Generally I try to view media in their order of appearance. For instance, I played Fate/Stay Night, watched its anime and now I'm reading the manga. Occasionally I won't be able to find scans of a series so I'll just move straight to anime. Shows based on light novels are a problem since the amount of work that has to go into translating one of the damn things; invariably I'll have to just settle for the anime. "Offenders" include A Certain Magical Index and Shana of the Burning Eyes (as you can see, I refuse to use a series' Japanese name if there's a perfectly serviceable English variant available).
Do I have a preference for one or the other? Manga's more practical but portability isn't really something to judge a medium on. Ultimately it comes down to whether you prefer TV or books.
Do I have a preference for one or the other? Manga's more practical but portability isn't really something to judge a medium on. Ultimately it comes down to whether you prefer TV or books.
I'm a huge fan of Dark Horse already since I found their adaptations of 3x3 Eyes and Oh My Goddess! (can someone please explain why the name has morphed into "Ah! My Goddess"?) to be pretty good but my opinion of them has just gone up even further. No real purpose is served by keeping things right-to-left save to cut costs. It's a shame because it's just another example of the manga localisation industry's Lelouch-strength desire to kill itself off.Syntax Error said:Dark Horse printed their translation of Blade of the Immortal that way because they started that series in 1997 (I think), and at that time, manga hasn't really taken off in the West (most manga at the time were mirrored), so they painstakingly cut and paste each and every panel of the manga to make it read from left to right, only mirroring the image when it's impossible to cut and paste (explains why sometimes, Manji's scar is on his right eye, instead of the left and vice-versa). This was done as a request by the author to keep the "integrity" of the art. They kept at it for ten years. Luckily for them, Hiroaki Samura almost always had rectangular panels.