Your greatest musical "let-downs".

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similar.squirrel

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Mar 28, 2009
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Fionn Regan's 'The Shadow of an Empire'. It's not bad, but it departed a little too much from the mellow fingerpicked sound for my liking. Too energetic.

Oh. And Muse has been on a steady downhill since Hullabaloo. Black Holes and Revelations had its moments, but apart from that..
 

Naeo

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Dec 31, 2008
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Mesmerize by System of a Down. All their stuff up until then had been awesome- their self-named album was heavy, thrashy and rough and awesome. Toxicity kicked untold ass. Steal This Album! kept some of the thrashy sound but moved a bit more into some clean vocals/a "cleaner" style. Hypnotize had some absolutely stunning moments. Mesmerize felt like being kicked in the teeth by a walking turd and then being forced to listen to its farted rendition of Beethoven.

Okay so maybe it wasn't that bad, but it was still pretty disappointing for them.
 

rt052192

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Feb 24, 2010
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minutes to midnight by Linkin Park made me realize that LP just isn't that good, so it was a let-down, but for the best...
 

shadyh8er

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Marilyn Manson's newest album, The High End of Low, is just too stupid. In his previous works it sounded like he was saying something, rebelling against the norms of this day and age. Now it sounds like he's just cussing for the sake of cussing (if that makes any sense).

I HATED Death Magnetic. The songs are too damn long and redundant.

And last, the first opening song for Bleach after "Ichirin no Hana." I knew there was going to be no way they could top it, but they could've done a helluva lot better.
 

Ironic Pirate

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commasplice said:
Ironic Pirate said:
I'm not sure of this counts, but a friend of mine kept telling me about someone named Andrew WK, and that he was really good, blah blah blah. So when I went to the Fleamarket the next day, and saw an Andrew WK CD for two bucks, I was excited to get it. I didn't notice it only had two songs on it, only one of which worked.

That song was good though.
Ugh, that was awful.
 

Gxas

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Sep 4, 2008
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D-Mic said:
Year of the Black Rainbow by Coheed and Cambria. It doesn't even feel like a Coheed album, and in a bad way. At least Guns of Summer and World of lines are good.
Really? I absolutely loved that album. Sure, nothing will ever come close to SSTB. But it was still Coheed. I mean, hell, you could say that IKSSE:3 didn't feel like a Coheed album. They evolved their music with the story each album. Have you ever listened to Shabutie? The same thing happened there. Toxic Parents? Same thing. The band has changed music over time to fit the story they are telling. It fits all too well.
 

Der Kommissar

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Dec 29, 2009
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Small Waves said:
...
For recent discoveries, I'm not crazy about Autechre's Oversteps.
I was thinking like this at first, but it certainly has more power if you follow the Southern Lord mantra... a surround system with loud volumes. It is most lush & lively once you forget Autechre's unique craftmanship in beats.

For me, the biggest one recently must be Pendulum; I thought I was in for some good drum'n'bass but instead was, so to speak, immersed in very disposable melodies&chordwork and quite possibly the tamest & lamest drum'n'bass programming in the genre.
 

Flamezdudes

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Aug 27, 2009
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Enemy Of The State said:
Muse.
Absolution was an excellent album and I love every track on it.
Black Holes and Revelations had a few great tracks and a few bad, I'd say 50/50.
Origin of Symmetry was terrible.
HAARP was awesome, as most Live albums are.
Hullabaloo Soundtrack was... meh.

Their latest album, The Resistance, was a failure. MK Ultra was the only good track.
Oh come on, Origin of Symmetry is great and the majority of Black Holes and Revelations is good, HAARP is alrite aswell as Hullabaloo but The Resistance was decent.
 

spinFX

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Aug 18, 2008
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BonsaiK said:
Metallica's Black Album.

I was a 17-year old metalhead when that album came out and boy, me and my even more metalhead friends at the time were excited. How could the new Metallica album be bad, after their first four albums? We huddled excitedly around the school stereo system before Home Group class (the generic "I'm here, miss" class you go to before you get farmed out to the other classes during the day) as one of us held a cassette of The Black Album in his excited hand, we thought "when the bell rings for class - fuck that shit, Metallica comes first". We listened to the first song... hmmm good opening riff, nice and heavy... one minute later, the same riff is still playing. That's a bit weird. None of the band's usual twists and turns, and yes, while it was still heavy there's a definite pop feel happening as well. We start looking at each other in dismay as the song moves in the predictable pop music verse-chorus-verse-chorus-solo-chorus-fade fashion that we all liked to listen to Metallica to get away from. "Well, it IS the single, let's give them a chance, maybe the next song will be good", we said to each other. The next song comes on. Another bone-crushingly heavy riff... married to a pop song structure. We start sighing. Third song came on, same story. And on and on it went. I swear I saw tears in the eyes of my metal comrades. When the bell rung, nobody was late.
Are you talking about this album? http://en.wikipedia.org/wiki/Metallica_%28album%29

Because I love Sad But True, Enter Sandman, Of Wolf and Man, and Wherever I may Roam. Hoping I get to see at least Enter Sandman live when they're here in Australia later this year.
 

BonsaiK

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Nov 14, 2007
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spinFX said:
BonsaiK said:
Metallica's Black Album.

I was a 17-year old metalhead when that album came out and boy, me and my even more metalhead friends at the time were excited. How could the new Metallica album be bad, after their first four albums? We huddled excitedly around the school stereo system before Home Group class (the generic "I'm here, miss" class you go to before you get farmed out to the other classes during the day) as one of us held a cassette of The Black Album in his excited hand, we thought "when the bell rings for class - fuck that shit, Metallica comes first". We listened to the first song... hmmm good opening riff, nice and heavy... one minute later, the same riff is still playing. That's a bit weird. None of the band's usual twists and turns, and yes, while it was still heavy there's a definite pop feel happening as well. We start looking at each other in dismay as the song moves in the predictable pop music verse-chorus-verse-chorus-solo-chorus-fade fashion that we all liked to listen to Metallica to get away from. "Well, it IS the single, let's give them a chance, maybe the next song will be good", we said to each other. The next song comes on. Another bone-crushingly heavy riff... married to a pop song structure. We start sighing. Third song came on, same story. And on and on it went. I swear I saw tears in the eyes of my metal comrades. When the bell rung, nobody was late.
Are you talking about this album? http://en.wikipedia.org/wiki/Metallica_%28album%29

Because I love Sad But True, Enter Sandman, Of Wolf and Man, and Wherever I may Roam. Hoping I get to see at least Enter Sandman live when they're here in Australia later this year.
Yes, yes I am.

I realise lots of people love that album, but for me, Metallica threw away their biggest asset on that recording - their progressive song structures. It's when they became a pop band. I love pop music, but I don't think Metallica do a good job of it. They were a lot better in the 80s when they were playing to their strengths. The recent Death Magnetic is them finally realising this and playing catch-up, but it's too late, the horse has already bolted.
 

Gxas

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D-Mic said:
Gxas said:
I get what you're trying to say, and I've noticed that. It might just be that it's not my cup of tea, but something just feels off about this one.
I do understand where you're coming from though. It did take me a few listens to fully appreciate the album.
 

The Diabolical Biz

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Jun 25, 2009
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TylerC said:
Roaminthecrimesolvingpaladin said:
I've noticed that I've mentioned 'Nas' several times today, and it got me thinking. Nas' first album, Illmatic was quite possibly the greatest debut album ever, however the follow up, It was written had one half-decent track, and even that wasn't as good as the worst track in Illmatic. This was followed by awful albums, Nastradamus, and I am ... The Autobiography, before he pulled it back with the brilliant Stillmatic.
At least most of his albums are much better than stuff that's out now.

I thought The New Danger was a bit of a disappointment after Mos Def's amazing work of art Black On Both Sides, and before that Mos Def and Talib kweli are Blackstar. Although I have learned to like the album, it was a weird change from his usual.

Mos' newest release Supermagic is a hugely underrated album.
It's not so much that it's hideously bad, it's just that coming off Illmatic, it's almost depressing how all that talent went to waste...
 

Good morning blues

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Sep 24, 2008
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"Folkloric Feel" by Apostle of Hustle is one of the best albums I've ever heard in my life. Since it was just their debut album, I was really excited for more. Unfortunately, their second album, "National Anthem of Nowhere," completely abandoned the bassey, blusey feel and interesting riffs that made the first album so great, and their newest album goes even further down that road to the point where it's so generic that it's more or less unlistenable. It's a tragedy.
 

The Arc of Eden

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Jun 7, 2010
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Blooddrunk by Children of Bodom. Sure it's awesome and Extremely technical but their earlier stuff was melodic and pleasing to the ear.

Godspeed on the Devil's Thunder by Cradle of Filth. It's a return to form but I personally liked the experimental direction they were taking their music with Nymphetamine and Thornography

Pray for Villains by Devildriver. Easily my most favorite metal band, but their latest just ostracized me from their music. There are a few good tracks like I've Been Sober and Bitter Pill but it felt less relate-able. The way Dez took his vocals was disappointing as well.

War is the Answer by Five Finger Death Punch. Most of the heavy songs feel extremely generic and half the album is ballads, which are good mind you, but that gets old quickly.

IV and The Oracle by Godsmack. While the Oracle is still good, I feel they lost that epic atmosphere they had with the first 3 albums.

Smash the Control Machine by Otep. What was once a unique band has become a monster that's slowly devouring itself. Somehow they turned their unique style generic by repetition.

Educated Horses by Rob Zombie. I don't think I have to explain this one.

Anything from Static-X after Start a War. While I still like those albums, They've taken a massive change from the style that I got into them for (I got into them with Shadow Zone). That would be okay but the riffs are monotonous and boring, and his voice has turned to shit, nevermind the fact that he doesn't even sing anymore.

Get Damned by The Agony Scene. I got into them during The Darkest Red and they were looking to be another favorite band. And then this shit comes out.
 

The Diabolical Biz

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Jun 25, 2009
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LawlessSquirrel said:
Funkiest Monkey said:
Also, Linkin Park's Minutes To Midnight... Not good at all.
I was going to say that, but after seeing them live it kind of redeemed it for me. I like some of the songs on it, but it's far from their best work. I can respect their reasons for changing styles though...still, holding out for a remix album after this next one.
While i liked some of their earlier stuff better, the change was necessary. The rap-rock/nu-metal thing was done to death. They were just imitating some of the music they like, and I feel minutes to midnight was more honest and truer to themselves.
 

TylerC

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Nov 12, 2008
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Roaminthecrimesolvingpaladin said:
TylerC said:
Roaminthecrimesolvingpaladin said:
I've noticed that I've mentioned 'Nas' several times today, and it got me thinking. Nas' first album, Illmatic was quite possibly the greatest debut album ever, however the follow up, It was written had one half-decent track, and even that wasn't as good as the worst track in Illmatic. This was followed by awful albums, Nastradamus, and I am ... The Autobiography, before he pulled it back with the brilliant Stillmatic.
At least most of his albums are much better than stuff that's out now.

I thought The New Danger was a bit of a disappointment after Mos Def's amazing work of art Black On Both Sides, and before that Mos Def and Talib kweli are Blackstar. Although I have learned to like the album, it was a weird change from his usual.

Mos' newest release Supermagic is a hugely underrated album.
It's not so much that it's hideously bad, it's just that coming off Illmatic, it's almost depressing how all that talent went to waste...
Yeah that's true...I mean I don't think Illmatic had any even remotely bad songs. Off course coming off that album would be hard no matter what...but I agree, he could've done much better. His Untitled album (well it did have a title until they made him pull it) had some really good songs, but it seemed he went the more main-stream road. I've heard some songs from the Damian Marley collab, Distant Relatives, but not enough to give an opinion of it.