Fox12 said:Addressing some unfair criticisms
I didn't feel like the protagonist was much of a Mary Sue. She knew how to fight, but that should be expected from the main character of an action thriller. She wasn't even the best fighter in the group, and seeing as she was raised my a guerrilla warfare terrorist, I would expect her to be able to handle herself.
As for her switching sides so quickly, I thought it made perfect sense. The Empire destroyed her family, so of course she hates them. The film specifically tells us that she used to fight in a rebellion force, so it's not like this is unprecedented. She wasn't jaded because the Rebellion was immoral, she was jaded because they left her behind when she was sixteen. Furthermore, her whole motivation is meeting her father. Seeing as her fathers dying wish was for her to correct his mistakes, I think it's easy to see why she would go from jaded anti-hero to idealistic rebel leader. That was always an aspect of her character.
I didn't think the romance was forced at all. It doesn't even really go anywhere. There's a scene near the end where the main characters briefly hold hands, but it didn't even feel particularly romantic. It felt more like they were comforting each other moments before the end. It's not like they declared their undying love for each other and shared a passionate kiss. It was understated, and barely even there at all. They acted like people who respected, but barely knew, each other. I don't really get this complaint.
She's not really a Mary Sue, but I found her unlikable nonetheless. The supporting cast was much more entertaining.
Her switching sides makes much less sense if you remember that it was a Rebel bombing run that killed her father, not the Empire. For her to swing so strongly towards the Rebel side after that - and especially after the Rebels ignore her father's message - seems a little off. If I were her, and I found out that this Rebellion that I didn't even trust to begin with turned out to be untrustworthy, I wouldn't continue trusting them.
As for the romance - you're right, everyone dies before it goes anywhere, but there were some very painful longing glances shared between the two of them after her father died that seemed to come out of nowhere. The pair had zero chemistry, no common ground, and she'd just found out that he had been trying to assassinate her father the entire time. For them to suddenly start gazing into each other's eyes seemed unrealistic. It just felt forced, like they'd gotten two-thirds of the way through the film and shouted "Wait, we need a romance!"
Her switching sides makes much less sense if you remember that it was a Rebel bombing run that killed her father, not the Empire. For her to swing so strongly towards the Rebel side after that - and especially after the Rebels ignore her father's message - seems a little off. If I were her, and I found out that this Rebellion that I didn't even trust to begin with turned out to be untrustworthy, I wouldn't continue trusting them.
As for the romance - you're right, everyone dies before it goes anywhere, but there were some very painful longing glances shared between the two of them after her father died that seemed to come out of nowhere. The pair had zero chemistry, no common ground, and she'd just found out that he had been trying to assassinate her father the entire time. For them to suddenly start gazing into each other's eyes seemed unrealistic. It just felt forced, like they'd gotten two-thirds of the way through the film and shouted "Wait, we need a romance!"
Oh, one more bit of fridge logic:
It makes no sense for the Rebel general to order Whatshisface to kill Jyn's father. I mean, he's already finished the Death Star. The Rebels know that, and they ought to know that their best chance of fighting against it is to get its chief architect on their side. Then they wouldn't need to make a long-shot suicide attack on Scarif; they'd have the brains right there with them.