Eric the Orange said:Could you please clue me in on to what big daddy is doing bob. I'm as old as you (well 27, almost as old), but admittedly terrible at seeing "deeper meaning" or "symbolism".
EDIT: upon reading further comments, yeah I probably would have got that. I haven't seen the movie yet but I figured you would be referring to something more "deep". Which I never get.
Scrumpmonkey said:Yeah, there are a few spoilers here.
Was going to write a kick-ass user reveiw but never got arrround to it. I thought it was s very good film despite some of it's failings. The tone and overall violence reminds me somewhat on the best of what amine can do, put young people in a violent universe and make it awesome and dubious massacres by 11 year old girls really did invoke that.
I thought it's tone was sligly dark in places, it was fun but it did do at least a little exploration. Some of the funnier bits come from just shattering the conventions of the superhero movie like not killing the villans. In one of hit girl'd most memorable scenes she kills ALL the guys in an apartment, even just some random junkies, slices their limbs right off.
Might still write that reveiw, the film is essentially about a self gratifying ego fantasy decending into self gratifying ultraviolence so my take it it's essentially a film about masturbation. No really. There is like a 5 minute scene in which Dave explains how he wacks off over EVERYTHING. The undertone of tit gags also comes back in random places to great effect.
See, I'm not entirely sure about the latter bit when it comes to self gratifying ego fantasy. Understand that one of the points of the entire movie is that the central character, Kick Ass himself, never actually DOES get his hands on the power that he wanted. I mean in general he's more or less just a spectator to a couple of people who do what he wants to do. Granted he does have a bit of a moment (fighting another nerd, and using a rather over the top weapon) towards the end of the movie, but in the end it struck me more as one of those "stay true to your dreams" kind of messages (in a messed up way) because where the movie left off he could presumably be trained to do the things he wanted to, and the narration implies that this is what exactly happens. I think the point of the story is more or less summarized by his experiences during his first attempt to be a vigiltante (immortalized on that comic cover) and the fact that he gets up despite everything and heads right back out thre despite being totally outclassed and a complete joke.
As far as Hit Girl goes, I must say that it was pretty cool. A campy, upbeat, effective version of Natalie Portman's role from "The Professional", though I admit Nicolas Cage does steal the show in his bits even more.
As a final note (if anyone read this far), I will say that I think the biggest thing Hollywood needs to look at is Hit Girl's fight scenes. Not the ultra-violence, but the fact that they managed to make the insane idea of an 11 year old taking out numerous adults seem plausible enough to suspend disbelief.
Basically, if someone ever wants to bring Robin into a Batman movie again, this is pretty much what you want it to come accross like. The whole problem with Robin has always sort of been that he's the BOY wonder, and manages to kick butt alongside Batman despite being a little kid. While you'd want to drop the malevolence a bit, Big Daddy/Hit Girl pretty much defined the relationship (minus the code against killing), and showed exactly what a child super-hero should look like in action when watching a movie.
For that matter it really opened my eyes up to what could be done with child heroes in general. I mean heck, I never thought a "Runaways" or "Cloak and Dagger" movie could be done while remaining loyal to some of the characters/the basic concept, until I saw how they put this together.
Also Nicholas Cage's Adam West schtick was actually pretty brilliant,