Eggo,
"Hell, African Americans have been massively marginalized since they've been brought to America and yet, their cultural output is so significant that most of American culture, at least musically, is based upon it."
As a music teacher, I will give you that one. Nearly all music listened to in America is a derivative from black culture. Trace almost any genre of American popular music today, and you will find its roots in blues, dixieland, or work songs.
Marches and Classical structures do not fit this catagory, though Wynton Marsailles and Duke Ellington (Jazz "Nutcracker" Suite), have made significant contributions to classical music.
Even Gershwin and Irving Berlin tried to give black music a white feel, and there is always Scott Joplin, who showed whites what "Rag Time" looked on paper.
"Hell, African Americans have been massively marginalized since they've been brought to America and yet, their cultural output is so significant that most of American culture, at least musically, is based upon it."
As a music teacher, I will give you that one. Nearly all music listened to in America is a derivative from black culture. Trace almost any genre of American popular music today, and you will find its roots in blues, dixieland, or work songs.
Marches and Classical structures do not fit this catagory, though Wynton Marsailles and Duke Ellington (Jazz "Nutcracker" Suite), have made significant contributions to classical music.
Even Gershwin and Irving Berlin tried to give black music a white feel, and there is always Scott Joplin, who showed whites what "Rag Time" looked on paper.