Apologies if this has already been brought up, but I could not find said thread, so if so, point it out to me please.
TD;DR version - While it's a few months old (of an issue if not longer), it's bound to happen again so I'll just ask it.
Why do some people make it an issue that one must have to find out about a song or an artist/group before discovering it in a video game? What drives a person to criticize others who do discover something in a game or what's the reason? How does one rationalize that?
I have my own answers/theories but I'm curious to as to what other opinions are.
Long version:
This has been something I've noticed for quite a while, but it became very obvious sometime before, during and after the release of Call of duty Black ops, most noticeably during some comments on Youtube concerning songs including but not limited to "Fornatue son" by CCR, "Sympathy For the devil" by Rolling Stones and so forth. To lesser degree other games such as Need for Speed Hot Pursuit 2010 with such comments that at times got highest rated including 'Thumbs up if you heard X band before Z game'.
To me it gives the impression that apparently, if you discovered or came across a band or a song in a game, it apparently speaks something negative about you. As if you 'should have' found out about it beforehand. If you found it in a game, you therefore must be 'looked down on' because you apparently could not find it beforehand, you needed a game to find it for you.
It has been something that has been on my mind for a long time, the 1st time I could recall it was oddly enough when listening to a Pitchshifter song on Youtube and someone had an opinion that amounted to 'you're not a real pitchshifter fan if you discovered this in Test drive 5'.
To say you HAD to buy the album or otherwise heard it elsewhere by some other means first before playing the game (never mind how unless one was looking for it, one could have easily missed www.pitchshifter.com or their works at around or before the release of test drive 5).
As someone who looks for music from time to time, my simple reality is that for the long list of artists be it 'licensed' or whom have made their name and them some on video games (from Ayako Saso to Saki Kaskas, from Frank Klepacki to Norihiko Hibino, Romolo Di Prisco to Yu Miyake) or anything outside of that, there's still a very long list of music artists and groups I still have yet to listen to.
I will come across music I've never heard about by a game one way or another, and I'm certain the same is for many others.
And I would think on some end it would be nice, especially for some artists who aren't as exposed in given areas to get some exposure for their music. It's an opportunity for one to at the least try something else and broaden their horizons that much more (the only drawback to having a vast number of favorites is that the number can get very, very high if one lets it be).
So I'm asking everyone here, to those who've seen what I'm talking about, to those who have no idea what I'm talking about, to those who've written comments along the lines of what I'm pointing out, whaetver...
What's your take on all this?
I have my own potential answers on this, but I'm wondering what anyone else who cares enough to read and post, to their own opinions.
By the way, if we did go by the 'You can't qualify if you've come across it in a game', well here's a list of artists I should never be allowed to be fan of... EVER including but not limited to...
Apollo 440
Junkie XL
Pitchshifter
KMFDM
Fear Factory
Gravity Kills
Rush
Death From Above 1979
The Bodyrockers
The Chemical Brothers
The manic street preachers
Garbage
Ash
Pnau
Breakbot
Omni Trio
Shinichi Osawa
South Rakkas Crew
Boy 8 Bit
Busy P
The Qemists
Dom and Roland
Calyx and Teebee
Amon Tobin
Jespyer Kyd
Boom Boom Satlites
Django Reinhart
Judais Priest
Da Shootaz
Aquasky
Rascal and Klone
Moloko
Ron Trent
Pjanoo
...and many (many) more.
Until later
TD;DR version - While it's a few months old (of an issue if not longer), it's bound to happen again so I'll just ask it.
Why do some people make it an issue that one must have to find out about a song or an artist/group before discovering it in a video game? What drives a person to criticize others who do discover something in a game or what's the reason? How does one rationalize that?
I have my own answers/theories but I'm curious to as to what other opinions are.
Long version:
This has been something I've noticed for quite a while, but it became very obvious sometime before, during and after the release of Call of duty Black ops, most noticeably during some comments on Youtube concerning songs including but not limited to "Fornatue son" by CCR, "Sympathy For the devil" by Rolling Stones and so forth. To lesser degree other games such as Need for Speed Hot Pursuit 2010 with such comments that at times got highest rated including 'Thumbs up if you heard X band before Z game'.
To me it gives the impression that apparently, if you discovered or came across a band or a song in a game, it apparently speaks something negative about you. As if you 'should have' found out about it beforehand. If you found it in a game, you therefore must be 'looked down on' because you apparently could not find it beforehand, you needed a game to find it for you.
It has been something that has been on my mind for a long time, the 1st time I could recall it was oddly enough when listening to a Pitchshifter song on Youtube and someone had an opinion that amounted to 'you're not a real pitchshifter fan if you discovered this in Test drive 5'.
To say you HAD to buy the album or otherwise heard it elsewhere by some other means first before playing the game (never mind how unless one was looking for it, one could have easily missed www.pitchshifter.com or their works at around or before the release of test drive 5).
As someone who looks for music from time to time, my simple reality is that for the long list of artists be it 'licensed' or whom have made their name and them some on video games (from Ayako Saso to Saki Kaskas, from Frank Klepacki to Norihiko Hibino, Romolo Di Prisco to Yu Miyake) or anything outside of that, there's still a very long list of music artists and groups I still have yet to listen to.
I will come across music I've never heard about by a game one way or another, and I'm certain the same is for many others.
And I would think on some end it would be nice, especially for some artists who aren't as exposed in given areas to get some exposure for their music. It's an opportunity for one to at the least try something else and broaden their horizons that much more (the only drawback to having a vast number of favorites is that the number can get very, very high if one lets it be).
So I'm asking everyone here, to those who've seen what I'm talking about, to those who have no idea what I'm talking about, to those who've written comments along the lines of what I'm pointing out, whaetver...
What's your take on all this?
I have my own potential answers on this, but I'm wondering what anyone else who cares enough to read and post, to their own opinions.
By the way, if we did go by the 'You can't qualify if you've come across it in a game', well here's a list of artists I should never be allowed to be fan of... EVER including but not limited to...
Apollo 440
Junkie XL
Pitchshifter
KMFDM
Fear Factory
Gravity Kills
Rush
Death From Above 1979
The Bodyrockers
The Chemical Brothers
The manic street preachers
Garbage
Ash
Pnau
Breakbot
Omni Trio
Shinichi Osawa
South Rakkas Crew
Boy 8 Bit
Busy P
The Qemists
Dom and Roland
Calyx and Teebee
Amon Tobin
Jespyer Kyd
Boom Boom Satlites
Django Reinhart
Judais Priest
Da Shootaz
Aquasky
Rascal and Klone
Moloko
Ron Trent
Pjanoo
...and many (many) more.
Until later