Gaz6231 said:
BonsaiK said:
So what. You could do the same thing with any 12-bar blues from the 30s or any rock or doo-wop from the 1950s.
12 bar and doo-wop were specifically designed to let people who have never played/sang together have a common ground and be able to jam. This is blatant cookie-cutter bullshit at its worst.
Two songs out of the thousands of pop songs released every year have the same chord progression and rhythm, and "music is stagnating"? Sorry, no dice. All your example proves is how unimportant chord progressions and tempo are in the grand scheme of things. Everything has been done before anyway.
Blues and doo-wop weren't "designed", they just kind of "evolved". Then, after short periods of progress and then stagnation, other people took the music in new directions. Today's pop music is generally a distant relative of these styles, and sometimes even a close relative, spot the similarity:
Pop music is cookie-cutter music, of
course it is. But it's never
not been that. Innovation in popular music happens in very small steps, and for every two steps forward there's
always a step back.