the smaller bands?!