Ian Caronia said:
I mean, just look at the "revenge flick" genre, and in the West! "I Spit On Your Grave" is a perfect example of even entire stories/movies/what have you that shouldn't and don't need to exist. And yeah, that's worse than a single scene in an anime to me.
I'm going to completely break my stereotype here.
No movie needs to exist, but that movie has as much right to exist as any.
I have a guilty secret, which is that I tend to love exploitation films and 'bad' cinema. I love it precisely because they can be so incredibly daring with the subject matter and can give a voice to sentiment which Hollywood wouldn't touch. I won't deny that exploitation films can do exactly what the term implies (see
Delinquent Schoolgirls), but occasionally, just occasionally, they can capture an emotion or a spirit which is raw and horrible and so incredibly powerful.
I Spit on Your Grave and the other rape/revenge films have come to symbolize the anger of generations of women and their allies raised under the threat of rape. The pleasure in revenge movies is not in watching rape, but in watching the revenge. A film which exists to fuck up the core assumption that rape victims are weak and passive and that rapists get away with it and present a fantasy of revenge and fulfilment through which people feel empowered in some way has far more right to exist than yet another tame Hollywood slasher movie about how losing your virginity will get you cut to bits by an axe murderer.
I have a real problem with the way rape appears in sections of Japanese visual media, not because they're showing rape, but because they show rape without emotional consequence, it's reduced to a fantasy which you watch because it's pleasurable to watch, not because you're meant to feel hate or anger or indignation, but because, a lot of the time, you're meant to feel either sexual or narrative pleasure.
That said, some of my favourite films come from Japan, including what is in my opinion the best and most disturbingly challenging female-centred revenge movie ever made (Takashi Miike's
Audition). I hope and believe that there will a massive backlash in Japanese visual culture at some point against the prevalence of sexual violence in the media and wider culture, and if it happens I hope it's going to be utterly brutal and wonderful and radical and will make me fall in love with the country all over again.
When all they give me is
Rapeman and have the balls to pretend it's a satire though, I start to get very depressed.
I don't think it's going to come through anime designed for a male audience.