The short version: it's big but not clever.
What a bloody stupid film.
Superman is a non-character. He's easily the least interesting thing on screen most of the time, even when they crank the fanservice up to 11 and have him mooch around and pout while wet and bare-chested. His childhood bits are fairly interesting but apparently he lost any humour, passion, and individuality around the same time he lost his milk teeth. But hey, he's the friggin' messiah, as is unsubtly pointed out a couple of times, complete with Christian subtext spread on thick.
Lois is a vapid and annoying ****. There's really nothing likeable about her character at all - she just blunders from one improbable situation to another, inexplicably goes from the CIA most wanted list to a trusted military ally within minutes (they give her a cute lil' Lois Lane-sized camo outfit and everything), and is personally summoned onto the bad guy's mothership for the sole purpose of being thrown in the brig so that the plot can advance. Naturally she gets to kiss Supes at the end (amid the ruins of Metropolis, with the trapped and wounded still pinned beneath the rubble of fifty towerblocks, and Superman presumably able to hear them and - presumably - choosing to kiss some bint rather than come to their aid).
Russel Crowe steals the show. He's the only decent actor in this film whose role allows them to shine. Kevin Costner is a fairly good actor in a limited role.
The bad guy is the 2-dimensional caricature of Lawful Evil that gets used in every Hollywood sci-fi these days. The instant "racial purity" and eugenics got mentioned, all moral ambiguity was tossed out of the window - just draw a swastika on his forehead and be done with it. It's a cheap and disappointing decision, as it precluded Superman - or the viewer - having any sympathy for him or even considering his proposed master plan.
The fight scenes are ridiculously high in explosions, spectacle, and shit getting smashed up. It's so gratuitous that it actually becomes quite boring. Are we sure Michael Bay didn't direct the fight scenes?
The US military gets its chance to wave its dick around, in a couple of carefully contrived scenes. Combine this with the very obviously 9/11-inspired scenes and we have a film whose subtext is "America, fuck yeah!". It's all so America-centric - even when Superman gets punched into space and back he invariably lands in either Kansas or Metropolis.
Stupid boring Superman. Stupid unlikeable Lois. They're both iconic in this film - in the most minimalist and limited sense. Everyone knows who Supes and Lois are, right, so why bother furnishing them with personalities or motivations? Just have them waltz onto the stage and have Superman be supermannish and make Lois do Lois-y things. The story will write itself. Throw in some more explosions, the kids will love it!
In all, I think this is possibly the very worst modern Superman movie they could have made while still guaranteeing a box office success. The characters and plot suck. The fighting is sometimes exciting. The explosions are gritty and fiery and billowing and, well, excellently done, if explosions are your thing. But who wants to watch 160 minutes of explosions?
Superman is a non-character. He's easily the least interesting thing on screen most of the time, even when they crank the fanservice up to 11 and have him mooch around and pout while wet and bare-chested. His childhood bits are fairly interesting but apparently he lost any humour, passion, and individuality around the same time he lost his milk teeth. But hey, he's the friggin' messiah, as is unsubtly pointed out a couple of times, complete with Christian subtext spread on thick.
Lois is a vapid and annoying ****. There's really nothing likeable about her character at all - she just blunders from one improbable situation to another, inexplicably goes from the CIA most wanted list to a trusted military ally within minutes (they give her a cute lil' Lois Lane-sized camo outfit and everything), and is personally summoned onto the bad guy's mothership for the sole purpose of being thrown in the brig so that the plot can advance. Naturally she gets to kiss Supes at the end (amid the ruins of Metropolis, with the trapped and wounded still pinned beneath the rubble of fifty towerblocks, and Superman presumably able to hear them and - presumably - choosing to kiss some bint rather than come to their aid).
Russel Crowe steals the show. He's the only decent actor in this film whose role allows them to shine. Kevin Costner is a fairly good actor in a limited role.
The bad guy is the 2-dimensional caricature of Lawful Evil that gets used in every Hollywood sci-fi these days. The instant "racial purity" and eugenics got mentioned, all moral ambiguity was tossed out of the window - just draw a swastika on his forehead and be done with it. It's a cheap and disappointing decision, as it precluded Superman - or the viewer - having any sympathy for him or even considering his proposed master plan.
The fight scenes are ridiculously high in explosions, spectacle, and shit getting smashed up. It's so gratuitous that it actually becomes quite boring. Are we sure Michael Bay didn't direct the fight scenes?
The US military gets its chance to wave its dick around, in a couple of carefully contrived scenes. Combine this with the very obviously 9/11-inspired scenes and we have a film whose subtext is "America, fuck yeah!". It's all so America-centric - even when Superman gets punched into space and back he invariably lands in either Kansas or Metropolis.
Stupid boring Superman. Stupid unlikeable Lois. They're both iconic in this film - in the most minimalist and limited sense. Everyone knows who Supes and Lois are, right, so why bother furnishing them with personalities or motivations? Just have them waltz onto the stage and have Superman be supermannish and make Lois do Lois-y things. The story will write itself. Throw in some more explosions, the kids will love it!
In all, I think this is possibly the very worst modern Superman movie they could have made while still guaranteeing a box office success. The characters and plot suck. The fighting is sometimes exciting. The explosions are gritty and fiery and billowing and, well, excellently done, if explosions are your thing. But who wants to watch 160 minutes of explosions?