Your Music pet peeves

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Iszfury

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Vault101 said:
Iszfury said:
I quite like Industrial! I just wish I had more exposure :(....any suggestions?

Yeah, it's also quite unfortunate concept albums have gone down the toilet, considering the trend towards the DL of individual songs as opposed to the recognition of the album as the prime listening format...it behaves as a reducing agent for the context of the art as a whole and totally downplays the significance of the listening experience.
unfortunatly Nine Inch Nails is all I know
there is Skinny Puppy..

I did like to buy albums and "discover" them...but its just to hit and miss for me..I'll usually go witht he safer bet of downloading stuff induvidually
I guess it really depends on whether the songs are meant to be listened to individually or in the context of an album. I generally discover bands through individual songs, anyway.
 

SuperSuperSuperGuy

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This is something that I've been thinking about for a while, actually: BASS AND BEAT DO NOT A GOOD SONG MAKE. There needs to be melody. Feeling. Emotion. Meaning. I can't think of a single recent song that makes me feel at all. It's also why I don't get why people like dubstep. Like, what's the appeal to it? It's all focused on odd unnatural sounds and deep bass. I mean, what sort of mood is it trying to put me in? Am I supposed to be angry, sad, happy or something else?
 

Kenbo Slice

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Dangit2019 said:
Oh, wait, I forgot to mention EMMURE; also known as the MOST DULL AND REPETITIVE BAND EVER FORMED.

Quick, I DARE you to tell the difference:

http://www.youtube.com/watch?feature=player_detailpage&v=86khmc6y1yE#t=54s

http://www.youtube.com/watch?feature=player_detailpage&v=k_gCvOoQbxg

http://www.youtube.com/watch?feature=player_detailpage&v=k_gCvOoQbxg

Aaaand this proves that "brutal" does not mean "good" at all.

Captcha: all singing

Oh the irony...
Yeah Emmure sucks, but they put on a hell of a live show.

OT: My biggest pet peeve is that most country singers sound the same >.< I really can't tell the difference.
 

Rickolas Walrus

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Iszfury said:
Yeah, it's also quite unfortunate concept albums have gone down the toilet, considering the trend towards the DL of individual songs as opposed to the recognition of the album as the prime listening format...it behaves as a reducing agent for the context of the art as a whole and totally downplays the significance of the listening experience.
Exactly. Like I have an album by the band Silverstein, and the songs are all great on their own (well most of them), and normally I wouldn't think anything of them being on the same album, but the fact that they're supposed to contribute to an overall story just doesn't really hold up to me. YES they're kiiiind of interconnected, but you could randomly reassign every song to any other Silverstein cd and they would fit in just fine

Vault101 said:
Year Zero (Ninch Inch Nails) is awsome..I don't have much experience with concept albums (being part of the download generation)

but the songs "meanings" become more clear when given context (not that they are non-sencial on their own) it has a very strong narrative (and aparently one crazy ARG at the time)

I even think year Zero reminds me of ME3
I do quite enjoy NIN, although I don't actually have any of their music or listen to them all that often. I'll have to check it out, thanks
 

Rickolas Walrus

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supersupersuperguy said:
This is something that I've been thinking about for a while, actually: BASS AND BEAT DO NOT A GOOD SONG MAKE. There needs to be melody. Feeling. Emotion. Meaning. I can't think of a single recent song that makes me feel at all. It's also why I don't get why people like dubstep. Like, what's the appeal to it? It's all focused on odd unnatural sounds and deep bass. I mean, what sort of mood is it trying to put me in? Am I supposed to be angry, sad, happy or something else?
At 3 in the morning with half naked, drunk women dancing around and strobe/black lights, it's actually quite awesome
 

renegade7

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Buffering. When you spend 5 minutes buffering for a 2 minute song.

Or when a 30 second ad takes 4 minutes to buffer, but it's only a 90 second song...come on...
 

Mysticgamer

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Vault101 said:
after searching a while back for some new music, I came across a few things that kind of annoy me

I'm not just talking about specific genres or artists you don't like (although thats certainly part of it)

just things that seem to regurly come up and piss you off

1. when you have an electronic track that actually sounds pretty good..it starts out nice, but then BAM it gets completly ruined by "lyrics"...some idiotic phrase repeated in the most annoying abnoxious way (you know what I'm talking about where the voice is all distorted into sounding deep..why do they do that? it doesnt sound good, it sounds fucking stupid)

(to be fair this isnt the worst exmaple..and I actually don't mind Bassnectar)

2. also electronic related, when I'm listening to a track..all is well but then the beat/temp shifts too...well I'm not sure what the technical term is (the type found in drum and bass genre) granted this one is entirly subjective, for some reason that combination does nothing for me..and kinda puts me off


3. ANY song with a guy and just his guitar (probably singing about a girl) blaarrgh..

4. alot of shallow songs about love..granted 90% of sings out there are about relationships but the same tired teenge style crap certainly wears thin
I hate when a song I like has about three or more techno remixes. Especially the mixes that simply repeats the first verse or the bidge of the song over and over for about ten minutes.
 

SuperSuperSuperGuy

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Rickolas Walrus said:
supersupersuperguy said:
This is something that I've been thinking about for a while, actually: BASS AND BEAT DO NOT A GOOD SONG MAKE. There needs to be melody. Feeling. Emotion. Meaning. I can't think of a single recent song that makes me feel at all. It's also why I don't get why people like dubstep. Like, what's the appeal to it? It's all focused on odd unnatural sounds and deep bass. I mean, what sort of mood is it trying to put me in? Am I supposed to be angry, sad, happy or something else?
At 3 in the morning with half naked, drunk women dancing around and strobe/black lights, it's actually quite awesome
Honestly, your statement does not make it seem any better... I REALLY don't like the idea of being up at 3 in the morning dancing to dubstep with drunken, half-naked women under strobe and/or blacklights. It sound offensive to most, if not all, of my senses, depending on the amount of physical contact involved and how intense the scent of alcohol and various other substances is.

That still doesn't answer my question, though: what does dubstep make one feel? What emotions does dubstep inspire in you, good sir?
 

Rickolas Walrus

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supersupersuperguy said:
Honestly, your statement does not make it seem any better... I REALLY don't like the idea of being up at 3 in the morning dancing to dubstep with drunken, half-naked women under strobe and/or blacklights. It sound offensive to most, if not all, of my senses, depending on the amount of physical contact involved and how intense the scent of alcohol and various other substances is.

That still doesn't answer my question, though: what does dubstep make one feel? What emotions does dubstep inspire in you, good sir?
It depends really. Sometimes it's just really good to chill to it, other times it's good for adding energy to something

However I will say this: original dubstep is shit. There's only one...uhm....composer that I enjoy original dubstep from and that is Ephixa. His pieces actually have at least some semblance of melody. In my opinion anyway

One of his chiller pieces

One of his more upbeat pieces

Remixes, on the other hand, I like a lot. Most of the time. If done correctly it amplifies what a song already made me feel on it's own, or it adds to the song some other way

 

Vault101

I'm in your mind fuzz
Sep 26, 2010
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supersupersuperguy said:
[Honestly, your statement does not make it seem any better... I REALLY don't like the idea of being up at 3 in the morning dancing to dubstep with drunken, half-naked women under strobe and/or blacklights. It sound offensive to most, if not all, of my senses, depending on the amount of physical contact involved and how intense the scent of alcohol and various other substances is.

That still doesn't answer my question, though: what does dubstep make one feel? What emotions does dubstep inspire in you, good sir?
I'm hesitant to use the term "dubstep" because im not 100% sure that counts as dubstep in some cases...

but puely electronic music can evoke emotion/meaning (I'm guess my favorite tracks dont fall under dubstep)


my absolute favorite...never gets old

this one here actually has context (the video) which adda to it


more glitch mob because they are THAT awsome


for [i/]actual[/i] dubstep


it does have the silly "wubs" but I found it provokes somthing
 

piinyouri

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supersupersuperguy said:
That still doesn't answer my question, though: what does dubstep make one feel? What emotions does dubstep inspire in you, good sir?
Fun.
Sometimes that's all I need to feel from music.
 

Sacman

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M0rp43vs said:
Sacman said:
When solo parts are "written" and played the same every time... I dunno... but to me it betrays the idea of a solo when it's not made up on the spot... that's why I like J Mascis... cause he plays his guitar solos different literally every time... though there might occasionally be a little part that's the same...<.<
To each their own, I suppose. If a solo is written before hand,(or better yet, just planned) they often have the potential to be mind-blowing because you have time to work out just how to let your music weave into the backing music. Also I thought the idea of solos is to give the spotlight to one musician and making up something on the spot is the idea of improvisation but I suppose I'm just being pedantic
Yeah to me it's not about working it into the song...or even being mind blowing... but to me it's a time of unbridled passionate fury filtered through an instrument without the constraints of other instrumentals getting in the way... that's why solos that are pure fuzz noise or solos that are "technically" unimpressive don't bother me in the slightest...<.<
 

repeating integers

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Rickolas Walrus said:
and concept albums (although I can still like songs off a concept album). I mean, I like the IDEA of a concept album, but hardly anyone ever does it correctly. They usually end up being completely random songs with vaguely similar/related lyrics. I think the only concept albums I've liked are done by Dream Theater
Try "A Thousand Suns" by Linkin Park. A concept album about war, corruption and the atomic bomb with great thought given to presentation (like sequencing and production) and lyrics. Caused a massive split straight down the middle of fans and critics - between those that understood it and loved it, and those that only looked at albums as collections of songs rather than a whole. Also, it sounds very, very little like "normal" Linkin Park (nothing remotely metal about it, for starters).

The full thing:

<youtube=mvyJBdXXxDY>

supersupersuperguy said:
This is something that I've been thinking about for a while, actually: BASS AND BEAT DO NOT A GOOD SONG MAKE. There needs to be melody. Feeling. Emotion. Meaning. I can't think of a single recent song that makes me feel at all. It's also why I don't get why people like dubstep. Like, what's the appeal to it? It's all focused on odd unnatural sounds and deep bass. I mean, what sort of mood is it trying to put me in? Am I supposed to be angry, sad, happy or something else?
Hmm, recent music with feeling? Try these:

<youtube=lwhbcdbkeXY>

<youtube=3dm_5qWWDV8&ob=av2e>

<youtube=n-uJoPmOWAY>

<youtube=Lb9X5jMofEo>

<youtube=BbWBRnDK_AE>

All different kinds of feeling in there.
 

AnarchistFish

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Jul 25, 2011
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Wow, ok, this might be a long list.

1. People confusing dubstep with electro, or DnB. Especially when this means people who dislike "dubstep" automatically dismiss actual dubstep artists who sound nothing like those mainstream producers
2. People using any electronic subgenre (e.g. Trance, Techno) as a word for electronic music in general
3. Screamo being confused with metal/hardcore in general
4. Really overproduced, breakdown filled metalcore (and these bands' fans)
5. People who equate popularity with quality
6. Every single fucking youtube comment on any music video ever, especially "if you don't like it, why did you listen to it???" (that one is just so stupid ugh)
7. Metalheads who blanket believe all other genres (especially Hip Hop) are shit
8. People who blanket believe that metal is shit
9. Bands who in every single pre-album release interview bullshit that "this is our best album yet!!!!"
10. Bands who pretend they're doing something creative or different but keep shitting out the same old dull crap they've been doing for years
11. People who dismiss all electronic music for being "soulless" or some other crap
12. The music industry

I could go on

Already seen quite a few of these in this thread
 

Thaliur

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lacktheknack said:
Thaliur said:
What I can't stand in music is mostly women screaming nonsense out of tune (I am looking at you, Katy, Christina, Rihanna and actually about 90% of the RnB genre!)
?

Katy is a triumph of applied autotune, and keeps her screeching to a minimum, and Rihanna doesn't fit your peeve in the slightest.

(Christina does, although that's her entire schtick.)
Then maybe we have different tresholds for screaming. All I ever hear in Rihanna's songs is whiny screaming, the worst being "Russian Roulette".
And Katy Perry... Well, she is autotuned, but still screams apparently out of tune (or in tune, and the tune is just awful), like in "Firework"

Yes, I heard these two songs often enough to even know their names. I stopped using radio now.
 

AnarchistFish

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supersupersuperguy said:
This is something that I've been thinking about for a while, actually: BASS AND BEAT DO NOT A GOOD SONG MAKE. There needs to be melody. Feeling. Emotion. Meaning. I can't think of a single recent song that makes me feel at all. It's also why I don't get why people like dubstep. Like, what's the appeal to it? It's all focused on odd unnatural sounds and deep bass. I mean, what sort of mood is it trying to put me in? Am I supposed to be angry, sad, happy or something else?
Yeah this already ticks two of what I said (maybe I get pissed off too easily).

Listen to this dubstep song and tell me it's emotionless.

 

AnarchistFish

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Nazulu said:
I do listen to some screamo songs, but that's only cause the riffs are good.
That's odd cos screamo isn't known for its great riffs.

Kerboom said:
Also, I dislike any rap I've heard thus far, it's just a person talking.
Come on this is just silly. The beats and production are a huge part, as well as the power of the rhythm and how it interacts with the lyrics.

hazabaza1 said:
Oh, and all dubstep. All of it.
Noooo guy-with-the-stephen-fry-avatar-who-usually-comes-across-as-pretty-cool :(
Don't fall for it :(
Not all dubstep is wubwubwub-y.

Unless you actually do hate all dubstep. In which case, oh well.

(I wonder how many times I've linked Burial on this site...)
 

Vault101

I'm in your mind fuzz
Sep 26, 2010
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OhJohnNo said:
Try "A Thousand Suns" by Linkin Park. A concept album about war, corruption and the atomic bomb with great thought given to presentation (like sequencing and production) and lyrics. Caused a massive split straight down the middle of fans and critics - between those that understood it and loved it, and those that only looked at albums as collections of songs rather than a whole. Also, it sounds very, very little like "normal" Linkin Park (nothing remotely metal about it, for starters).

The full thing:

<youtube=mvyJBdXXxDY>

.
I actually really liked Thousand suns..didn't get all the hate

and now I associate "The Catalyst" with Mass effect 3....for obvious reasons (seriously it totally fits)
 

Kerboom

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AnarchistFish said:
Kerboom said:
Also, I dislike any rap I've heard thus far, it's just a person talking.
Come on this is just silly. The beats and production are a huge part, as well as the power of the rhythm and how it interacts with the lyrics.
Let me rephrase then.

It's just someone talking with what is almost always one or more synths in the background.

Seriously, I wish people would learn to fucking play instruments rather than getting a keyboard and turning it to the "drums" setting.

Honestly, considering all 50 Cent and Jay-Z and all those other guys talk about is either money or bitches and hoes, they can fuck right off. They have far too much money for what they do.