It's alright, Nny. Just remember some dead people have feelings.axia777 said:DURH. *face palm slap* Sorry bro....PyroZombie said:StuddedZombie! I'm PyroZombie! Dead-ist...
....You know what i mean...
It's alright, Nny. Just remember some dead people have feelings.axia777 said:DURH. *face palm slap* Sorry bro....PyroZombie said:StuddedZombie! I'm PyroZombie! Dead-ist...
The Clock King was an awesome villain in the animated series. I personally would go see the new movie if this character was in it. Kudos to you.Fritzvalt said:Random though on this topic, Patrick Stewart as The Clock King.
>PyroZombie said:It's alright, Nny. Just remember some dead people have feelings.axia777 said:DURH. *face palm slap* Sorry bro....PyroZombie said:StuddedZombie! I'm PyroZombie! Dead-ist...
....You know what i mean...
Well, that's fine if you prefer the old style of Batman, the fact is the new Batman movies are done in a new style, much darker and thematically complex than the comic books, or even the old Batman movies. I happen to prefer that.CaptainCrunch said:I can only support your argument that Dark Knight is a good movie, but I will have to respectfully disagree that it is a good Batman movie. Nolan's Batman films are more akin to the Hannibal Lecter films than Batman, and in that regard I can concede Heath did well as Nolan's Joker. However, the original characters lack this type of depth by design, to leave the reader / viewer room to think about the motivation for these people, and what the represent in a larger vision of the world. Granted, this was done primarily to keep sales up for the comics, but reading between the lines isn't just for Hamlet.SonicKoala said:I call blasphemy on that statement, Jack Nicholsan's was just that - a joker. Heath Ledger introduced this unbelievably dark and edgy side to the character, making him so much more than just some psycho who wears face paint. He made it so you were eager for the Joker to appear - you wanted to see what Ledger was going to do with that performance next, and he never failed to disappoint. How he could go from a sort of sarcastic indifference in one part to psychotic rage in the next just felt so natural. Also, calling the Dark Knight a "bad remake" is ludacris. Better story, a lot more thematic depth, and FAR superior performances from every actor involved.
You're right to call Jack Nicholson a joker, because The Joker acts that way. He cracks stupid jokes all the time, and generally is crazy. He functions as a counterpoint to Batman's detective abilities being based in logic and instinct; Joker's plans lack a logic that Batman can understand, but his instinct is no less devious and potent. We don't need to know specifically that he was abused as a child, and it's not important how he got his characteristic permanent smile. Adding those details to the story makes him more Buffalo Bill than Joker. The Joker is a clown pimp that kills people for a laugh, not a slobbering bipolar hobo killing people to make the world more socially-aware because his parent's didn't love him enough.
You're supposed to half-laugh at his madness, then feel bad because he used laughing gas to kill a hundred party goers with a crappy pun like "this party is a gas!" Nolan's Joker sacrificed that well-defined character aspect in favor of a more realistic back story, and I'm not the only one that picked up on this and found it distasteful and annoying.
Because every Super hero had a showdown against the dictator. While it entertained the youth, it also give a little moral to the troops.Viva La Bob said:Also according to the page hitler was used as a villain for a few 40s comics.
It's quite fair to apply the "new style" caveat, and I respect your preference for thematic depth, however, what I saw was a Joker performance not suited to my tastes.SonicKoala said:Well, that's fine if you prefer the old style of Batman, the fact is the new Batman movies are done in a new style, much darker and thematically complex than the comic books, or even the old Batman movies. I happen to prefer that.
As for your analysis of the Joker, did you even WATCH the Dark Knight? Ledger's joker had ALL those characteristics you just described. He is completely and totally batshit insane! There is no logic behind any of the Joker's plans in the Dark Knight - he's doing it simply for the sake of doing it ("Some men just want to watch the world burn" ring any bells??). As for the Joker's "back story" you're talking about, you mean those two situations where the Joker begins to explain the story behind his scars, and CHANGES HIS STORY EACH TIME? First he says his father did it, then he said he did it to himself. Sure, the Joker hints (only twice, very subtly) that he hated his father, but that in NO WAY is the motivation behind his acts.
I have absoloutely no idea what movie YOU watched, but the traits of this "better" Joker that you are going on about is EXACTLY how the Joker was portrayed by Ledger in the Dark Knight. He was maniacal, illogical, and downright evil. Nolan's Joker in NO WAY sacrificed that character aspect. If anything, he augmented it with brilliant script writing, and an absoloutely unforgettable performance from Ledger.
They've already started filming. Too bad no info has been leaked out about it.NimbleJack3 said:I think attempting to make another batman movie, after the awesome of the dark knight, is a silly idea. Heath ledger's gone, so there's no more awesome joker bits.
If you want an evil cartoon clown, then alright, go read the comic books and watch the old batman cartoons. I prefer my characters to be a little bit more complex. And to just point out something, they DIDN'T add any backstory to the Joker. They made the Joker tell two conflicting stories about his "background", as you call it, yet all these served to do was make the Joker seem even more insane.CaptainCrunch said:It's quite fair to apply the "new style" caveat, and I respect your preference for thematic depth, however, what I saw was a Joker performance not suited to my tastes.SonicKoala said:Well, that's fine if you prefer the old style of Batman, the fact is the new Batman movies are done in a new style, much darker and thematically complex than the comic books, or even the old Batman movies. I happen to prefer that.
As for your analysis of the Joker, did you even WATCH the Dark Knight? Ledger's joker had ALL those characteristics you just described. He is completely and totally batshit insane! There is no logic behind any of the Joker's plans in the Dark Knight - he's doing it simply for the sake of doing it ("Some men just want to watch the world burn" ring any bells??). As for the Joker's "back story" you're talking about, you mean those two situations where the Joker begins to explain the story behind his scars, and CHANGES HIS STORY EACH TIME? First he says his father did it, then he said he did it to himself. Sure, the Joker hints (only twice, very subtly) that he hated his father, but that in NO WAY is the motivation behind his acts.
I have absoloutely no idea what movie YOU watched, but the traits of this "better" Joker that you are going on about is EXACTLY how the Joker was portrayed by Ledger in the Dark Knight. He was maniacal, illogical, and downright evil. Nolan's Joker in NO WAY sacrificed that character aspect. If anything, he augmented it with brilliant script writing, and an absoloutely unforgettable performance from Ledger.
BTW, you have taken my example of a rough childhood completely out of context. I am aware that he changes the story multiple times; the point I was illustrating is that adding back story to the Joker is a one-way street leading away from Funny Town, whether it is meant as a motivator for his actions or not. This is why I brought Buffalo Bill as an example - the only insight to what motivates him to make a suit of woman skin is the detective work of Ms. Starling (helped by Hannibal Lecter). In the case of the Joker, instead of wearing a woman skin suit and dancing around to Q Lazarus with his junk between his legs, it's clown makeup and a flying Christmas tree.
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He's a comedian that takes a joke too far, rather than a "maniacal, illogical, downright evil" guy with a penchant for screwing with Batman once a fortnight. Joker already has plenty of motivation to do absolutely anything a writer can think of - he's trying to make Batman (and the audience) laugh. That's all he has to do to be a good Joker. Anything more would make him more like Professor Moriarty in a purple suit than the "Clown Prince of Crime."
I'm not here to argue that one Joker is better than another, but rather that the Nolan Joker gained very little by adding thematic depth. In the eyes of old-school Joker fans (including myself), it was as sad and unnecessary as giving Devastator wrecking ball testicles.
That is actually one of the best descriptions of the Joker I have read in a long time.Ryokugax said:If everyone is going to keep going on about the Joker's incarnations and motivations you might as well look at the wikipedia pages on absurdism, nihilism and then stare at a wall for three hours and force yourselves to see a pattern in the blankness. That's the point of the Joker, sure he's a clown, a genius, a maniac and generally a bit of a knobhead.
He makes up his backstory as he goes along, or maybe he doesn't. Maybe he believes every single story, but only for the day. The theory of the Joker that seems to be held is this idea of rebuilding himself everyday, a kind of Supersanity whereby he IS what he thinks he is, if only for the short time he thinks of it.
Fair enough. I can agree with Nolan's Joker being like the Comedian, but that only further serves the requirement of a deeply darkened back story. The Comedian certainly has one to explain everything he does, even if there isn't an implicit "moment of clarity" where he suddenly becomes a jackass. In that regard, Nolan's Joker is just an incomplete Comedian, sacrificing a perfectly good literary device (irony) for a grittier / scarier appearance.SonicKoala said:If you want an evil cartoon clown, then alright, go read the comic books and watch the old batman cartoons. I prefer my characters to be a little bit more complex. And to just point out something, they DIDN'T add any backstory to the Joker. They made the Joker tell two conflicting stories about his "background", as you call it, yet all these served to do was make the Joker seem even more insane.
The Joker I saw in the Dark Knight had a lot of similarity to the Comedian from Watchmen. Both men saw society as being ethically and morally hypocritical. However, rather than seeing this as a sad and unfortunate characteristic, they saw it as a big joke. The only difference is the Joker devised plans simply for the purpose of exploiting this "joke" that is civilized society. What you seem to be wanting is a Joker that is committing attrocities against humanity for the sake of making them *ironically* laugh. Simply put, a really sinister clown with an incredibly twisted sense of humour. The Dark Knight featured a Joker that was committing these acts for the sole purpose of making HIMSELF laugh, while at the same time making the rest of society feel completely and utterly helpless, as they truly are. They took away the "clown" aspect, and personally, that was just so much more awesome in my opinion.
A rather all-encompassing point, don't you think? By your claim, Joker is everything we want him to be, and you want him to be Descartes without math. I'm not saying I disagree with you, just that your statement is vague enough to be accepted by just about anyone. The "because he's the Joker" clause is totally fine, but the addition of details regarding WHY the Joker is the way he is, no matter how impermanent, decries any purpose he serves to the character of Batman.Ryokugax said:If everyone is going to keep going on about the Joker's incarnations and motivations you might as well look at the wikipedia pages on absurdism, nihilism and then stare at a wall for three hours and force yourselves to see a pattern in the blankness. That's the point of the Joker, sure he's a clown, a genius, a maniac and generally a bit of a knobhead.
He makes up his backstory as he goes along, or maybe he doesn't. Maybe he believes every single story, but only for the day. The theory of the Joker that seems to be held is this idea of rebuilding himself everyday, a kind of Supersanity whereby he IS what he thinks he is, if only for the short time he thinks of it.
That's a fair point, I see how the "It's the Joker" sounds like a get out of jail free card, but the point of adding backstory is supposed to highlight the fact that his past is fluid. Look at Killing Joke. That's KIND OF accepted to be the closest we're going to get to the truth of the Joker, but that doesn't make it true.CaptainCrunch said:A rather all-encompassing point, don't you think? By your claim, Joker is everything we want him to be, and you want him to be Descartes without math. I'm not saying I disagree with you, just that your statement is vague enough to be accepted by just about anyone. The "because he's the Joker" clause is totally fine, but the addition of details regarding WHY the Joker is the way he is, no matter how impermanent, decries any purpose he serves to the character of Batman.
He could definately do BIG.UNKNOWNINCOGNITO said:Slyvestor Stalone ? I'd like to see him play a villainFiria said:Bane I would assume has some form of apperence in the next movie. Be it a short stint, or a long role. But who would play him, I wonder? Who can do BIG, and also BADass at the same time?
True THAT. Big applause to that post.axia777 said:That is actually one of the best descriptions of the Joker I have read in a long time.Ryokugax said:If everyone is going to keep going on about the Joker's incarnations and motivations you might as well look at the wikipedia pages on absurdism, nihilism and then stare at a wall for three hours and force yourselves to see a pattern in the blankness. That's the point of the Joker, sure he's a clown, a genius, a maniac and generally a bit of a knobhead.
He makes up his backstory as he goes along, or maybe he doesn't. Maybe he believes every single story, but only for the day. The theory of the Joker that seems to be held is this idea of rebuilding himself everyday, a kind of Supersanity whereby he IS what he thinks he is, if only for the short time he thinks of it.