It was a good movie and not all that complicated if you paid attention until they decided to pull the massive dick move at the end.
The way I see it is that as we flash back to the top spinning before immediately going to a black screen we realise that the doubt associated with it has followed him back through the layers of the dream and he will never be fully settled as you say he is. If he had left it spinning and just walked away I would totally agree, but it flashed back at the end and that's why I think you're wrong.
I mean even Total Recall managed to get THAT part right and didn't deliberately force the viewer to question the film's entire plot.
The thing is the spinning top at the end undoes all the good you said about it not trying to confuse or mislead the audience. It causes them to question the entire film. In fact, if it doesn't matter and we are meant to feel relieved and no longer care then why is it the last thing we see? I disagree with your interpretation although I think it would be a better movie (or at least one I'd prefer) if you were right.KafkaOffTheBeach said:Inception was ridiculously simple to understand.
Yes - it is clever, and I'm not trying to take that away from the film or the writer/director, but Inception is very clever in a totally unpretentious way. It lays everything out nice and clearly without trying to confuse or mislead the audience, and much like the film's main action sequences and overall setup we can see layer after layer after layer as the director reveals them to us, and in that revelation we get the overall genius and intelligence of the film.
There is one tiny, tiny thing that annoys me about Inception though.
The spinning top at the end.
And the way that people obsess over it.
Just saying, but it DOESN'T FUCKING MATTER if the GODDAMN SPINNING TOP falls or not - it is a CATHARTIC FUCKING ENDING for Cobbs character arc because he walks away. Cobb no longer cares, therefore, if the audience was following the film, they should no longer care about the stupid fucking spinning top.
It wasn't even his to begin with - so the point of it isn't to say "Oh this could be a dream", but instead to say "Look at where he is now - he has left his past, his guilt etc. behind him. This was his last job. The totem is no longer needed, his guilt is no longer needed, all that he wants is right in front of him now."
...
The way I see it is that as we flash back to the top spinning before immediately going to a black screen we realise that the doubt associated with it has followed him back through the layers of the dream and he will never be fully settled as you say he is. If he had left it spinning and just walked away I would totally agree, but it flashed back at the end and that's why I think you're wrong.
I mean even Total Recall managed to get THAT part right and didn't deliberately force the viewer to question the film's entire plot.