Would you read a book if this was the first chapter??

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karn3

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Hey everyone, I've embarked upon an odyssey and started to write a book. Below is the first chapter of said book, and I would love to get some people opinions and comments on it. So witout further ado:


I let the tides pull me along, direction and destination mattered not. Each change in direction is accompanied by new sensual stimuli; sights, smells, and tastes even. The constant flux of my surroundings serves to distract my mind from things that don?t bare thinking about. The gentle currents of the crowd worked to counteract the roiling torrents within a mind that was in disarray and turmoil. My mind. The packed streets of the under-city always serve as a distraction from the monsters that lurk within my soul. What with the host of services on offer - both legal and illegal - one could lose themselves.

The steady beat my feet have been drumming out upon the pavement for the last few hours ceases. My features are thrown into sharp contrast by the blood red neon streaming out of the shop window. I tilt my head towards it slightly. Not a shop, a pleasure den.

The young women in the window are flaunting their flesh, writhing around in hedonistic dances as they try to tempt me inside. The alluring smiles they all wear don't extend to their dead eyes. What joy they ever found in this - if they ever found joy - has been long since destroyed, replaced by indifference and pain. Not even the airborne smog of engineered pheromones and perfumes that hang around this place could tempt me inside after meeting a gaze like that.

Besides, it's not the girls I'm interested in, although I do a good job pretending that's the case.

In the reflection on the plexi-glass I see my tail. As much as I want them to, even the distracting thoughts and emotions I?ve been trying to manufacture during this trip can't block the training. It's hardwired, always running in the background.

The legions of distractions my wanderings here provide only force it back, they stop short of blocking it completely although it comes close. As close as anything can without befouling my mind at least. In case you were curious, Darsana leaf does the best job if you want to chemically dull your brain to the real world. That's beside the point though. Even pushed so far back, the training still manages to highlight this man for me.

He has been following me since the moment I stumbled out of my hab block. He's good, obviously trained. Not just some rat scoping me out. He stays in the sweet spot: far enough away to not draw any undue attention to himself, but close enough to never lose me in the crowd. He doesn't quite fit in though, it?s subtle and I doubt anyone else notices, but it's enough to draw him to my attention.

He won't be alone, but I can't locate the rest of his team with my indirect investigations. The constant downpour of condensation is reducing my vision distance. There could quite easily be some rooftop spotters or even aerial back up. The ceiling is high enough to accommodate some smaller craft or unmanned drones. I don't look too hard or they may twig that I'm alert to their presence. That could force their hand. Just how bad that could be, and how many people would die, depends entirely upon who this so far anonymous ?they? are.

I resume my journey with purpose now. I mentally run through the list of possibles for a job like this. The list is long: I've made a lot of enemies in my time. Hell, I don't even know what the job IS. I'm going on very little information and I desperately need to redress that. I'm also woefully unarmed. My body - as deadly as it was - wouldn't fare so well if there were any weapons involved.

I drift over to one of the thousands of street stalls that infest the under-city. Groups of them here and there, they sprout like mushrooms. An appropriate simile considering the constant damp conditions. I casually glance over a few things and drift on down the line. It took me a good ten minutes to reach the stall I wanted. If I'd made a beeline straight for my target it would have looked unnatural.

It's a tech vendor; the tables and shelf units are piled high with all sorts of equipment and technological paraphernalia. There is hardware to suit any purpose you care to name. Some of it is quite clearly scrap; scavenged from the refuse pits and plundered for any working components. The pieces that look like they may be serviceable are likely to have slightly more dubious origins.

As I move forward and duck under the plastic sheet that serves as a roof, the proprietor moves forwards to greet me. To my left is a hulking bear of a man who probably acts as the stalls minder. He is slouched in a chair and has a chunky looking gun that looks like it has been cobbled together from junk laying across his lap, it probably was. His beady eyes never leave me and follow me as I approach the owner; he keeps his hands on the weapon.

The shop keeper looks ancient. His skin has taken on some of the qualities of corpse and looks almost gangrenous. It happens to everyone down here eventually; it?s one of the many side effects of the constant damp conditions. He?s wearing a sophisticated looking piece of headgear that he has just pushed up from over his eyes, its all lenses and scanner bars. It must help him work with the tiny circuitry in all of his merchandise.

I glance over his shoulder at the bank of screens on the back wall, some are ancient and actually have glass screens. Archaic, but they show reflections well. My tail is on the other side of the street, affecting his own interest in a stall. The angle he is standing at keeps me in his line of sight. I ask a few discreet questions, and quickly establish this junk isn't all that this shrivelled little man sells. Sometimes the blatant corruption and lawlessness that the gangs encourage and actively cultivate down here is a real boon.

Currency changes hands, not in my favour, and I leave as casually as I entered.

The sleeve of my sim-leather coat now conceals an enervation blade and my glasses now have a couple of chips in them. Newly imposed on the lenses is a HUD, and a menu giving me access to a variety of filters. With a few specific eye movements, I select a filter that cuts through the rain. I pull my collar up to better protect myself from the constant downpour, I twin this movement with a quick glance upwards, a perfectly natural gesture and one that can be seen repeated almost every time someone has to step outside into the downpour.

I?d guessed right. An airborne drone is tracking me, and there's a figure on a roof a few buildings further along the street wearing an optical array of some sort. The tightly packed buildings would have allowed him to easily follow me anywhere in this city with only mild acrobatics. My glasses tell me the drone is a hundred metres up and the figure on the roof is a little over sixty metres distant at an elevation of fifteen metres. Too high and too far to intervene, unless he has a ranged weapon with good accuracy.

I take a right and after crossing a few intersections come out on a main motodrag. Vehicles are streaming past, the noise and fumes are almost overwhelming. There are hardly any people along here, only the very poorest and most destitute lived and worked alongside these things. Long term exposure to the pollution is deadly and can have mutagenic effects.

My conditioned brain had all but forced me to memorize the street layout around my hab block for ten miles in every direction, and have a generalized knowledge of the entire city and all its districts. As a consequence, I know that another thirty paces down this road is a subway that travels under the drag.

I turn down the steps into the dark tunnel, the light strips having long since been stolen. A hapless resident lay sprawled at the bottom of the steps, covered in a blanket and a thin layer of his own vomit and excrement. I give him a swift kick in the ribs, the man jerked violently awake. His arm shoots out of the folds in the blanket; knife in hand.

I flash some currency chips and his eyes gleam hungrily. The knife lowers, and I tell him what to do. He grabs the chips and my coat and leaps up. Now wearing my long jacket, collar pulled up high, he walks down the tunnel. I slide back into an alcove, the darkness completely hiding me. A quick eye movement switches the filter in my glasses to night vision and I waited.

My doppelganger is nearly half way down, silhouetted by the light at the end of the tunnel, when I hear the faintest of footsteps. At first I'm not sure if I'm just imagining them they are so quiet. The noise of the motodrag - a dull drone from down here - doesn't exactly make for easy listening either. The footsteps stop. It's doubtful he'll enter the tunnel while he thinks I'm still in it. If it had actually been me walking down, and I'd turned around, there would be no where for him to hide. I could do nought but spot him. The wretch disguised as me finally reaches the stairs and returns to the light. I paid him to disappear again as quickly as he can, so hopefully it will fool the guys outside just long enough to enact my plan. A few seconds after my pretender exits, the footsteps start up again; faster this time.

I slip the knife into my hand and get ready. I can feel the battle lust trying to force it?s self upon me. I can hear my blood thrumming through my body, practically feel the adrenaline flowing, memories surface, the shakes, heat. My training makes an entry, it's as if two entities are battling for control of my body. The raw, animalistic battle lust can't compete with the refined, frighteningly powerful training. It takes over. I'm a passenger now; relegated to back-seat driver. I can suggest, but not control.

My heart rate and breathing slows, adrenaline's effect is nullified, my mind is reduced to a blank slate. Nothing is allowed to intrude on the complete and total concentration. The man steps into view, every detail is analysed: height, build, posture, clothes, equipment (both visible and concealed), angles, distances. A dozen plans are formulated, accounting for hundreds of variables, and the most workable is chosen. All in a matter of seconds. What those people did to me...it both terrifies and awes me in equal measure. I'm never sure what I'm/it's going to do. All I can do is give it an objective, the route it takes...

I snake out just as he passes, my elbow connecting perfectly with his temple. I caught him right in the most unbalanced phase of his gait. The blow sends him sprawling and a cry of pain and surprise escapes him. My next step takes me over him and I come down hard with my knee right on his chest, the air whooshes out of his lungs. Stunned from the blow to the head and barely able to breathe, he poses very little threat to me and won?t be able to put up a proper defence. A totally alien voice issues from my throat. It has a guttural, uneducated quality about it, antithetic to my usual high-city accent. I sound like one of the locals.

"Freeeesh MEAT!"

The enervation blade bites into him, just a flesh wound, but that's all it takes. The jolt the blade delivers to the man's nervous system paralyses him. He stiffens beneath me for a moment and then falls limp. It's only temporary, and will ware off in about a minute. For that extra bit of authentic brutality I slam his head back into the ground. Still in the alien voice, I say

"You ain't from arand 'ere ar ya bub?"

With that I start rummaging through his clothes. No ID or personal effects, but I wasn't expecting any. You always come to a job clean. I find some currency chips, a compact solid slug special, an enervation blade like my own, and an ear piece.

There's a throat mike as well: the clever kind. It's just a flat, skin-coloured patch: very high tech. I pretend to overlook it, a local would never see it. Whoever was on the other end would be hearing this, in fact i was counting on it. I swipe all the stuff, give him another quick once over, and stand back up.

"Pleasure doin' buisness wid cha"

My parting gift is a viscous kick in the head that should keep him out of action long enough for me to make an escape. As I walk away I insert the ear piece to listen in on the radio chatter.

"T1 is down, contact lost following altercation with a native. Life signs stable." One voice reports

"Target has entered a covered market...attempting to reacquire...reacquisition failed" another chimes in with.

"Abort the mission and establish a perimeter around the residence. Set drones on low level patrol. Maintain zero presence, the target must not be alerted" A deeper voice says. It is undoubtedly a commanding tone, this guy is in charge of the operation. I take out the earpiece and disable it for now. I don?t want anyone tracking me through it.

I round a corner and almost collapse as my training releases me from its grip, returning to its passive state. I stagger and lean against a wall for support, breathing heavily. It's a shock to the system: being back in control. I'm fatigued as well; it takes a lot out of me. I was successful though; I have, at least some, intelligence about my enemies now. Not enough to specific, but it certainly narrows down the list.

Not just anyone has access to the sort of tech and resources that I have arrayed against me. Of the ones that remain, there are a few that really set the alarm bells ringing, and one that would be VERY bad indeed. I need to hide out, see if I can't narrow the list down some more. There are a few favours I can call in.
 

kayisking

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No
I'm sorry, but it doesn't seem very interesting at all. Not trying to troll, just giving my honest opinion.
 

waive

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While it's been awhile sense I've written or edited, I suppose I could weigh in and say that its a nice first chapter. I get the feeling of the main character (sort of), and the world is well described to really get a sense of it. On the other hand with little knowledge of what the book is about, a lot is kinda blurry, making it hard to fill in any gaps. The main character is little more then a body that can fight walking around and talking to himself, buuut characterization can come at any time, or with edits.

As it seems its a sci-fi novel, I would say I would not read it (never been a big fan of the genre), but outside of my personal likes, I would say it needs some editing, and a bit more 'soul' to the people (the enviroment has a good feel to it though), but it sounds like a fun world to get lost in, assuming it gets fleshed out with lots of fun details.

The writing in itself is also very well done. It's not boring or overly modernized, and fits its style very nicely.

But yeah, just my opinion. ^^
 

karn3

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What are your reasons? Just saying "no" isn't particularly helpful. What don't you like about it? The style, the language, the events, is it dull, just not what you read?? At least put a little effort in. I believe that is one of the rules of this forum. Don't get me wrong I don't have a problem with your opinion, I'm just curious.
 

JoJo

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Maybe, it's a good start but it depends on what the book would be about and whether it would get deeper. Basically if it goes on to have any of the following I probably would read it:

*Interesting moral issues
*Interesting world / background
*Interesting characters / emotional relationships

Preferably more than one. If on the other hand it's continued to be just an action-based thriller book with a flimsy plot, I'd probably put it back down. A good book needs depth, and there's no way to tell from this chapter whether it will provide or not.
 

SckizoBoy

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karn3 said:
Uuuuuuhgh...

Piece of advice:
tags are your friend.

For some reason, it just feels as though you're trying too hard to make it look good that it just does not read well. A couple of tense consistency slips, but that's just me being petty. Also, given the occupation of the narrator, the observation of NPC's (sorry) flitting from one to another is poorly done. Either keep it at one sentence level, or give it the whole hog and describe down to the length of their nasal hairs. With short paragraphs per observation, it just seems like the character's either trying to be aware of his surroundings, or trying to glean somewhat trivial information from what's in his eyeline, neither of which are either relevant or appealing to a reader. Speech is OK, but presented in a dodgy way (keep sentence structure, because it just annoyed me at that point).

There are a couple other points regarding your vocabulary, but I don't think I'll bother (largely because it's a criticism I have of my own writing, and I don't want to be a hypocrite).

All in all: interesting concept; visceral; not enough of a sensory overload (don't say a word of what the character is thinking, he's not supposed to 'think', go purely for what he sees, hears and smells, and perhaps feels, keep it detached). Also, should've saved the final two paragraphs for later. Flaws are best kept for early/early-mid timing, especially for a character of this type. Cliched, but start with an entirely successful job (with hitches, always better that way), then jump straight into a job that goes south.

So, it has me vaguely intrigued, but I feel as though I'd have to drag myself through it. My sincere apologies.
 

lobster1077

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You spent most of the chapter describing the environment. Giving some description of the world of the novel is important but it shouldn't be the focus. Since it's written in first person our perception of the story is limited to the protagonist's viewpoint, so compensate for this by adding more dialogue between other characters to flesh out the story a bit more.
 

MaxwellEdison

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No. I read down to the part where he saw his own tail and thought of not feeling emotion and stopped.
"I let the tides pull me along, direction and destination mattered not. Each change in direction is accompanied by new sensual stimuli; sights, smells, and tastes even"
This made me say no already. There really isn't any pull into the story, and the latter half of the second sentence sounds poorly written.
It sounds a lot like someone's first attempt at writing a book, from what I've read. That is, it tries way to hard to sound really good and ends up just being overly worded.
*reads more*
The thing is, it feels like you're using the entire first chapter (which is honestly a bit short for a chapter, I think, though I dunno how this translates to pages) as one big hook, since all the stuff that makes me want to care is at the end. The first chapter is generally supposed to set up the essentials - basic character, setting, etc. I feel like the chapter is mostly fluff.
 

Hexador

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I am going give you my opinion of your first paragraph. Brutal honesty - please don't take offense.

"I let the tides pull me along, direction and destination mattered not.

Tides? Tides of what? Are we in the ocean? Is the main character drowning?

"Each change in direction is accompanied by new sensual stimuli; sights, smells, and tastes even."

Okay, thats nice - I guess I'll just take your word for it since you don't feel like letting us know exactly what sights, smells and tastes you are feeling. SHOW US, DON'T TELL US!

"The constant flux of my surroundings serves to distract my mind from things that don't bare thinking about."

Your surroundings are changing? How? Where the heck are you?! I still think you're in the ocean! What THINGS don't you want to think about? If you are going to mention them give us more than just "things." Perhaps throw in a short line of dialogue via the character that hints at his internal or external struggles.

"The gentle currents of the crowd worked to counteract the roiling torrents within a mind that was in disarray and turmoil."

Gentle currents AND roiling torrents? That's a major contradiction. Wait, we aren't in the perspective of the main character any more? If we are shouldn't we be told instead that: "I've always found the currents of the crowd soothing. You don't have to think within the roiling torrents, you can just float along like driftwood in the ocean."

"My mind."

OHHHHHHHHH. That explains the thing that just came before this, but you could just rework that sentence and cut this useless fragment out.

"The packed streets of the under-city always serve as a distraction from the monsters that lurk within my soul."

OH! So we are in the under-city! Uh... what is it under? How packed are the streets? What are they packed with? Again, don't just tell us! SHOW US! Also, you've told us the character is troubled. We get it. Either tell us what's on his mind and remove any interest we might have with this guy or stop mentioning it all together so we will read on because we wan't to know what his problem is.

"What with the host of services on offer - both legal and illegal - one could lose themselves."

What kind of services? BJS? Poisons? Drugs? Illegal gambling? Kiddy porn? SHOW USSSSSSSSSSSSS!!!
 

Anjel

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I have to admit this is much better than anything else I have read on this site in the past few months - not that there are heaps of competition but at least the spelling and grammar make it easy to read whether it is enjoyable or not.

And about that 'enjoyable' bit... the style reminds me of a character from an anime or the film Sin City, especially during the opening scene of the movie. You see what he is doing but he is telling you anyway. I'm not a fan of anime but it works sometimes, I am a fan of Sin City so I'll not judge based on that. The problem with this method is the descriptions of places, items, people, they're all stripped down. The character wants to be as detailed as possible without actually telling you anything that he is seeing, but we don't have the luxury of seeing this so "plump it up a bit" would be my advice. So is it enjoyable? In my opinion yes it is but I can see why some people would disagree. It's clearly for a very targeted audience.

I don't know some of the words you're using (I'm from England), such as Darsana leaf, hab block and motodrag. Not sure I am supposed to.

So, first chapter - it could work, but you may need to plump it up a bit and you really need to build you character up if you are to continue. We don't need to know everything in the first chapter, but give us something. When he is hiding in the shadows could he not have a mental lapse which takes him back to where he lost his platoon on a mission in random country? Where his sister was kidnapped as a child? Something that gives us a hint of something personal? If you do fit this in, make it make sense. A sight, a sound, a smell triggers it and the world disperses around him before he drags himself back to the task at hand.

Don't expect to please everyone with this, but I could be persuaded to read it. And for Christs sake, don't give up - it's a pleasure to read something that isn't full of grammatical and spelling errors for once.
 

Hexador

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Going to start doing what I did before in broader chunks.

"The steady beat my feet have been drumming out upon the pavement for the last few hours ceases. My features are thrown into sharp contrast by the blood red neon streaming out of the shop window. I tilt my head towards it slightly. Not a shop, a pleasure den.

The young women in the window are flaunting their flesh, writhing around in hedonistic dances as they try to tempt me inside. The alluring smiles they all wear don't extend to their dead eyes. What joy they ever found in this - if they ever found joy - has been long since destroyed, replaced by indifference and pain. Not even the airborne smog of engineered pheromones and perfumes that hang around this place could tempt me inside after meeting a gaze like that.

Besides, it's not the girls I'm interested in, although I do a good job pretending that's the case."

So he was walking? You never mention that before. Instead establish he is walking, then tell us he stops to look at himself. Tell us what he looks like before telling us what's inside the shop! Don't just mention something and then go off on a tangent and come back later! This could be a good chance for character development when he suddenly realizes the window he has been navel-gazing into is occupied by two chicks going down on each-other (or something like that). How does he react to that situation? Do his cheeks flush? Does he roll his eyes? Perhaps a girl comes out and invites him in because she thinks he has been watching them? Maybe a bouncer tells him to move along!

If he isn't interested in the girls why does he spend an entire paragraph thinking about how "the alluring smiles they all wear don't extend to their dead eyes"? And if you're character is going to describe them, give us some real details. Tell us how he has seen girls like these before, how they wind up doing swanky dances for fat sea captains while wearing slightly less than a bath towel, and what he thinks about all that. Does he think it's sad but not his problem? Does he want to punch the sea captains?
 

blokrokker

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Does FUCKING YES answer your question? Fan-fucking-tastic. I actually love the minimal descriptions, they add mystery. Just as long as you actually describe the main character later. Also, I have to ask: is this based in WH40K, or is that just my fanboy coming out?
 

rockyoumonkeys

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"I let the tides pull me along, direction and destination mattered not."

Definitely not. This is arguably the worst opening sentence in the history of the written word.

Talk like a normal person, not like how you think an author should talk.
 

blokrokker

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karn3 said:
What are your reasons? Just saying "no" isn't particularly helpful. What don't you like about it? The style, the language, the events, is it dull, just not what you read?? At least put a little effort in. I believe that is one of the rules of this forum. Don't get me wrong I don't have a problem with your opinion, I'm just curious.
The beginning is a little over-worded, but it seems like you're doing a stream-of-consciousness kind of story, at least at first. A lot of people have a hard time of comprehending streams of consciousness in books, they expect a standard narration, as if a recounting of the exploits. Also, present tense is hard to understand in books, and it's rather hit-or-miss. But, all in all, I loved it, and I couldn't stop reading.
 

drummond13

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rockyoumonkeys said:
"I let the tides pull me along, direction and destination mattered not."

Definitely not. This is arguably the worst opening sentence in the history of the written word.

Talk like a normal person, not like how you think an author should talk.
Dude, don't be a jerk. Seriously.

As to the story: there's a lot of good ideas here, but the writing technique itself needs a lot more practice and polish. Some things are easy to fix, such as don't write dialog in an accent. It's kind of tacky, and since it's some of the only dialog we see in this segment it sounds overly stylized.

The descriptions of both locations and events is VERY general. This makes it far less interesting. Example: "Each change in direction is accompanied by new sensual stimuli; sights, smells, and tastes even. The constant flux of my surroundings serves to distract my mind from things that don't bare thinking about." You say your character is immersed in "sensual stimuli", but don't provide even a single example. Also, you misspelled the word "bear". "Bare" has a different meaning.

The pacing also feels a bit off to me, though this is more of a personal response than a critique. You spend so much time describing things vaguely, then gloss over other parts that I feel might have been interesting. In three paragraphs your protagonist goes from being unarmed to having a weapon and high tech equipment. You spent some time setting up the shop and the bodyguard, why not turn that moment into an actual scene? Why not have your character take time choosing the proper weapon for the situation? Why not have some actual dialog between the shopkeeper and your protagonist and reveal more about your hero's character through that? Right now a lot of what you have here is violating the cardinal rule of writing: "show, don't tell"

I'd highly recommend you grab a copy of "The First Five Pages". It's a great, unpretentious book about common writing errors both big and small. It's a great way to pick up on things that turn readers off that we writers might not be naturally aware of. Also "The Elements of Style", of course, if you don't already have a copy.

Also, The Escapist forums may not be the best place for this. There are a LOT of douchebags here. See above.
 

BonsaiK

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karn3 said:
Hey everyone, I've embarked upon an odyssey and started to write a book. Below is the first chapter of said book, and I would love to get some people opinions and comments on it.
Your writing style needs work. Structurally, the narrative style is not right for a novel. If you're going to try and "set the scene" then you actually need to set the scene, not just have the main character moodily pontificate without actually describing anything properly. You either need to go into a lot more detail, or a lot less.

Your English usage also has several mistakes that make your writing look unprofessional:

things that don't bare thinking about

The correct word is "bear", not "bare".

The legions of distractions my wanderings here provide only force it back, they stop short of blocking it completely although it comes close

"Legions" can't be a singular, for obvious reasons.

My mind.

...is a sentence fragment. Like this. And this. Good writing. Is not like this.

Anyway, I could go on, that's just from the first part. Speaking of which, your opening sentence is utterly awful. Nobody actually talks or thinks in that way. Such a sentence pretty much smacks the reader right across the head with pretentiousness. Get inside your character and really think about how he would narrate his own story, because he sure wouldn't do it like that.

Overall though, I must admit it's way better than most of the other self-written fiction I've read in these forums, but it's still a long way from "you could get published with that". I'd work on your raw writing skills before writing that epic novel.
 

SamuelT

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I don't think I'd pick this book up straight away, but that might just be me.

The first third of this chapter is introspective thinking, almost monologuing I'd call it. While fine for a mid chapter, or when introducting a new mind set, or showing off character growth, it isn't a proper way to open a book. From the first word, readers need to be pulled into the story. Start with something surprising, show something that makes absolutely no sense, or is in medias res, so that the readers will ask themselves; "Woah man. What's going on here? I'd better read on to see what the hell!". Obviously you shouldn't keep them in the dark for too long, 'cause that will bore and irritate readers. It's about the balance of exposition and hiding things. You get into that later on in the chapter, but it's better to start with, rather than the internal monologue you have now.

Your scene of conflict also drags a little. I've learned way back that scenes like that prosper when written in short, fast lines. It gives a sense of speed. A summary of what surfaces doesn't help, the description that two beings fight in his mind does not help either. Stick to sentences of ten words or shorter, and keep the sentences you have now for the aformentioned inner monologue. Perhaps something to mull over in a later chapter. It can be shown as if it's way out of character in one chapter, and explained in another.

My main tip for you'd be practice some more before you embark on the entire book writing. Better yet, stop thinking of it like a book. You are not writing a book, you are writing a story. It may be fit inside a book later on, you may get paid for it later, but right now you are only telling a story. Keep the pace proper and reread every sentence you write, out loud if needed. If it sounds even a little bit iffy, alter it straight away. It might seem like a drag to do so, but trust me. You'll have a proper story by the end.
 

PatchlingZoon

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As a former editor for a newspaper and creative fiction class, no. Referencing my argument below:

karn3 said:
...each change in direction is accompanied by new sensual stimuli; sights, smells, and tastes even.

...disarray and turmoil.

...the host of services on offer - both legal and illegal - one could lose themselves.

...young women in the window are flaunting their flesh, writhing around in hedonistic dances as they try to tempt me inside.

...by indifference and pain.

...It's a tech vendor; the tables and shelf units are piled high with all sorts of equipment...

...What joy they ever found in this - if they ever found joy - has been long since destroyed, replaced by indifference and pain. Not even the airborne smog of engineered pheromones and perfumes that hang around this place could tempt me inside after meeting a gaze like that.

...Vehicles are streaming past, the noise and fumes are almost overwhelming.

...my parting gift is a viscous kick in the head that should keep him out of action long enough for me to make an escape.
I'll plot out three major flaws in your writing.

- Your descriptors are too simplified. The adage "show, don't tell" holds true now, you MUST get used to describing sensations and action. Specific ones. You can't leave matters at "all sorts of equipment" and "hedonistic dances." What specific equipment? What was hedonistic about the dances? Were the girls twittling their hair? Were there vials, gauges and liquids on the table? Use action and sensory detail. Be specific in your writing.

- Cut the use of "and" in your descriptors. Don't use that article unless it is a necessary artistic element, ie, dialogue and beat-prose. You can cut off thoughts at one point. Basically, don't use three words when one will do.

- Ditto on the conflict dragging. You spend some unnecessary time describing his thoughts on things like prostitution: that's nice, but now you're overstating your character. You're giving us too much, too early in a genre that requires time to boil and cool down. Cut back on inner-monologues. Let his actions for him. Throw in a memory or two, talk about his life but keep it BRIEF and SUCCINCT then keep the plot points moving. This excerpt is 70% thought and 30% action. Try to invert that.

Other than that, keep at it. I like where the plot is leading and the suspense, also?you just need to refine the technical kinks. Sorry if I'm being very critical. Honestly, with the right mindset and work, you can definitely publish this piece.
 

MaxwellEdison

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Sep 30, 2010
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Just adding to a previous comment I made -

The style of the writing feels a lot like the first attempt to be an author type style. Don't just word things ridiculously to make it sound better - write often, find your own voice in writing.

I think pretty much all of this (besides the end) would be better as a Prologue, since almost all of it, as stated before, seems like fluff.
 

Tallim

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Mar 16, 2010
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You shouldn't show your work before it's finished and then only to people you trust to give you honest opinions. Quickest way to completely undermine your self confidence is to do exactly this. Especially if this is a first draft.

Best advice I ever got for writing fiction was to allow yourself to be a bad writer. Get the story down on paper, don't worry about grammar, details, spelling and all that stuff. Editing will take care of that.

I actually practice that online much to the annoyance of the grammar police.