Star Wars? What? I am talking about issue with writing in general, not specifically Star Wars or indeed Rey, though I can see how you misunderstood that.BloatedGuppy said:Please to define "bad". There is incomprehensible writing, but that hardly qualifies as writing at all. "Twilight" is popularly considered terribly written, but was wildly popular. Some people would struggle to get through a page of "Ulysses". I've had people on this website assure me George RR Martin is an incompetent hack, while he wins awards for his high quality work. It's subjective. 'Bad' is almost entirely in the eye of the beholder. Particularly when we're dealing with an unfinished work.s0denone said:But surely you will agree that "bad writing" exists, yes?
You're welcome to make an argument in an attempt to support that, but I doubt you'll get much traction. Take a character like Superman. As bland and one dimensional as characters get, certainly at inception. One of the most enduring pop cultural sensations of the century. Is Mickey Mouse a bad character? He's no Walter White, but he's iconic. You have to consider what the goals of the character and the goals of the piece are. This is Star Wars. They're not writing Tony Soprano. A primary complaint issued at Rey is that she's overtly archetypal, and we've basically described virtually the entire fucking Star Wars film universe.s0denone said:No character is objectively unenjoyable, uninteresting or otherwise unlikeable - but a character may be objectively poorly written, right?
That fact that you would say that objectively "bad" writing doesn't exist makes this argument wholly pointless though. I would invite you to read what I edited into my previous post, which you seem to have missed:
I think that is actually one of the cornerstones of current feminist critique of media: That certain female characters are objectively poorly written in order to fill a stereotype or appeal to a section of the fanbase.
And to your point: Yes, Superman is absolutely a poorly written character (though later iterations have attempted to inject more depth)-- He is the archetypical child-fantasy wish-fullfillment. That doesn't make Superman bad, make Superman movies bad or ruin him as a character - but he is an amazingly boring character (at least original takes on him were) totally absent of any of the aforementioned depth.
I don't think Mickey Mouse is a bad character. Forgive me, I haven't been following anything he's been in since I was a child, but as I recall he had many arguments with his neighbours, many different plotlines, attempts at romance with Minnie Mouse etc. etc. There was a lot of meat on those child-friendly bones.
Rey from Star Wars is not an objectionably unlikely character, but the fact that she seems to have further wound up the "chosen one" mechanic we know from previous Star Wars movies makes her, in my opinion, boring and it is objectionably lazy writing to not just copy plotlines from earlier movies, but to make her almost totally infallible.
I don't give two shits if the main character is black, green, purple, white, male, female, transvestite, transsexual or whatever the fuck, as long as they are interesting and their plot is engaging. Star Wars the Force Awakens as a movie was exactly what I expected it to be. It wasn't overly disappointing or exhilarating. Rey was a boring, predictable character and her massive level of "power"(if you will) and her being like an in-built deus ex machina completely extinguished most of the tension otherwise present in those scenes.
And to round this back to your "Bad is in the eye of the beholder" argument, there isn't really much to say. If you think no such thing as "objectively bad" exists, you are being totally ridiculous. Movies and books that are objectively bad are written all the time, that doens't mean they are subjectively bad.
You can like a movie that is objectively a bad movie, that doesn't make it a good movie, it just means you like that particular type of schlock. That is totally fine. The same goes for books. The same goes for characters and how they are written. Me enjoying "Death Race" doesn't make Jason Statham less of an archetypical action movie bad ass (read: Gary Sue) nor does it make Death Race a good movie. Just like if I like "What's Her Number". It doesn't make the movie better, the characters more two-dimensional or anything. It just means I like that particular type of schlock.
There is a market for bad movies. They generate a profit. That doesn't make them "good" movies. That means there is a market for that brand of "bad".