Star Wars Force Awakens Spoiler Filled discussion thread (no spoiler tags, you've been warned)

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BloatedGuppy

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Dazzle Novak said:
You do know the original definition of "anti-hero" was a protagonist who lacked positive heroic traits?
From TV Tropes article on anti-heroes.

Han Solo is an Anti-Hero, most vividly seen by comparing him to Luke Skywalker, the obvious hero (which also makes him The Lancer). At the end of the first movie, he has a Big Damn Hero moment. From there, he moves more toward the standard hero as time goes on. In contrast, Boba Fett, who was depicted as a villain in the movies, is portrayed more as an Anti-Hero in the Expanded Universe. While he's still the Badass bounty hunter who won't hesitate to disintegrate you if somebody is willing to pay him for it, Fett does have a very loosely defined code of honor and apparently has a soft spot for orphans and the oppressed, and will often go out of his way to help them. Examples include him giving money to charity and saving an alien species from extinction for a hundred credits (it's even implied that he gave their money back).
Since "you're done", I'll just say you have an extraordinarily non-traditional method of interpreting fiction, and we'll leave it at that.
 

kris40k

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AccursedTheory said:
Does Kylo Ren's motivation even work if he knows about Vader's redemption? How does that make sense in the book?

I mean, I guess maybe that's why he's so keen on killing his Dad and resisting the light side? Maybe he figures that if a son can redeem his father, it works the other way round, so the only way he's safe is if Han is dead. I guess that does make sense, but its really weird...
What is cooking my noodle is if Kylo Ren is looking to his dead grandfather for guidance, "I feel the callling of the light" and so on, why doesn't Hayden Christensen's blue glowey ass show up and say, "Yeah, so did I. Go to the light, you dumbass..."

Anakin knows how to return, as shown in Ep 6, and Qui-Gon was able to return approx 20 years after his death when he talked to Yoda in Ep 3. Kylo is force sensitive, so he should be able to communicate with him like the others did with Luke.

Could have saved a lot of trouble.[footnote]But I guess we wouldn't have a movie then[/footnote]
 

BloatedGuppy

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kris40k said:
What is cooking my noodle is if Kylo Ren is looking to his dead grandfather for guidance, "I feel the callling of the light" and so on, why doesn't Hayden Christensen's blue glowey ass show up and say, "Yeah, so did I. Go to the light, you dumbass..."

Anakin knows how to return, as shown in Ep 6, and Qui-Gon was able to return approx 20 years after his death when he talked to Yoda in Ep 3. Kylo is force sensitive, so he should be able to communicate with him like the others did with Luke.
This is absolutely nothing more than empty speculation, but have we ever heard of Dark Side Force users talking to Force ghosts before? It's possible it's a uniquely Jedi thing, and requires a measure of calmness/serenity.

Mind you they're always popping up out of nowhere to talk to Luke like bad pennies, so maybe that's malarkey. Still. I'm going with "Jedi specific thing".
 

wizzy555

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BloatedGuppy said:
kris40k said:
What is cooking my noodle is if Kylo Ren is looking to his dead grandfather for guidance, "I feel the callling of the light" and so on, why doesn't Hayden Christensen's blue glowey ass show up and say, "Yeah, so did I. Go to the light, you dumbass..."

Anakin knows how to return, as shown in Ep 6, and Qui-Gon was able to return approx 20 years after his death when he talked to Yoda in Ep 3. Kylo is force sensitive, so he should be able to communicate with him like the others did with Luke.
This is absolutely nothing more than empty speculation, but have we ever heard of Dark Side Force users talking to Force ghosts before? It's possible it's a uniquely Jedi thing, and requires a measure of calmness/serenity.

Mind you they're always popping up out of nowhere to talk to Luke like bad pennies, so maybe that's malarkey. Still. I'm going with "Jedi specific thing".
In things like KOTOR dark-side ghosts are more common than light-side ghosts. However in the clone wars series they suggest that dark side ghosts are mostly echoes of their hate/emotions rather than the true soul.

So it depends how far you take expanded EU canon.

It's also possible the original trilogy ghosts have dispersed into the force by now.
 

DefunctTheory

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kris40k said:
What is cooking my noodle is if Kylo Ren is looking to his dead grandfather for guidance, "I feel the callling of the light" and so on, why doesn't Hayden Christensen's blue glowey ass show up and say, "Yeah, so did I. Go to the light, you dumbass..."

Anakin knows how to return, as shown in Ep 6, and Qui-Gon was able to return approx 20 years after his death when he talked to Yoda in Ep 3. Kylo is force sensitive, so he should be able to communicate with him like the others did with Luke.

Could have saved a lot of trouble.[footnote]But I guess we wouldn't have a movie then[/footnote]
BloatedGuppy said:
This is absolutely nothing more than empty speculation, but have we ever heard of Dark Side Force users talking to Force ghosts before? It's possible it's a uniquely Jedi thing, and requires a measure of calmness/serenity.

Mind you they're always popping up out of nowhere to talk to Luke like bad pennies, so maybe that's malarkey. Still. I'm going with "Jedi specific thing".
In universe, my guess is that Force Ghost can only communicate with people they mattered to in Life. Luke can talk to his Dad, Yoda, and Obi-Wan because they have a connection. Ol' Ben Skywalker, despite what he thinks, has zero connection to those three, and thus can't talk to them.

Of course, we all know the real reason - Force Ghost that can talk to anyone strong with the force is a game breaking ability that causes more problems in the story then it fixes.

EDIT:

wizzy555 said:
In things like KOTOR dark-side ghosts are more common than light-side ghosts. However in the clone wars series they suggest that dark side ghosts are mostly echoes of their hate/emotions rather than the true soul.

So it depends how far you take expanded EU canon.
In pure canon, only light side users (NOT Jedi) can become force ghost, and the only known force ghost are the weird theater masked ladies, Yoda, Obi Wan, and Anakin Skywalker.

In the EU, its a toss up and every things game. No real rules or limits.
 

Dazzle Novak

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BloatedGuppy said:
Dazzle Novak said:
You do know the original definition of "anti-hero" was a protagonist who lacked positive heroic traits?
From TV Tropes article on anti-heroes.

Han Solo is an Anti-Hero, most vividly seen by comparing him to Luke Skywalker, the obvious hero (which also makes him The Lancer). At the end of the first movie, he has a Big Damn Hero moment. From there, he moves more toward the standard hero as time goes on. In contrast, Boba Fett, who was depicted as a villain in the movies, is portrayed more as an Anti-Hero in the Expanded Universe. While he's still the Badass bounty hunter who won't hesitate to disintegrate you if somebody is willing to pay him for it, Fett does have a very loosely defined code of honor and apparently has a soft spot for orphans and the oppressed, and will often go out of his way to help them. Examples include him giving money to charity and saving an alien species from extinction for a hundred credits (it's even implied that he gave their money back).
Since "you're done", I'll just say you have an extraordinarily non-traditional method of interpreting fiction, and we'll leave it at that.
TVTropes is a Wiki. It's user-edited. The User for that entry is using the term as it's commonly used now: to describe gruff heroes like Wolverine. I was using the classical definition. Like from Merriam-Webster:

antihero
play


noun | an?ti?he?ro | \ˈan-t?-ˌh?-(ˌ)r?, ˈan-ˌt?-, -ˌhir-(ˌ)?\



Simple Definition of antihero

Popularity: Bottom 40% of words

1

: a main character in a book, play, movie, etc., who does not have the usual good qualities that are expected in a hero
Hence, my "original" qualification. That "lack" can be the presence of vices or the absence of positive heroic qualities. Being a vicious dick and being cowardly, for example, are both antiheroic traits.

Also, you have an extraordinary knack for disregarding 95% of my posts to hark on the one point you think you've won. Almost disingenuous, really.

At least lose the argument gracefully, man.
 

BloatedGuppy

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Dazzle Novak said:
Also, you have an extraordinary knack for disregarding 95% of my posts to hark on the one point you think you've won. Almost disingenuous, really.

At least lose the argument gracefully, man.
I thought you were "done"? Was that just a "last word" thing? Why would I spent a lot of time replying to you?

Tony Soprano is an anti-hero. Luke Skywalker is not. Amusingly, I spent some time Googling "Luke Skywalker anti-hero" to see if anyone shared your perspective, and all I could find was a litany of arguments using him as an example of the opposite of an anti-hero.

Alas, there's little point in THIS reply either, as for all I know you're "done" again, and have already declared yourself as "won the argument" (imagine my surprise!). With your collegial and friendly manner of discussion I honestly cannot imagine why you've had so many disagreements.
 

twistedmic

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Dazzle Novak said:
As for the Death Star, that's the stupidity of a moon-sized Station having a 2km-wide self-destruct button, not Luke being deemed super-awesome. It didn't require supernatural proficiency considering the other pilots attempted the shot when given the opportunity and all exhibited some expectation of success.
The thermal exhaust port on the Deathstar was two meters, not kilometers, wide. Meaning it was roughly six and a half feet across rather than one and a quarter mile.
 

BaronVH

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Saw it again today. All the issues I had with it are gone. I love it. I pity those who don't. It is every bit as good as the original trilogy and maybe better. Just my two cents, but I am a kid again.
 

Dazzle Novak

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BloatedGuppy said:
Dazzle Novak said:
Also, you have an extraordinary knack for disregarding 95% of my posts to hark on the one point you think you've won. Almost disingenuous, really.

At least lose the argument gracefully, man.
I thought you were "done"? Was that just a "last word" thing? Why would I spent a lot of time replying to you?
I meant regarding the section quoted arguing the particulars of space magic.

Tony Soprano is an anti-hero. Luke Skywalker is not. Amusingly, I spent some time Googling "Luke Skywalker anti-hero" to see if anyone shared your perspective, and all I could find was a litany of arguments using him as an example of the opposite of an anti-hero.
First of all, I never said Luke Skywalker was an anti-hero, so put that goalpost back where you found it. I brought up the definition of antihero to demonstrate that protagonists aren't required to have heroic traits, therefore my calling Luke a loser wasn't "ridiculous" based on your premise that he was "the central character."

Moreover, if going off the classical definition rather than the shift toward the Byronic that the term "antihero" has undergone, one could argue that Luke is an antihero. I'd describe Luke in terms of being whiny and impetuous before calling him particularly noble. Also, his "dark streak" is the crux of his character arc. Luke is more definied by his potential to "fall like his father" than he is by being pureness-personified.

This may shock you, but iconic characters and works get bowdlerized. The Luke of collective pop culture memory and Luke as portrayed in the movies are not a 1:1 match.

Alas, there's little point in THIS reply either, as for all I know you're "done" again, and have already declared yourself as "won the argument" (imagine my surprise!). With your collegial and friendly manner of discussion I honestly cannot imagine why you've had so many disagreements.
You only lost "most" of the argument and successfully buried those instances by snipping them out of your replies entirely. So there's that. Small victory.

I won by default. You replied to about 1-in-every-5 points that I made while insisting this discussion is so beneath you.

I'm being a dick in response to your winning personality, yes, but I've addressed you on a point-by-point basis which was a courtesy you felt you needed to emphasize was beneath you. What's that if not a win by forfeit.

twistedmic said:
Dazzle Novak said:
As for the Death Star, that's the stupidity of a moon-sized Station having a 2km-wide self-destruct button, not Luke being deemed super-awesome. It didn't require supernatural proficiency considering the other pilots attempted the shot when given the opportunity and all exhibited some expectation of success.
The thermal exhaust port on the Deathstar was two meters, not kilometers, wide. Meaning it was roughly six and a half feet across rather than one and a quarter mile.
Still bigger than a womprat.

My sense of scale was thrown off trying to imagine how big the Death Star was. I don't disagree it's ridiculous horseshit, but it was ridiculous horseshit the movie telegraphed and set up for the entire movie.
 

Austin Manning

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Dazzle Novak said:
BloatedGuppy said:
I probably shouldn't stick my neck into this argument, but Dazzle is actually correct on this one. If we must use TvTropes for this discussion, then I'd suggest you look at the "Classical Anti-Hero" article which describes basically what Dazzle laid out in regards to the character Shinji Ikari from Neon Genesis Evangelion and mentions how the definition shifted to a "grittier" style of protagonist from there.
 

BloatedGuppy

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Dazzle Novak said:
I'm confused. Are you done, not done, do you want replies? You're all over the place.

It's POSSIBLE that your insistence that discussions about the relative quality of characters in space-fantasy movies boil down into "winners and losers" is contributing to the hostile reception some of your posts are getting. Just a hunch, feel free to discard it angrily.

Austin Manning said:
I probably shouldn't stick my neck into this argument, but Dazzle is actually correct on this one. If we must use TvTropes for this discussion, then I'd suggest you look at the "Classical Anti-Hero" article which describes basically what Dazzle laid out in regards to the character Shinji Ikari from Neon Genesis Evangelion and mentions how the definition shifted to a "grittier" style of protagonist from there.
Fair enough. I will point out, however, that it is an extension of an ongoing discussion in which he summarized the character of Luke Skywalker through two films as "A loser" as a rebuttal to the assertion that Luke and Rey share similar heroic arcs.

As someone who was in here a couple of weeks ago arguing that Luke actually went to the dark side, a discussion that his character had more prominently ominous beats might have been fruitful. Alas, Dazzle is Very Angry At Me, and is still in hyperbole land.

Ah, he's going to read this and think I'm being a dick. I'm not besmirching you, Dazzle! You just seem really upset!
 

BloatedGuppy

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Dazzle Novak said:
Don't pull the "You just seem so angry!" card as if you haven't been white knighting this movie like it's your cock-eyed, hunchbacked wife who's oh-so-beautiful. That's (wait for it...) GLIB and DISMISSIVE.
Ahahahaha oh good lord. Okay, I concede. You're clearly NOT being angry and hyperbolic. What was I thinking?

Dazzle Novak said:
I'll leave it (really leave it) at this: Luke gets jumped by one sandperson and knocked out. Rey gets jumped by three and not only does she bo-staff the fuck out of all three, she bo-staffs the person trying to help her out and the audience is asked to treat it like, "How dare he assume that person outnumbered 3-to-1 needs help! What a hero complex! Harrumph!"
That's how you perceive the audience is being treated, is it?

I'm taking you at your word this time! This is twice now you said you were done! I'm trusting you Dazzle!

PS - I think Rey at times got an overly clean hero edit in Force Awakens, with possibly one or two too many "success" beats. It's important that protagonists are show to be vulnerable and susceptible to harm, and they need to make sure they don't carry her over a line where she reads as infallible. Due to some of the mystery surrounding her origins childhood, it's also very difficult to determine just what we should reasonably expect from her in terms of Force sensitivity, which leads to speculation...some of which will naturally be negative in tone.

Overall though, I feel her heroic arc mirrors Luke's very closely. She shows many of the same aptitudes, although she doesn't echo his...we'll call them his "Vader-isms". Which makes sense, they don't want to just tell that identical story again. They've given her some manner of repressed memories/abandonment complex in its place. Like Finn, and most particularly like Poe, she's going to need extensive fleshing out in Episode VIII so she can graduate from "heroic archetype" to "fully textured character". As Force Awakens was an extremely busy/overstuffed film, there was no quiet time for character building.

I suspect I walked out of the theater with SOME of the same questions/concerns about Rey as you. We just went to very different places with them.

PPS - I'm leaving work now so if you want to break your word again like a scoundrel and yell at me some more about this space fantasy movie, this is quality window.
 

Don Incognito

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BloatedGuppy said:
Like Kylo Ren recognizing Rey?
My wife thinks she's his younger sister (with Han and Leia splitting before Han knowing she was pregnant) or half-sister, and perhaps it was she being sent to train with Luke and precipitated Kylo's fall--like he was being replaced/upstaged by a new Solo.
 

Austin Manning

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Honestly I really wanted to like this movie. I mean it's Star Wars for Pete's sake! But, I just wasn't really entranced by it and the more I thought about it after leaving the theatre, the less I actually liked it. Every major plot point in it is ripped wholesale from A New Hope, but done poorer. It's incredibly poorly written, with very little being done to give you a grasp of the stakes, the strengths and objectives of the factions, and of the individual people within them. It constantly breaks the rule of "Show don't tell" in regards to character development, with each scene feeling like it's saying "this will be covered in another movie, preorder your tickets now!". The result is that it makes so many moments of drama, tension and tragedy just fall flat on their face. The whole thing plays like someone pulled a bad New Hope fanfiction off the internet.

The thing is, when the movie tries to do something new it actually comes to life a little and you can see the potential a project like this had. That's the really tragic thing for me, there is a good movie here buried underneath all of the padding, pandering, and poor writing.

I will say this though, it made me go back and appreciate the great things in both the original trilogy and the prequels, because all of those movies are better than this one.
 

Silvanus

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BloatedGuppy said:
[...]about this space fantasy movie[...]
Come on now, let's not pretend you're not putting a fair amount of thought into it yourself.

Nothing wrong with that, of course!
 

BaronVH

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Saw it again today. All the issues I had with it are gone. I love it. I pity those who don't. It is every bit as good as the original trilogy and maybe better. Just my two cents, but I am a kid again.
 

BloatedGuppy

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Silvanus said:
Come on now, let's not pretend you're not putting a fair amount of thought into it yourself.

Nothing wrong with that, of course!
Thought, yes. Anger, no.

It's one thing when people pop their tops and start flinging insults in one of the politically charged threads, there are deeply held beliefs being challenged and expressed. This is a movie. If someone doesn't share your opinion of a movie and your response to that is to bluster and accuse them of "white knighting", you've lost the plot.

All IMHO, of course.