Vault101 said:
Saetha said:
So why get invested in Marvel or DC when I can just go read webcomics?
then don't read Marel or DC
90% of what I read is From Image, they do independent creator owned works, and that's not discounting other publishers (ONI, IDW, Dark hoarse, BOOM, Vertigo) and I wouldn't exactly call them small fish, they're like..almost a 3rd of the industry (or close to it)
Because that's the thing - I actually don't mind the superhero genre. Earlier in this post you quoted the list of issues I have with modern comics and edited in "superhero" after (most of) them. But it's not the superhero thing that's the problem for me. I'm actually fascinated by the idea of superheroes, and I'd love to get into some good stories about them. That's not what's holding me back. It's the franchise zombies, the status quo worship, the insular, incestuous nature - and those things can occur in any genre, to any property. There's this little phrase that I've been told before - a good idea is worthless, a good execution is priceless, and I think that really holds here. It's not that they need to abandon the idea of superheroes, and frankly I wouldn't want them too. They just
really need to change their approach - actually change it, not make some gimmicky, attention grabbing shake-up that'll be reversed in a matter of volumes.
It's not an issue of money. I like paying artists who've earned it. I make a point of it, in fact, being a creative type myself. And even schedules that take too long or peter out don't really bother me - I love getting involved in independent media, writing and comics especially, so I'm pretty used to painfully slow releases and orphaned works. It's that the stories I want to see are being pulled off by writers who lack either the skill or the executive fiat to do it well. I've tried getting into comics outside of DC/Marvel. I've tried getting into comics that aren't about superheroes, that deal with fantasy, which is far and away my preferred genre. I've tried getting into Fables, HellBlazer, Hellboy, Walking Dead. They always seem to lose me, for one reason or another. The only print comic that strikes me as appealing is SaGa, and I haven't actually read that yet.
It's just... weird. I dunno, maybe I'll find something.
Vault101 said:
I've seen some pretty terrible ones (uggghhh the burn and dodge) ok ok I know that's bedise the point...I just couldn't help bringing up the burn and dodge...or when they can't decide if theyre doing a digital; painting or line art...but anyway
On the subject of web comics... there's just so much material, and the cost of getting into it is so little, and yeah a lot of the work's amateurish - but I like watching an artist improve, or a writer find their feet, and following along as their work evolves into some incredible stuff. Tessa Stone may not be the best writer around, and I'll never get over HiNaBN's abrupt "end," but I've always loved her poppy, colorful, almost cartoonish style, and it was great to follow her characters' evolution from rigid to lanky and smooth. Order of the Stick may have a slow start, but I love how it repeatedly and casually crosses the line between light-hearted comedy and plot-driven epic, to say nothing of how it deconstructs DnD and fantasy tropes in general. Aesthetically, Girl Genius may have a lot of the same problems I accuse comic books of having (The art style especially. Ye gods, whoever did the colors for volumes two and three must've been blind) but everything from the characters to the world to the humor are so fresh and interesting to me. And on the other end of the scale, Namesake's writing makes me want to tear my hair out, but the art's great, and the story could be too if the writer ever gets a grasp of how to execute it - it's creators are people to keep eyes on, even if Namesake itself might be beyond saving. And the sheer
potential one can find... Ava's Demon is looking great, The Meek's finally coming off of hiatus, and I've heard very good things about both Blindsprings and Unsounded, even if I can't find the time to check them out myself.
Web comics can be very hit or miss, but they're just... they're not something I'd count out just yet. I mean, Girl Genius is an independent web comic and it won a goddamn Hugo.
Three times in a row. The Foglios had to
remove themselves from running for a fourth win because they didn't want to discredit the award. And it ended up going to another web comic (Digger) anyway. Only one print comic has won in the category in the five years it's been awarded.