Couple quick points of order:
FitScotGaymer said:
The prequel movies ruined this by making force sensitives and jedi so prolific and well known that it makes the near mythic status that the force and its adherents has in the wider galaxy seem stupid and silly. It makes it feel boring, mundane, and every day instead of special and rare.
A New Hope already established by implication that the Jedi were a great organization with a long history. To quote Obi-Wan: "For over a thousand generations the Jedi Knights were the guardians of peace and justice in the Old Republic. Before the dark times. Before the Empire." Mind you, that would be utterly impossible without a
very sizeable order. It's also worth noting that seeing a lot of Jedi (especially at times when they'd naturally convene) is not indicative of force ability being particularly common any more than the sheer number of students at Hogwarts implies that magical ability is common in the Harry Potter universe.
It also helps to recall that the Star Wars universe is comprised of a Galaxy spanning Republic/Empire (depending on when you look at it), so even low rates would yield high totals in a short amount of time. Take the following as a case in point: Assume the incidence is quite literally one in a million (ie, a 0.0001% rate of occurance). Now look at Earth. Earth has an estimated population of 7.047 billion, meaning statistically one could expect 7047 Jedi from a population that size, which again, stems from a single planet. Take the rate and apply it to multiple earth-like planets and you naturally get a very high number of force sensitives very quickly, despite the very low incidence rate. Based on even the prequel trilogies, however, I'd venture to guess that the incidence rate was likely far lower.
FitScotGaymer said:
Also Qui Gonn being Obi's master breaks prior established lore as Obi says in the original trilogy that Yoda was his master. No mention of this pointless Qui Gonn Jinn.
Uh, no it doesn't. Obi-Wan identifies Yoda as "The Jedi Master who instructed [him]". That does not necessarily imply that Yoda was his specific master, just that he taught him at one point. Given that Yoda is seen teaching younger Jedi in the temple, the obvious implication is that Yoda taught Obi-Wan (among others) when he was young. So what he told Luke was true, from a certain point of view.
FitScotGaymer said:
Three - Not only to the prequels break and arbitrarily change the SW lore for no apparent reason (midichlorians anyone?) but the writers kept writing scenes where the characters would act completely out of character.
Actually, oddly enough, Midichlorians are ostensibly Lucas being
consistant with the Lore of his universe. Ostensibly, the idea was explained behind the scenes as far back as 1977 (though Lucas supposedly couldn't find a way to incorporate it directly until Phantom Menace), and truthfully they do very little to affect the actual lore. As per Qui-Gon, "Midi-chlorians are a microscopic lifeform that reside within all living cells
and communicate with the Force. ... Without the midi-chlorians, life could not exist, and we would have no knowledge of the Force. They continually speak to you, telling you the will of the Force". That's their debut scene, which immediately establishes them as distinct from the Force itself, instead acting as the vehicle that allows entities to have a sense of it, thereby establishing why not everyone had the same level of Force Sensitivity. The actual nature of the Force itself remains as ill-understood as before.
More on topic, I can give you a few reasons:
Episode I was kinda a trainwreck in terms of focus. The primary plot point was the blockade of Naboo due to trade laws, not exactly a wonderfully interesting topic in and of its own right. But how does it explore this plot point? By following a freedom fighter force on the planet? Nope. Point of fact, that resistance movement doesn't happen until the third act, after we've already had a false climax in the form of the 10 minute long race. What's worse, the film jumped from plot point to plot point so fast that they neglected to develop them in the way required to make the audience connect. Take Coruscant, for instance. The protagonists' entire reason for leaving Naboo was to present their case to the Senate, and Amidala folds her hand after one attempt. ...I'm sorry, but are we really supposed to empathize with her view of the Senate as a corrupt and ineffective organization when they were given less exposure than the aforementioned race and because they wouldn't immediately jump in without first proving her accusations had a basis? Really? Don't get me wrong, I can see the
intent of most of these scenes, but ultimately they lacked the buildup required to give the scenes the impact they needed.
Episode II...well let's just say that I feel the part that absolutely sunk this film was the fact that its main subplot was a romance that...well...didn't work out in any respect. To borrow Yahtzee's characterization: "To say Hayden Christensen and Natalie Portman had chemistry in that film is like saying that a chair stacked on another chair is a sizzlingly erotic love scene". Frankly though, that's still giving it too much credit, if only by the omission of the subplot's other failings, which other posts here have already touched on. It also certainly doesn't hurt that Anakin's character was just poorly handled.
Then there's Episode III...which just handed the cast the "Idiot Ball" and had them run with it. Anakin in particular suffered here. Seriously, he knew the Sith's tactics to have no problems fighting and even killing them, he realized that Palpatine was a Sith Lord, and by correlation has been deceiving the republic for years and directly ordered him to kill another Sith Lord with whom he had to have been in cahoots with...and he trusts the guy's claims implicitly? What's worse, Anakin's characterization showed little development towards the iconic villain we know and love from the original trilogy. Which of course begged the question of why they even bothered in the first place.
tldr: Episode I lacked a sense of importance and had horrible pacing. Episode II put
far too much emphasis on a romantic subplot that didn't work. Episode III felt contrived and lacked the character transition needed to justify the existence of the prequels.